Rena Mosteirin ’05 reads from her new poetry collection ‘Disaster Tourism’ at Still North

The Dartmouth lecturer and Left Bank Books owner shared her poetry with students, locals and friends on Oct. 14.

The undergraduate art and art history publication ‘Ephemera’ goes into second issue with new focus

Founded in 2024 as a formal academic journal, the organization’s leaders have spearheaded its rebranding into a more casual magazine this year.

Theater department hosts ‘The First-Year Project,’ a cabaret-style showcase for ’29s by ’29s

Part of an annual event, the acts this year featured acting, singing and dancing.

Review: ‘The Life of a Showgirl’ is a spectacle that lacks substance

Taylor Swift’s 12th studio album promises a glimpse behind the glitter, but does not deliver.

Dartmouth community celebrates professor and filmmaker Jeffrey Ruoff with Hop Film event

The Oct. 5 event honored Ruoff by screening a selection of his films, including the personal “Bon Voyage” and the pandemic-inspired “You Know, Like, Zoom.”

Review: ‘After the Hunt’ is a cathartic thriller weakened by an ambitious and pretentious script

While boasting striking acting and visuals, Luca Guadagnino’s stylized film suffers from heavy handed dialogue.

AI in Art?: Q&A with media with chair of film and media studies

Professor Roopika Risam said that AI “forces us to ask ourselves what it means to be an author or artist.”

‘Visual Kinship’ explores how photography shapes the idea of family

The Hood Museum’s fall exhibition considers how images represent and challenge family relationships within colonialism, migration and queer intimacy.

With an emphasis on foreign-language films, Telluride at Dartmouth this year reflected a national trend

In this year’s film festival, which took place from Sept. 17 to Sept. 21, five out of the six films were international.

Mia Nelson ’22 releases debut poetry collection on love, nature and growing up

Nelson discusses how her Dartmouth experience shaped “I’ve Never Loved Somebody and Made Them Worse.” 

Review: ‘One Battle After Another’ is the best movie of 2025

Featuring a thrilling plot, standout acting and the exploration of power dynamics, the film is Paul Thomas Anderson’s successful first venture into political commentary.

A ‘symphony of light’: A nontraditional production of Stravinski’s ‘The Firebird’ is shown at the Hopkins Center

As a prelude to the Hopkins Center for the Arts’s reopening, Touki Delphine’s musical installation version of the classic score was staged at the Daryl Roth Studio Theater.

Dayglow visits Dartmouth as Fallapalooza headliner

Indie star Dayglow headlined Fallapalooza, delivering a colorful start to Dartmouth’s fall term while drawing a variety of reactions from students.

Review: ‘Come From Away’ at Northern Stage is a reminder of humanity’s capacity for goodness

Northern Stage’s production of the critically acclaimed musical captures the true story of a small-town safe haven in the wake of 9/11.

Review: ‘The Secret Agent’ is a deeply intelligent Brazilian film that explores how history is told

Balancing chaos and tenderness, the film offers moments of humor, delight and reflection.

New Hood exhibition ‘Hidden Histories: Art, Provenance and the Nazi Era’ opens

Curated as part of the “A Space for Dialogue” program, the exhibition grapples with questions around artworks’ acquisition and stewardship.

English professor Peter Orner on his new book ‘The Gossip Columnist’s Daughter’

Inspired by the “great Chicago writers,” the historical fiction novel follows a writer’s obsession with a murder case.

Kruse Reviews: ‘The Conjuring: Last Rites’ is a mediocre rehash

The fourth installment in the horror series fails to conjure up the scares of the previous films.

What We’re Reading: ‘The Tramp Printers: Forgotten Trails of the Traveling Typographers’