‘American Pop’ reconsiders pop art across time and culture
The Hood Museum exhibition places canonical and contemporary works in dialogue to examine how Pop visual language has shaped American identity and consumerism.
The Hood Museum exhibition places canonical and contemporary works in dialogue to examine how Pop visual language has shaped American identity and consumerism.
A deft allegorical and heartwarming tale, the sequel recalls the magic of Disney past.
On view through Aug. 8, the exhibition assembles nearly 50 objects from the museum’s permanent collection to tell a visual story of America’s founding.
Featuring a complex protagonist and acting alongside an exhilarating plot and cinematography, Josh Safdie’s first solo film hits the cinematic jackpot.
With whimsical cinematography and standout acting, the novel’s latest adaptation brings its exploration of character to life.
As the music industry moved past spectacle and virality, these records stood out for their honesty, ambition, and refusal to play it safe.
In this meditative portrait on the human condition, standout performances by Ethan Hawke, Andrew Scott and Margaret Qualley are the life of the film.
Giving a modern refresh to the classic story, the play will feature 15 young actors and three Dartmouth students alongside professional actors.
The album is the most overlooked masterpiece of a year characterized by overproduced music.
Emma Stone and Jesse Plemons give fantastic performances in the conspiracy themed satire.
The Hood Museum of Art lends students works of art for the academic year that they can hang up in their dorms and apartments.
Under the breathtaking scenery of the Swiss Alps, Murer crafts a quiet, unsettling tale of connection and confinement.
Dartmouth College Wind Ensemble celebrates the Hop reopening with a performance featuring world-renowned Venezuelan artists Pacho Flores and Héctor Molina.
Screened at the Hop on Oct. 25, the short adventure film series was more effective at showcasing human resilience beyond the sports world than extreme sports.
On Nov. 2, the Hopkins Center for the Arts ensemble presented its termly performance with a program spanning six centuries of music.
The nuclear thriller is tense, compelling and well-directed but hamstrung by its narrative structure and an unsatisfying conclusion.
Brazilian filmmaker Anna Muylaert’s latest film follows a Black Brazilian woman trying to break free from a cycle of domestic abuse.
After three years in a temporary location, the jewelry studio has reopened with full resources for students looking to destress, make something and find a sense of community.
Performed by Shaker Bridge Theatre from Oct. 2 to Oct. 19, the 2018 play follows an elementary school dealing with a mumps outbreak.
As part of the Dartmouth Arts Weekend Celebration, the Hopkins Center for the Arts hosted the multi-medium performance “We Are Water” combining Western and Indigenous music and storytelling.