Laugh Track: No shortage of funny business at Dartmouth
The Dartmouth spoke with members of three comedic performance groups and a satirical publication on campus to understand how they keep campus laughing.
The Dartmouth spoke with members of three comedic performance groups and a satirical publication on campus to understand how they keep campus laughing.
The Mexican composer’s “Sinfonía Nómada,” commissioned through the Hopkins Center for the Arts’ Mexican Repertoire Initiative, premiered at Dartmouth in a May 23 program devoted to Márquez.
Boots Riley’s new film is a zany pro-labor romp that swings for the fences, even if it doesn’t always connect.
Fully directed, produced and acted by students, the show, adapted from the classic board game and 1985 film, opens tonight in the Warner Bentley Theater at the Hopkins Center for the Arts.
The final season of the superhero satire show squanders its potential with messy plotting and dreadful dialogue.
The six-member group played on the festival’s mainstage before headliners Grouplove and MKTO.
The orchestra performed in Spaulding Auditorium, while the dance ensemble performed in the Daryl Roth Studio Theater, with each space receiving a live or projected feed of the other.
The 2025 documentary accompanies former secretary of labor Robert Reich ’68 during his final semester teaching at the University of California, Berkeley.
Although Grouplove may not have been the Green Key announcement many students wanted, the indie-pop band’s discography still contains several enjoyable, catchy tracks worth a listen.
Since the renovations in the fall, the Top of the Hop opens up to the community on evenings Wednesday through Friday.
Monahon discussed her play “Wonder! A Woman Keeps a Secret” and how her Dartmouth experience shaped her career as a playwright.
The workshop invited visitors to create collages from cereal boxes and other recycled packaging to celebrate the museum’s “American Pop” exhibition.
Nine participating artists share their projects and highlights from the festival.
The concert film covering Billie Eilish’s most defining era is both a victory lap and a startlingly personal portrait of modern pop stardom.
The long-awaited sequel examines how fashion journalism has — and hasn’t — changed.
The biographical comedy-drama, based on the life of activist John Davidson, is a tender and uplifting call for understanding.
The fourth season offers greater suspense and emotional impact than past entries.
The quarterly “Art in Focus” program, co-run with Dartmouth Health’s Aging Resource Center, pairs gallery discussion with hands-on art-making.