Editors' Note
The arrival of spring and the many students returning from (purposefully timed) winter off terms jolts the College on the Hill awake.
The arrival of spring and the many students returning from (purposefully timed) winter off terms jolts the College on the Hill awake.
For many Dartmouth students, a drive to learn seems to come naturally; students are constantly engaged in a rigorous 10 week-term of three — or four — highly focused courses and several extracurricular activities. However, once we try to trace back the intellectual motivation that fuels this constant “grind,” we might not always be sure why we do what we do.
After working for the Ambulante film festival in Mexico, Cecilia explores the importance of telling stories through film.
Julia reviews the hypnotist demonstration in Psychology 28, "Cognition."
Does moral good arise from empathy? Elise discusses.
Clara examines her life from childhood to the far future, as well as what she wants to be when she grows up.
Jaden sits down with psychology professor Howard Hughes to discuss vision, light and blindness.
This week, the Mirror squad looks into the future towards Green Key, following the theme "vision."
Members of the Mirror staff recall dreams, zodiac signs, card readings and happy places.
Ishaan photographs his interpretation of the word "vision."
Some members in the senior society Palaeopitus express frustration with what they can and can't accomplish by the end of the year.
Eliza Jane explores the professor-student dynamic at Dartmouth, as well as the importance of personal connections.
Elise frames "postmodern love" in the relationships she has with her two roommates.
Cris profiles some of Dartmouth's most well known donors.
Clara house hunts for a post-graduate apartment in Boston.
The intrepid Mirror team focused on representations of "power" on campus this week.
Ishaan photographs his interpretation of the word "power."
Kelly Gaudet '17 describes her experience as a writer and director of "Feminist Shakespeare."
In a "Through the Looking Glass" feature, Natalie Mendolia '19 uses creative writing to grasp an ever-changing reality.