Skip to Content, Navigation, or Footer.
Support independent student journalism. Support independent student journalism. Support independent student journalism.
The Dartmouth
March 30, 2026
The Dartmouth
Arts
artivism
Arts

New platform ‘Artivism’ provides forum for activism, art

By Paulina Marinkovic | February 15, 2021

In the wake of last year’s Black Lives Matter protests and ongoing calls for racial justice, Walt Cunningham, director of Dartmouth's Gospel Choir and Contemporary Pop Ensembles, launched “Artivism,” an organization based in the music department that sponsors and produces arts-related social justice projects run by students and faculty. 

Weezer_OK_Human_album.jpg
Arts

Review: Weezer’s 'OK Human' a sincere, dynamic return to the band’s roots

By Jack Hargrove | February 11, 2021

No other band has had as inconsistent a career as Weezer has. After achieving critical and commercial success with the power-pop of their 1994 self-titled first album, the darker direction of Weezer’s second album, “Pinkerton,” initially drew negative reviews, despite later achieving cult status. Lead singer Rivers Cuomo’s embarrassment over “Pinkerton” led to a long series of albums in the 2000s full of safe, boring pop music that lacked the magic of Weezer’s early work. While the band did produce a couple of albums I enjoyed during this period, particularly 2016’s “White Album,” they reached a low with 2019’s “Black Album.”

sophie.png
Arts

A tribute to Sophie, hyperpop pioneer and LGBTQ+ icon

By Jessica Sun Li | February 8, 2021

Sophie Xeon, stylized as SOPHIE, was a Grammy-nominated avante garde singer and producer behind some of the biggest names in pop music.  Before the artist’s unexpected death at 34 on Jan. 31, Sophie had pioneered the hyperpop subgenre — a radical blend of trance, electronic and hip hop music —  and collaborated frequently with pop stars like Charli XCX. As a transgender artist, Sophie also inspired many LGBTQ+ listeners and queer musicians.

winter carnival poster
Arts

Winter Carnival designs give video games a Dartmouth twist

By Elizabeth Barrett | February 8, 2021

A staple of a 111-year-old tradition, the Winter Carnival art competition this year drew on the theme “Level Up: Carnival Rebooted,” inspired by the largely digital nature of the event. This year, Allan Rubio ’23 created the winning poster design, which depicts a video game set up in a dorm room overlooking Baker Tower. Brian Lee ’22 made the winning T-shirt design, featuring the classic Atari “Pong” game as its foundation.

Wesel Art Piece__Final.jpg
Arts

Review: ‘The Weasel's Tale’ offers plot twists and dark comedy

By Paulina Marinkovic | February 1, 2021

A decade after Argentinian director Juan José Campanella’s “The Secret in Their Eyes” won the 2010 Academy Award for best foreign film, Campanella made his return to live-action cinema with “The Weasel’s Tale” — a remake of the 1976 film “Yesterday's Guys Used No Arsenic.” Campanella’s dark comedy, offered through the Hopkins Center for the Arts’ “Film on Demand” series until Wednesday, follows former starlet Mara Ordaz, played by Graciela Borges, who lives with three filmmaking colleagues in a secluded mansion on the outskirts of Buenos Aires. 

Trending
The Dartmouth