On Wednesday, August 4, Dartmouth’s Hood Museum of Art reopened its doors to all visitors in the wake of the pandemic.
Dance, a capella and improvisation groups open spots for temporary members, and sophomores flock to try a new activity or return to an old artistic passion.
Professor of art history at Ithaca College Jennifer Jolly spoke on Mexican mural art and activism in the 1930s.
In the wake of last year’s Black Lives Matter protests and ongoing calls for racial justice, Walt Cunningham, director of Dartmouth's Gospel Choir and Contemporary Pop Ensembles, launched “Artivism,” an organization based in the music department that sponsors and produces arts-related social justice projects run by students and faculty.
A decade after Argentinian director Juan José Campanella’s “The Secret in Their Eyes” won the 2010 Academy Award for best foreign film, Campanella made his return to live-action cinema with “The Weasel’s Tale” — a remake of the 1976 film “Yesterday's Guys Used No Arsenic.” Campanella’s dark comedy, offered through the Hopkins Center for the Arts’ “Film on Demand” series until Wednesday, follows former starlet Mara Ordaz, played by Graciela Borges, who lives with three filmmaking colleagues in a secluded mansion on the outskirts of Buenos Aires.
“Enola Holmes” — one of the newest entries to Netflix’s catalog, based on the young adult series by Nancy Springer — is a fun, adventurous and action-packed film that brilliantly reinvents the Sherlock Holmes franchise. Directed by Harry Bradbeer and written by Jack Thorne, “Enola Holmes” centers on the life of the youngest Holmes sibling, Enola (Millie Bobby Brown), and her journey to reunite with her missing mother while forging her own sense of freedom. While the film contains some elements of the classic Holmes mysteries, it adds a new twist with its focus on social activism and female intellect. From start to finish, the film successfully creates a world that places a strong-willed heroine center-stage, offering a timeless lesson on female empowerment.
On Aug. 19, Brooklyn-based sculptor Ursula von Rydingsvard's “Wide Babelki Bowl” — a large cedar sculpture resembling “babelki,” or knots on a sweater — became the newest addition to Dartmouth’s collection of public art installations.
Forced to stay at home amid lockdowns across the nation, several Dartmouth students have been inspired to pick up a new hobby and use art, in its many forms, as a creative outlet. For many, art has been a beneficial tool for stress relief, taking a break from the news and bridging the gap in interpersonal connection created by social distancing.