Jack Hargrove


Articles

Arts

Review: ‘Miss Anthropocene’ blends Grimes’ new and old styles

For Claire Boucher, the last few years have marked a massive change in popularity. Between the critical and commercial success of her 2015 album “Art Angels” and her high-profile relationship with billionaire Elon Musk, Boucher, better known as Grimes, has become a genuine celebrity. Her prodigious rise to stardom probably comes as a surprise to anyone familiar with her work since the beginning — which was full of obscured vocals and avant-garde goth-punk — especially since it took four albums for her to become a household name.


Arts

Review: Tame Impala's 'The Slow Rush' explores temporal themes

Over the last decade, Kevin Parker has used his solo project Tame Impala to create incredible anthems of loneliness and isolation. Ever since his 2010 single “Solitude is Bliss,” Parker has pushed himself further and further away from society, using his lyrics to present himself as an outsider looking in. Even the album cover of Tame Impala’s 2012 album “Lonerism” depicts people picnicking on the other side of a fence, just out of reach. During the production of his next album “Currents” in 2015, Parker withdrew even further, working meticulously on each track. And while these songs dealt more with interpersonal relationships than any of his previous works, the lyrics made it clear that Parker felt more alone than ever.





Arts

Review: Poppy demonstrates growth in new album “I Disagree”

In many regards, the advent of the Internet has changed the landscape of music more than anything since the invention of the phonograph. From the explosion of microgenres such as vaporwave and cloud rap in the 2010s to streaming services allowing immediate access to just about every song ever recorded, the music industry is almost unrecognizable to what it was pre-Internet. One of the more significant aspects of the new music industry is the now meteoric pace at which stars can rise through the use of websites such as SoundCloud, Bandcamp and even YouTube — all of which allow anyone to find an audience much more easily than in the past. 


Arts

2019 Music in Review: The 10 best albums of the year

From start to finish, 2019 has been a whirlwind year for music. It has been a year of innovation and excitement in nearly every genre, whether it be hip-hop, folk, pop or any other. While there were dozens of albums that could be recognized for their brilliance this year, I’ve had to narrow it down to only 10 for this list. These 10 albums have all introduced new ideas into their respective genres while still being an enjoyable listen from start to finish. In a way, all of them manage to reflect the issues of the time while still sounding distinctly human.


Arts

Review: FKA twigs’ 'Magdalene' develops her unique sound

There is no one in the world who sounds like FKA twigs. Her music contains a multitude of recognizable influences, sure, but the way in which she seamlessly weaves together musical ideas from a broad range of genres and styles into her own music is unique to her and her alone in the modern landscape of popular music. 


Arts

Review: 'Jesus Is King' lacks Kanye's usual brilliance

For fans of Kanye West, there is nothing in the world more stressful than when he announces a new album. Kanye’s album rollouts are never anything less than a full-blown spectacle, often containing controversial statements, ill-conceived actions, pushed-back release dates and even major changes made to both the album’s title and content. After scandals like the “Imma let you finish” fiasco with Taylor Swift leading up to 2010’s “My Beautiful Dark Twisted Fantasy,” the numerous name changes to 2016’s “The Life of Pablo” and Kanye’s public embrace of Donald Trump before 2018’s “Ye,” veteran Kanye fans thought that nothing else he could do would surprise them.


Arts

Review: 'Norman F—ing Rockwell' balances style and substance

“Norman F—ing Rockwell!” is easily Lana Del Rey’s best work to date. Upon its reveal, the cover art of “NFR!” created a considerable amount of controversy within Lana Del Rey’s fanbase. While her previous covers all use similar bold fonts for the title of the album and feature cinematic images of Del Rey alone with a car and wearing white, conservative outfits, “NFR!” goes in a different direction.