Theater department stages ‘American Idiot’ at the Hopkins Center for the Arts
The musical, previously a Broadway production, is a punk-rock adaptation of Green Day’s 2004 album of the same title.
Dartmouth College Wind Ensemble premieres original symphony by Arturo Márquez
The Mexican composer’s “Sinfonía Nómada,” commissioned through the Hopkins Center for the Arts’ Mexican Repertoire Initiative, premiered at Dartmouth in a May 23 program devoted to Márquez.
Kruse Reviews: ‘I Love Boosters’ is an anti-capitalist acid trip that mostly works
Boots Riley’s new film is a zany pro-labor romp that swings for the fences, even if it doesn’t always connect.
Displaced Theatre Company stages student-led production of ‘Clue’
Fully directed, produced and acted by students, the show, adapted from the classic board game and 1985 film, opens tonight in the Warner Bentley Theater at the Hopkins Center for the Arts.
Kruse Reviews: ‘The Boys’ spins its wheels to an underwhelming conclusion
The final season of the superhero satire show squanders its potential with messy plotting and dreadful dialogue.
Inside Avalanche, the student band that opened Green Key
The six-member group played on the festival’s mainstage before headliners Grouplove and MKTO.
DSO and Dance Ensemble stage 'Firebird' across two Hop theaters
The orchestra performed in Spaulding Auditorium, while the dance ensemble performed in the Daryl Roth Studio Theater, with each space receiving a live or projected feed of the other.
Review: ‘The Last Class’ showcases pressing issues faced by America’s elite universities
The 2025 documentary accompanies former secretary of labor Robert Reich ’68 during his final semester teaching at the University of California, Berkeley.
Ten Grouplove songs other than ‘Tongue Tied’ worth listening to before (and after) Green Key
Although Grouplove may not have been the Green Key announcement many students wanted, the indie-pop band’s discography still contains several enjoyable, catchy tracks worth a listen.
Hop on pop: reflecting on the new Top of the Hop
Since the renovations in the fall, the Top of the Hop opens up to the community on evenings Wednesday through Friday.
Pulitzer Prize finalist Talene Monahon ’13 returns to Northern Stage
Monahon discussed her play “Wonder! A Woman Keeps a Secret” and how her Dartmouth experience shaped her career as a playwright.
Pop artist Michael Albert leads ‘Cerealism’ collage workshop at Hood Museum
The workshop invited visitors to create collages from cereal boxes and other recycled packaging to celebrate the museum’s “American Pop” exhibition.
Student artists reflect on third annual HanUnder Arts Festival
Nine participating artists share their projects and highlights from the festival.
Review: ‘Hit Me Hard and Soft: The Tour’ pushes music and cinema to their emotional limits
The concert film covering Billie Eilish’s most defining era is both a victory lap and a startlingly personal portrait of modern pop stardom.
Review: ‘The Devil Wears Prada 2’ stitches the past and present into a stylish return
The long-awaited sequel examines how fashion journalism has — and hasn’t — changed.
Kruse Reviews: ‘I Swear’ is a hilarious and deeply moving portrait of life with Tourette syndrome
The biographical comedy-drama, based on the life of activist John Davidson, is a tender and uplifting call for understanding.
Review: ‘Invincible’ raises the bar in its best season yet
The fourth season offers greater suspense and emotional impact than past entries.
Hood Museum tour opens galleries to visitors with dementia
The quarterly “Art in Focus” program, co-run with Dartmouth Health’s Aging Resource Center, pairs gallery discussion with hands-on art-making.
Kruse Reviews: ‘Michael’ is a mindless and hagiographic tribute to the King of Pop
Antoine Fuqua’s sanitized biopic offers slick spectacle but little substance in its portrait of Michael Jackson.