‘Visual Kinship’ explores how photography shapes the idea of family
The Hood Museum’s fall exhibition considers how images represent and challenge family relationships within colonialism, migration and queer intimacy.
The Hood Museum’s fall exhibition considers how images represent and challenge family relationships within colonialism, migration and queer intimacy.
From improv to a-capella: a look into the fall audition process for freshmen hoping to join performance arts groups.
In this year’s film festival, which took place from Sept. 17 to Sept. 21, five out of the six films were international.
Nelson discusses how her Dartmouth experience shaped “I’ve Never Loved Somebody and Made Them Worse.”
Featuring a thrilling plot, standout acting and the exploration of power dynamics, the film is Paul Thomas Anderson’s successful first venture into political commentary.
As a prelude to the Hopkins Center for the Arts’s reopening, Touki Delphine’s musical installation version of the classic score was staged at the Daryl Roth Studio Theater.
Indie star Dayglow headlined Fallapalooza, delivering a colorful start to Dartmouth’s fall term while drawing a variety of reactions from students.
Northern Stage’s production of the critically acclaimed musical captures the true story of a small-town safe haven in the wake of 9/11.
Balancing chaos and tenderness, the film offers moments of humor, delight and reflection.
Curated as part of the “A Space for Dialogue” program, the exhibition grapples with questions around artworks’ acquisition and stewardship.
Inspired by the “great Chicago writers,” the historical fiction novel follows a writer’s obsession with a murder case.
The fourth installment in the horror series fails to conjure up the scares of the previous films.
The striking directing, acting and cinematography redeem a somewhat lackluster plot.
DCO’s inclusive approach to music and membership fosters a unique culture of diversity and fun.
From student sculptors to Junction Arts Media, freshmen can find hubs for art across the Upper Valley.
From improv groups to the satirical newspaper, students find community in the College’s varied comedy scene.
On Monday, Cambridge University Press announced that Gen Z and Alpha slang are among this year’s 6,000 new entries to the online edition of Cambridge Dictionary.
Through paintings of Asian-American women as well as Buddhist figures, the exhibition reckons with identity, suffering and liberation.
The intriguing mystery features richly developed characters and a series of wild plot reveals.