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The Dartmouth
February 9, 2026 | Latest Issue
The Dartmouth
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artivism
Arts

New platform ‘Artivism’ provides forum for activism, art

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In the wake of last year’s Black Lives Matter protests and ongoing calls for racial justice, Walt Cunningham, director of Dartmouth's Gospel Choir and Contemporary Pop Ensembles, launched “Artivism,” an organization based in the music department that sponsors and produces arts-related social justice projects run by students and faculty. 



Parkhurst Naina Bhalla
Special Issue

Exploring the maze: The history, growth and power structure of Dartmouth’s administration

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Since its founding, Dartmouth’s administration has evolved from just a few roles into a sizable bureaucratic web. As Dartmouth grew both in size and in operational complexity, the College added a slew of new positions, and responsibilities — especially of the president and provost — have shifted. However, all senior administrators still work under the overall direction of the Board of Trustees. 







gsa_the_dartmouth
Special Issue

In search of safe spaces: Revisiting the illicit recording of a 1984 Gay Student Association meeting

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On April 29, 1984, The Dartmouth Review secretly recorded and published details of a Gay Student Association meeting on campus. In the fallout of the event, campus-wide conversations arose on privacy and how to support LGBTQ+ students. Decades later, the legacy of the incident persists, as do concerns regarding privacy in queer spaces on campus. 







Shontay Delalue_original.jpg
News

Shontay Delalue named senior vice president and senior diversity officer

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On Feb. 4, the College announced that Shontay Delalue will serve as the College’s senior vice president and senior diversity officer, the administration’s point person on equity and inclusion. Delalue, who currently serves as the vice president for institutional equity and diversity at Brown University, will assume her role on July 1.



Weezer_OK_Human_album.jpg
Arts

Review: Weezer’s 'OK Human' a sincere, dynamic return to the band’s roots

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No other band has had as inconsistent a career as Weezer has. After achieving critical and commercial success with the power-pop of their 1994 self-titled first album, the darker direction of Weezer’s second album, “Pinkerton,” initially drew negative reviews, despite later achieving cult status. Lead singer Rivers Cuomo’s embarrassment over “Pinkerton” led to a long series of albums in the 2000s full of safe, boring pop music that lacked the magic of Weezer’s early work. While the band did produce a couple of albums I enjoyed during this period, particularly 2016’s “White Album,” they reached a low with 2019’s “Black Album.”