Arts

Korot and Reich bring avant-garde video art to Hop

By Heather Kofke-Egger | April 13, 2000

The Montgomery Fellows will screen 'Hindenburg,' the first act of a video opera about 20th century technology

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Arts

AtomFilms -- short but sweet

By Steve Kantor and Jason Kobilka | April 12, 2000

The website features short films, reviving a long-forgotten genre

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Arts

'Followers' bungles fraternity anti-hazing message

By Mark Bubriski and Jennifer Thomas | April 10, 2000

A screening of Jonathan Flicker's film disappoints a Dartmouth audience with laughable acting and dialogue

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Arts

The Paul Taylor Dance Company spends weekend at the Hopkins Center

By Francine Rubin | April 6, 2000

Dancers will perform critically acclaimed `Piazzola Caldera' at the Moore Theater

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Arts

John Cusack makes 'High Fidelity' a high-quality film

By Hank Leukart | April 5, 2000

Stephen Frears directs a clever romantic comedy that investigates the phenomenon of Gen-X 'midlife crises'

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Arts

You'll wish you weren't 'Here'

By Suzy Gibbons and Elizabeth Merritt | April 4, 2000

Klein and Sobieski star in 'Here on Earth,' a forgettable teen flick

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Arts

Hood showcases history of hats

By Alex Rich | April 3, 2000

Exhibit features the 'complete pictures' of women and fashion

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Arts

The Story of the Gypsy Ballad

By Sam Means | April 3, 2000

"It's been twenty long years, and the fire's still burning. The wax on the candle melts like tears, you know it don't come easy: the road of the gypsy." Music has gone downhill lately.

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Arts

'The Godfather' is a long but expertly directed film

By Justin Bow | March 30, 2000

Okay, so I'm supposed to do a review of Francis Ford Coppola's "The Godfather." I'm pretty sure that most of you out there have already seen the movie because it is the quintessential mafia flick.

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Arts

Yo La Tengo sings with heart

By Joe Manera | March 30, 2000

It may not go platinum, but 'And Then' is pleasingly atypical

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Arts

'Part II' is a sequel that may have topped the original

By Tom Wellington | March 30, 2000

"The Godfather Part II" is the exception to so many rules it should be a genre in and of itself. When Francis Ford Coppola's "The Godfather" came out, it fundamentally changed the film industry.

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Arts

Suck.com -- the best website you're not watching

By John Teti | March 29, 2000

Suck delivers smart content in a smart manner through a medium that's increasingly, well, not so smart

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Arts

Hop set designer tells his tale

By Jennifer Thomas | March 28, 2000

Georgi Alexi fled a collapsing USSR to bring his art to the States

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Arts

'American Beauty' wins the Oscar for Best Picture

By John Teti | March 27, 2000

Other winners include Best Actress Hilary Swank, Best Actor Kevin Spacey, and Best Director Sam Mendes

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Arts

Picasso, Monet and other masters on display at Hood

By Alex Rich | March 7, 2000

Through the generosity of a private loan, works of the past two centuries' most famous artists come to Dartmouth

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Arts

'American Beauty' is the favorite to win Best Picture

By Dartmouth Arts Writers | March 6, 2000

The Dartmouth's Arts writers discuss Oscars past and present along with a look at this year's nominees

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Arts

Local news, sitcoms waste tiny bits of your time

By John Teti | March 2, 2000

What difference does five minutes make? Take the 11 o'clock news. Any reasonable person would expect that the local news people are happy to fall in line with the tidy half-hour blocks that dictate the rest of the TV schedule.

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Arts

D'Angelo creates dangerous aphrodisiac in 'Voodoo'

By Jared Thorne | March 2, 2000

Coming off his successful 'Brown Sugar,' the rap artist blends the styles of past musical greats for a new sound

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Arts

Spacey and Washington favorites in Best Actor race

By John Teti | March 1, 2000

Surprise nods to Penn and Farnsworth won't convert to Oscar gold; Crowe in uphill battle against Academy vets

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Arts

Best Actress roles range from transvestite to socialite

By Elizabeth Merritt and Suzy Gibbons | February 29, 2000

Bening, McTeer, Moore, Streep and Swank vie for an Oscar in one of this year's least predictable categories

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