Arts - The Dartmouth

Hip-hop groups attempting to stay on the cutting edge will now have to work a little harder. Outkast's fourth offering, "Stankonia," has pushed today's limits that much further.

Arts

U2 redeems itself in 'All That You Can't Leave Behind'

By David Klein | November 6, 2000

Their image marred by a style-over-substance tour, Bono et al. return to the upper echelons with their new release

Arts

'Malcolm' flourishes and proves this reviewer wrong

By John Teti | November 2, 2000

The unique series, entering its second season, has improved dramatically after its shaky initial weeks

Arts

My obsessive use of irony makes me feel like a big man

By Sam Means | November 1, 2000

I think I speak for all Americans when I say that I really identify with "It's My Life," the new-ish Bon Jovi song.

Arts

Hurley is a devilish Halloween treat in 'Bedazzled'

By Justin Bow | October 31, 2000

A clichÃƒÂ©d ending does little to detract from an original film that's so funny you might break something

Arts

The Dartmouth speaks to The Hood's new director

By Alexander Rich | October 30, 2000

Derrick Cartwright eases into his new position after a tenure at the new MusÃƒÂ©e d' Art AmÃƒÂ©ricain in France

Arts

Will students lose their minds over cable TV?

By Sam Means | October 25, 2000

An Arts columnist gives his unique perspective of the future

Arts

NBC drama-comedy 'Ed' strikes the perfect balance

By John Teti | October 23, 2000

The unique series comes close to alienating itself from viewers but is successful in endearing itself instead

Arts

'Contender' is just contentious

By Philip David Leaman | October 18, 2000

Misguided, overwrought political film has no redeeming value

Arts

'Dancer' a welcome surprise in a lackluster film year

By Hank Leukart | October 17, 2000

Director Lars von Trier and actress/musician BjÃƒÂ¶rk break exciting new ground in this Palme d'Or winner

Arts

Hood shows experiments in modern portrait photos

By Alex Rich | October 16, 2000

'Surface and Depth' brings together an eclectic collection of works from artists reinventing their genre

Arts

I would like to formally apologize for several errors that appeared in yesterday's column, titled "High Praise for a New Yorker Cartoonist." The reference that the cartoon was making, I learned from several astute readers, was not to James Bond at all, but to Bjork. James Bond was not related to the cartoon in any way.

Arts

High praise for a New Yorker cartoonist

By Sam Means | October 12, 2000

I was perusing a recent New Yorker magazine the other day when I came across a simply delightful cartoon.

Arts

'Fugitive' hits ground running

By Steve Kantor | October 11, 2000

CBS tries to capitalize on success of '60s series and 1993 movie

Jim Carrey steals the show in Howard's 'The Grinch'

Students clown around at CHaD

'One Flea Spare' full of vitality

Mike Roberts '00 releases CD of 'Lotus Blooming'

'Angels' are pretty but not very smart

Redford hits the sweet spot with 'Bagger Vance'

Outkast's 'Stankonia' a spiritual and innovative leap forward

U2 redeems itself in 'All That You Can't Leave Behind'

'Malcolm' flourishes and proves this reviewer wrong

My obsessive use of irony makes me feel like a big man

Hurley is a devilish Halloween treat in 'Bedazzled'

The Dartmouth speaks to The Hood's new director

Will students lose their minds over cable TV?

NBC drama-comedy 'Ed' strikes the perfect balance

'Contender' is just contentious

'Dancer' a welcome surprise in a lackluster film year

Hood shows experiments in modern portrait photos

An apology

High praise for a New Yorker cartoonist

'Fugitive' hits ground running

Dartmouth offers admission to 1,687 applicants for the Class of 2030

Dartmouth professor’s tip led to New York Times investigation into Cesar Chavez

Tuk-ed downstairs no more: Tuk Tuk Thai Cuisine will relocate to new Main Street location

Rep. Maggie Goodlander calls for term limits and affordability in push for second congressional term

Rempe-Hiam: Hey Professors, AI Is Wearing a Good Toupée