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The Dartmouth
April 29, 2024 | Latest Issue
The Dartmouth
Arts
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Arts

Studio art interns bridge student-faculty gap amid COVID-19

By Lex Kang | October 12, 2020

For nearly 30 years, the studio art department has selected five seniors or recent graduates with studio art majors or minors to participate in a year-long internship with the department. This year, however, the constraints of remote learning have forced the program to change.

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Arts

Hopkins Center promotes student engagement through #SmallScreenFun

By Helen Liu | October 8, 2020

Since April, the Hopkins Center for the Arts’ virtual cinema program, #SmallScreenFun, has provided Dartmouth community members with the opportunity to stream films and join live Q&As featuring filmmakers, film scholars and celebrity guests. This term, the Hop has given students a greater role in the program, allowing them to act as moderators and ask guests questions.

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Arts

Review: ‘Mexican Gothic’ is a Victorian Gothic novel for now

By Mia Nelson | October 8, 2020

Silvia Moreno-Garcia’s New York Times best-seller “Mexican Gothic” is a lush, moody story brimming with horror and mystery. With all the trappings of a Victorian novel, “Mexican Gothic,” which was released in June, calls upon notable doomed heroines in the literary canon, from Ophelia in “Hamlet” to Cathy in “Wuthering Heights,” in order to place readers in its melodramatic prose. “Mexican Gothic” is your favorite Brontë novel, but better.

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Arts

‘Make It At Home’ virtual workshop series offers creative outlet for students

By Shera Bhala | October 1, 2020

The Hopkins Center for the Arts has offered workshops to students since the 1940s, and quarantine has by no means put an end to this practice. According to ceramics instructor Jennifer Swanson, workshops turned to a virtual format during the summer term, with instructors mailing students supplies and guiding the classes over Zoom. Titled the “Make It At Home” workshop series, the virtual program includes workshops focusing on woodworking, ceramics and jewelry-making skills. 

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Arts

Review: Fleet Foxes’ 'Shore' offers reflection on changing times

By Jack Hargrove | September 28, 2020

With their self-titled 2008 debut, Fleet Foxes established themselves as an indie folk outfit with achingly sincere, pastoral lyrics and a penchant for vocal harmonies. And unlike many folk rock artists emerging out of the late 2000s, they have remained fresh, while managing not to make a major departure in style on any of the three albums they have released since their debut. 

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Arts

Review: Yaa Gyasi's 'Transcendent Kingdom' illuminates the Black immigrant experience

By Mia Nelson | September 24, 2020

Yaa Gyasi’s follow-up to her American Book Award-winning 2016 debut “Homegoing” is “Transcendent Kingdom,” a novel alternating between past and present in the life of Gifty, a Ghanaian-American neuroscience Ph.D. candidate and former self-proclaimed “Jesus Freak.” Throughout the book, Gifty, who studies impulse control in mice, reexamines what led her to a life of empiricism after growing up in a deeply religious immigrant family in the Bible Belt. Grappling with Gifty’s experiences growing up “sticking out like a sore thumb” in her predominantly-white town and “as Ghanaian as apple pie,” the novel is both accessible and urgent. 

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Arts

Q&A with Frances Cha ’07, author of ‘If I Had Your Face’

By Mia Russo | September 21, 2020

Frances Cha ’07’s debut novel “If I Had Your Face” has been making waves in the literary world. The Guardian praised the novel — a story about four young women navigating the rigid cultural hierarchies, impossible beauty standards and plastic surgery craze of contemporary Korean culture — as a “fizzing, grisly debut.” The Washington Post even likened the book to Bong Joon-Ho’s Academy Award-winning “Parasite.”

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Arts

Hop@Home kick-off features alumni in entertainment

By Veronica Winham | September 21, 2020

On Thursday, Hop@Home held its first events of the academic year. The fall kick-off saw two pairs of alumni take the (virtual) stage. Oscar-winning animators Phil Lord ’97 and Chris Miller ’97 participated in a live chat, and twins Angel and Dren Coleman ’13 DJed the event.

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Arts

Boycotting ‘Mulan,’ Disney’s latest venture into human rights violations and corporate greed

By James Cronin | September 17, 2020

In late 2018, the production crew of “Mulan,” the latest soulless Disney live-action remake, began filming in the Xinjiang province of northwest China, home to the Uighur people. At that same time in Xinjiang, the Chinese Communist Party continued to sharply expand internment camps for ethnic Uighurs, camps that had already incarcerated up to one million members of the predominantly-Muslim minority group. 

Arts

Review: Dominic Fike’s debut album is eclectic and Gen Z focused

By Jaymie Wei | August 14, 2020

Dominic Fike’s debut album “What Could Possibly Go Wrong” is the antidote to a lackluster summer. Released on July 31, Fike’s album presents an eclectic collection of musical ideas well-packaged into 14 songs. This 34-minute listen is full of pleasant twists and turns that make for an engaging and kaleidoscopic record.

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Arts

Recent graduates write COVID-19 children’s book

By Veronica Winham | August 7, 2020

Children all over the country have been stuck at home due to the COVID-19 pandemic, and many of them might not fully understand the reasoning for this quarantine. While this virus might seem daunting to explain for some, Hannah Margolis ’20 saw the pandemic as an exciting opportunity for science education.

Arts

Review: Taylor Swift stuns with the mature melancholy of ‘folklore’

By Shera Bhala | July 31, 2020

Just when I thought Taylor Swift had surpassed every semblance of an expectation, she proved to be even more of a superwoman. The release of her eighth album, “folklore,” on July 24th comes only 11 months after the cheerful and flowery “Lover.” Written and recorded entirely in quarantine, “folklore” is a testament to the singer’s creativity as a musical powerhouse. “Folklore” stuns with its ethereal beauty and maturity, expressed through intelligent lyrics and gentle, haunting melodies. 

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