Dartmouth loves its traditions — but that shouldn’t place it above criticism.
Frances Cha ’07’s debut novel “If I Had Your Face” has been making waves in the literary world. The Guardian praised the novel — a story about four young women navigating the rigid cultural hierarchies, impossible beauty standards and plastic surgery craze of contemporary Korean culture — as a “fizzing, grisly debut.” The Washington Post even likened the book to Bong Joon-Ho’s Academy Award-winning “Parasite.”
Have you ever wondered how museums acquire new pieces and organize exhibits? Since 2002, the Hood Museum of Art has worked to include students in the curatorial process, giving them a behind-the-scenes look into the museum through its Museum Collecting 101 program. The program is offered one term each year to students of all grades and majors, and provides the opportunity for students to select a work — typically a photograph — that the Hood will purchase.
Singing over Zoom is not easy, and neither is coordinating a virtual dance routine or orchestral performance. However, many of Dartmouth’s performing arts groups still meet and rehearse weekly, even though the thing they rely on most — performing — is no longer possible.
“The Sweet Science of Bruising” had its American premiere in Moore Theater last Friday. Written by Joy Wilkinson, the play is set in 1869 London. It tells the story of four women from a variety of backgrounds who find their way into the boxing ring to literally fight for their right to freedom and gender equality.
In the basement of the Hopkins Center lies a commonly undervalued resource — the woodworking workshop. A bright, open space filled with large work tables topped with a myriad of projects in a variety of stages of completion, the woodshop is inviting yet intimidating. There are power tools lining the walls, cabinets loaded with joining materials and walls filled with different types of wood.