arts
Review: ‘Turning Red’ Turns Coming-of-Age on Its Head, and It’s About Time
The movie unapologetically unpacks generational trauma and shines light on the experiences of women of color.
Chloe ('23) is from Plainsboro, New Jersey. She is interested in studying art history, government and possibly digital arts. Outside of class, she enjoys drawing, writing and visiting the Hood Museum.
The movie unapologetically unpacks generational trauma and shines light on the experiences of women of color.
The performance at The Church of Christ brought together students and community members.
In an upcoming gallery talk, Allison Carey ’20, curator of the Hood Museum’s “When Art Intersects History,” will revisit and reexamine her exhibition nearly a year after its debut.
Through class projects and hands-on learning, a new studio art class — SART 17.23, “Book Publication Lab” taught by professor Tricia Treacy — is seeking to create connections during remote learning.
On May 1, Netflix released Alice Wu’s “The Half of It,” a film that follows Ellie Chu (Leah Lewis) as she navigates love and personal identity as a queer, Asian American teenager. “The Half of It” transforms the common teen romance narrative into a funny, relatable and heartwarming work of art by pushing the boundaries of representation in mainstream romantic comedies.
On April 10, Netflix released Alan Yang’s “Tigertail,” a film inspired by the experiences of Yang’s father that follows the life of Pin-Jui (Tzi Ma), a Taiwanese-American immigrant. Despite a few flaws, “Tigertail” shares a touching, authentic and relatable story about the Asian-American immigrant experience.
