Kruse Reviews: ‘I Love Boosters’ is an anti-capitalist acid trip that mostly works
Boots Riley’s new film is a zany pro-labor romp that swings for the fences, even if it doesn’t always connect.
Boots Riley’s new film is a zany pro-labor romp that swings for the fences, even if it doesn’t always connect.
Boots Riley’s new film is a zany pro-labor romp that swings for the fences, even if it doesn’t always connect.
The 2025 documentary accompanies former secretary of labor Robert Reich ’68 during his final semester teaching at the University of California, Berkeley.
The long-awaited sequel examines how fashion journalism has — and hasn’t — changed.
The biographical comedy-drama, based on the life of activist John Davidson, is a tender and uplifting call for understanding.
Antoine Fuqua’s sanitized biopic offers slick spectacle but little substance in its portrait of Michael Jackson.
Cronin has an eye for viscera and camera tricks, but his two-hour “Mummy” reimagining never becomes scary, funny or distinctive.
Julio Torres’s 2023 comedy-drama follows a young Salvadoran man in search of his biggest dream.
The animated sequel to “The Super Mario Bros. Movie” is flashy and sleek but devoid of real substance.
Ryan Gosling anchors the relentlessly entertaining and shamelessly sincere adventure directed by Dartmouth alumni Phil Lord and Chris Miller.
Rashaad Newsome and Johnny Symons’s latest documentary merges performance and technology in an attempt to transform a former military unit into a queer, afrofuturistic utopia
“It Ends With Us” exemplifies the potential pitfalls — but also the advantages — of movie adaptations.
Despite sometimes awkward pacing, Hayao Miyazaki’s final film is a captivating expression of his life and his thoughts about humanity and the world.
Emerald Fennell offers up a toothless satire that doesn’t know what it’s poking fun at, but at least it looks beautiful doing it.
Yorgos Lanthimos’s latest achievement was a jaw-dropper at Saturday’s Telluride screenings.
The disaster film stuns with its creative effects and unbelievable plot.
Produced by A24, the film follows ex-porn star Mikey Saber’s return to his Texas hometown, providing beautiful imagery and sinister humor.
The movie is a love letter to its fans and a thank you for 20 years of continued devotion.
The film balances Marvel action sequences with a thoughtful reflection on family, love and Chinese culture.
After a winding road to the box office, David Lowery’s “The Green Knight” finally reached theaters on July 30.
The Russo brothers’ production misses the point entirely.