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The Dartmouth
April 28, 2024 | Latest Issue
The Dartmouth
Film Review









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Arts

Review: ‘The Weasel's Tale’ offers plot twists and dark comedy

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A decade after Argentinian director Juan José Campanella’s “The Secret in Their Eyes” won the 2010 Academy Award for best foreign film, Campanella made his return to live-action cinema with “The Weasel’s Tale” — a remake of the 1976 film “Yesterday's Guys Used No Arsenic.” Campanella’s dark comedy, offered through the Hopkins Center for the Arts’ “Film on Demand” series until Wednesday, follows former starlet Mara Ordaz, played by Graciela Borges, who lives with three filmmaking colleagues in a secluded mansion on the outskirts of Buenos Aires. 


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Arts

Review: ‘Borat Subsequent Moviefilm’ shines light on misogyny in Trump-era America

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The much-anticipated “Borat” sequel, “Borat Subsequent Moviefilm,” is as politically timely as it is funny. Starring Sacha Baron Cohen and directed by Jason Woliner, the film, released Oct. 23, outdoes its predecessor with its bold, high stakes pranks and rich political satire. At its core, “Borat Subsequent Moviefilm” makes a powerful critique of how misogyny is frequently overlooked in President Donald Trump’s America.


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Arts

Review: ‘Enola Holmes’ offers fresh, female-focused take on Sherlock Holmes

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“Enola Holmes” — one of the newest entries to Netflix’s catalog, based on the young adult series by Nancy Springer — is a fun, adventurous and action-packed film that brilliantly reinvents the Sherlock Holmes franchise. Directed by Harry Bradbeer and written by Jack Thorne, “Enola Holmes” centers on the life of the youngest Holmes sibling, Enola (Millie Bobby Brown), and her journey to reunite with her missing mother while forging her own sense of freedom. While the film contains some elements of the classic Holmes mysteries, it adds a new twist with its focus on social activism and female intellect. From start to finish, the film successfully creates a world that places a strong-willed heroine center-stage, offering a timeless lesson on female empowerment.


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Arts

Boycotting ‘Mulan,’ Disney’s latest venture into human rights violations and corporate greed

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In late 2018, the production crew of “Mulan,” the latest soulless Disney live-action remake, began filming in the Xinjiang province of northwest China, home to the Uighur people. At that same time in Xinjiang, the Chinese Communist Party continued to sharply expand internment camps for ethnic Uighurs, camps that had already incarcerated up to one million members of the predominantly-Muslim minority group. 




Arts

Review: “Da 5 Bloods” a powerful story of the Black experience in Vietnam

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Director and producer Spike Lee’s “Da 5 Bloods,” released two weeks ago on Netflix, is an impactful Vietnam War story about the Black experience, following the journey of four middle-aged, Black veterans in the present day. In the film, the group returns to Vietnam to recover the body of their fallen captain and the buried treasure they left behind during the war.


Arts

‘The Half of It’ is a beautifully bold stroke and the love story we’ve been longing for

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On May 1, Netflix released Alice Wu’s “The Half of It,” a film that follows Ellie Chu (Leah Lewis) as she navigates love and personal identity as a queer, Asian American teenager. “The Half of It” transforms the common teen romance narrative into a funny, relatable and heartwarming work of art by pushing the boundaries of representation in mainstream romantic comedies.



Arts

Review: 'Never Rarely Sometimes Always' is a slow burn that highlights a sad reality

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As a wave of states introduced abortion restrictions last year, abortion rights have increasingly come under fire. Now, in the age of COVID-19 — with abortions deemed non-essential in some states — the right to choose is especially pertinent. With this in mind, “Never Rarely Sometimes Always,” a movie that premiered at the Sundance Film Festival in January and can now be purchased on Amazon Prime, is even more timely than it would’ve been just two months ago.