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The Dartmouth
April 25, 2024 | Latest Issue
The Dartmouth
Nicole Aboodi
Nicole (‘21) is an arts writer for the Dartmouth. She is from Scarsdale, New York, and is a double major in psychology and film and media studies.
The Setonian
Arts

Review: 'Never Rarely Sometimes Always' is a slow burn that highlights a sad reality

As a wave of states introduced abortion restrictions last year, abortion rights have increasingly come under fire. Now, in the age of COVID-19 — with abortions deemed non-essential in some states — the right to choose is especially pertinent. With this in mind, “Never Rarely Sometimes Always,” a movie that premiered at the Sundance Film Festival in January and can now be purchased on Amazon Prime, is even more timely than it would’ve been just two months ago. 

The Setonian
Arts

A TV Guide to Social Distancing

Whether you’re in a mandated quarantine or simply practicing social distancing, we can all agree that there isn’t much to do in the confines of your home. Sure, you’re attending classes from the comfort of your bed and appreciating how light your workload is now that everything is credit/no credit, but you’re getting restless and bored and in desperate need of a distraction. Welcome to a comprehensive list of shows worth your laughs, tears and time, for whatever mood you’re in.

The Setonian
Arts

Review: 'Looking for Alaska' resolves original novel's problematic storytelling

When I was 11 years old and first cracked open John Green’s novel “Looking for Alaska,” I immediately fell in love with the air of mystery that surrounded Alaska Young, the elusive girl of male protagonist Miles Halter’s dreams. Every emo tween wanted to be Alaska: free-spirited and enigmatic, as shown through the eyes of a helplessly enamored boy.

The Setonian
Arts

Review: 'The Politician' has promise, does not deliver

Everyone can enjoy watching a teenager who’s struggling with an identity crisis on TV. What’s not so fun to watch is a show that itself is struggling with an identity crisis. “The Politician” is striving for the former, but has ended up with the latter. The result is a show having an identity crisis about a gaggle of teens who are similarly confused.

The Setonian
Arts

Review: ‘Hustlers’ exemplifies female reclamation of power

“Doesn’t money make you horny?” Ramona (portrayed by Jennifer Lopez) whispers this to newcomer Destiny (portrayed by Constance Wu), as she leaves center stage, bathed in dollar bills. In the film “Hustlers,” Ramona immediately establishes the primary foundation of the film: the intertwined web of money and sex. 

The Setonian
Arts

Review: ‘Homecoming: A Film by Beyoncé’ is illuminating

We have all seen it: a huge sensation, a star burning brightly and boldly. But then, the star crashes down, never to resurface except in commercials for yogurt and the occasional magazine shot that boasts a collection of “Hollywood Has-Beens: Where Are They Now?” Beautiful poetry, films and plays have been written on the idea that there is an upper limit to the number of stars our world can worship and, thus, some must fall. But not Beyoncé. Never Beyoncé.

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