Art history lecture explores “Olympia”
n the foreground of Edouard Manet’s noted 1863 painting “Olympia,” a nude, white woman lies across a bed, and some art historians do not concentrate on the African maid delivering flowers in the background. Tuesday, however, University of California at Berkeley professor Darcy Grimaldo Grigsby spoke about the maid’s social significance in the annual Angela Rosenthal Distinguished Lecture. Grigsby, an art history professor who specializes in French visual and material art and colonialism’s influence on works, said she is concerned with the piece’s racial, colonial and societal overtones.











