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The Dartmouth
July 22, 2025 | Latest Issue
The Dartmouth
Arts
Arts

Review: ‘Ma’ fails to be a horror film, let alone a good horror film

By Savannah Miller | July 5, 2019

Typically, disappointment has shaped my experience with horror movies. I watch them expecting to be scared and they wind up making me laugh more than some top-billed comedies. Incohesive plots, stupid characters and cliché twists are far too prevalent in most commercially successful horror films. I wish I could say this spring’s latest horror film, “Ma” was any different, but the most credit I can give the film is for its self-awareness — “Ma” knows just how campy it is. 

Music

Album Review: Snoh Aalegra’s next project promises to deliver

By Madison Wilson | June 21, 2019

On June 14, Iranian-Swedish singer-songwriter Snoh Aalegra released a new song, “Find Someone Like You,” in anticipation of her sophomore album coming in August, “-Ugh, those feels again.”  “Find Someone Like You” delivers what Aalegra always promises: real emotions with R&B classic backing and Aalegra’s velvety vocals. Often compared to Amy Winehouse, Aalegra is more influenced by R&B but listeners may find that the comparison rings truest for Aalegra’s vocals, especially in this latest song. 

Arts

"Game of Thrones" fails to "break the wheel" in its final season

By Sebastian Wurzrainer | May 28, 2019

At this point, it’s no secret that the eighth and final season of “Game of Thrones” was extremely polarizing. The mileage of fans and critics varied, but the general consensus seems to be that the final three episodes torched what has quite possibly become the most popular TV series of all time. Showrunners David Benioff ’92 and D.B. Weiss resolved the show’s two major plot threads by essentially splitting these last six episodes into two mini-seasons; whereas episodes one through three feature the long-awaited confrontation with the White Walkers, episodes four through six cover the subsequent power struggle over the Iron Throne, the seat of power in the story’s fictional Seven Kingdoms. While the first arc was generally well received, it’s the baffling storytelling in the second that will haunt “Game of Thrones” forever. 

Arts

Review: ‘Boston Calling’ Music Festival lives up to the hype

By Lex Kang | May 28, 2019

Going to a music festival is always an exciting experience to look forward to, but I have to admit I wasn’t expecting too much from Boston Calling. In the wake of Dartmouth’s Green Key, I felt I had my share of concerts for the term and was preemptively annoyed with the loud and obnoxious drunk people I would inevitably be surrounded or suffocated by at the concert venue. In short, going to Boston Calling felt more like a poorly-timed task that I had to complete rather than an exciting weekend away from campus.

Arts

Review: ‘Homecoming: A Film by Beyoncé’ is illuminating

By Nicole Aboodi | May 23, 2019

We have all seen it: a huge sensation, a star burning brightly and boldly. But then, the star crashes down, never to resurface except in commercials for yogurt and the occasional magazine shot that boasts a collection of “Hollywood Has-Beens: Where Are They Now?” Beautiful poetry, films and plays have been written on the idea that there is an upper limit to the number of stars our world can worship and, thus, some must fall. But not Beyoncé. Never Beyoncé.

Arts

Review: Netflix’s series ‘Bonding’ is derivative and unnuanced

By Lex Kang | May 21, 2019

BDSM is a topic of fascination that has been rising bit by bit outside of the shadow of stigma in recent years. With videos like Buzzfeed’s “Couples Try Bondage For The First Time,” released two years ago, and “I Became A Dominatrix To Control My Anxiety,” released just a year and a half after — with plenty of other tangentially related videos in between — it’s clear that BDSM is no longer something people are ashamed of talking about. If anything, kinky has become cool, and there’s a large market of people who want to know more. 

Arts

Review: ‘Father of the Bride’ is dark despite bright melodies

By Zachary Benjamin | May 21, 2019

It’s a recurring theme in discussions amongst Vampire Weekend fans that their albums correspond to seasons. Their self-titled debut album, full of perky strings and New England imagery, is reminiscent of a collegiate fall. Their sophomore effort, “Contra,” with its bright synths and upbeat tempos, brings to mind a sunny summer day. And “Modern Vampires of the City,” their third album, is the definition of wintry, with its black and white cover and its existential, morbid themes.

Arts

Renovations make Hood Museum more accessible to community

By Madison Wilson | May 17, 2019

I’ve never thought much about how art is moved. We can carry small pieces or move them on a cart, but what about the massive ones? Like “Guernica” or “Water Lilies” or “Hovor,” a piece on display in the new Hood Museum of Art? The answer: a massive elevator, one story high, that could fit at least eight normal elevators inside it. This is my first point of contact with the inner workings of the Hood Museum of Art. 

Arts

Q&A with Two Friends musician Eli Sones

By Jordan McDonald and Lex Kang | May 17, 2019

In the days before this year’s Green Key concert, The Dartmouth sat down with Eli Sones, one half of the LA-based DJ group Two Friends, best known for their extensive collection of “Big Bootie” mixes. A Los Angeles native and long-time music lover, Sones began pursuing music seriously while in high school and has continued evolving artistically ever since. Working alongside his childhood bestfriend and fellow DJ-Producer Matthew Halper — the other half of Two Friends — Sones has learned a lot about the importance of conenction and cooperation throughout his musical career. Over the course of the interview, Sones shared his insights as a musician who is well-versed in collaboration and creation.

Arts

Natives at the Museum: Repatriation and the Reconceptualization in the Museum Space

By Sabena Allen | May 16, 2019

In 2002, the Hood Museum returned a Tlingit Chilkat shirt to southeast Alaska. The shirt, which was said to have been made before the 1880s, had been in possession of Axel Rasmussen, the superintendent of schools in Wrangell, AK. After his death, it found its way into the possession of a New York City art dealer, and when it was not sold, it was donated to Dartmouth in 1959. 

Arts

Review: ‘Pokémon Detective Pikachu’ is not quite surreal enough

By Sebastian Wurzrainer | May 14, 2019

“Pokémon Detective Pikachu” is without a doubt one of the most bizarre ideas for a mainstream, Hollywood family film that I’ve encountered in recent memory. To be clear, I’m not referring to the basic notion of adapting the hugely popular Japanese multi-media franchise into a live-action American film. “Pokémon” is so ubiquitous at this point that even if you’ve never really experienced it –— as is the case with me — you’ve almost certainly at least heard about it through cultural osmosis.

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Arts

Student Spotlight: Stephanie Everett ’19 performs with passion

By Macy Toppan | May 14, 2019

For Stephanie Everett ’19, her career on stage far predates her recent roles in the Dartmouth productions of “Eclipsed” and “Into the Woods.” Rather, it dates back to her fourth-grade talent show, in which she and four other girls performed “Hard Knock Life” from “Annie” complete with props and choreography. According to Everett, her passion for theater grew from that day on; she participated in musicals throughout middle school and high school, where she said she found a serious program with a dedicated teacher.

Arts

Student Spotlight: Kelleen Moriarty ’19 reimagines dated theater

By Malcolm Hanchet | May 9, 2019

Kelleen Moriarty ’19, the student director for the upcoming production of “The Glass Menagerie,” has been involved in theater since she was in middle school. According to Moriarty, when she first came to Dartmouth, she knew that she wanted to major in theater and eventually pursue it professionally, since theater was “the one thing” in her life she was “very sure” of. 

Arts

Review: Taylor Swift’s new single ‘ME!’ is uninspired but catchy

By Shera Bhala | May 7, 2019

With the release of her new single “ME!” this past April 26, Taylor Swift has evolved once again. A bubbly and bright pop song, “ME!” marks Swift’s departure from the mood of her previous album, the inspired and aggressive “reputation,” and her persona’s transformation to the glaringly upbeat and pastel imagery of “ME!” 

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