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The Dartmouth
December 8, 2025 | Latest Issue
The Dartmouth
Arts
Arts

Hood Museum’s virtual gallery talk explores limitations of the virtual artistic experience

By Kamren Khan | May 4, 2020

Even after we emerge from quarantine, our interaction with museums and the arts will likely be influenced by social distancing, according to Hood Museum of Art director John Stomberg. Last Wednesday, Stomberg’s virtual gallery talk titled “Mediated Authenticity: Art and Experience Now” provided a window into our new way of interacting with museums and by extension, with art itself.

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Arts

Amir ElSaffar’s Live Living Room Concert: Expanding the boundaries of performance in an age of social distancing

By Elizabeth Garrison | April 27, 2020

Last Thursday, jazz trumpeter Amir ElSaffar and four members of his Rivers of Sound orchestra performed together live from multiple locations for the Hopkins Center for the Arts’s first online concert through its new program, Hop@Home. ElSaffar and the entire 17-member orchestra were originally scheduled to perform at the Hop this spring. The in-person concert has been rescheduled for 2021. 

Arts

Review: 'Sawayama' is musically fascinating, but falls short of greatness

By Jack Hargrove | April 27, 2020

Every 20 years, like clockwork, American culture repeats itself. This does not mean that the same exact trends are recycled in an endless loop. Rather, after about 20 years, outdated culture becomes “retro,” and nostalgia for past decades shapes new styles and artwork. The 1970s had “Happy Days,” and the 1990s had “That ’70s Show.” In a more abstract sense, the infatuation with the glamorous lifestyles of the fabulously wealthy in the 1980s inspired reality television and “Gossip Girl” in the 2000s. As we enter the 2020s, the music stylings of the early aughts are making a comeback. Artists like Charli XCX and Slayyyter evoke Britney Spears-style pop, while Poppy and Grimes both recently released music that is heavily reminiscent of nu metal.

Arts

Review: 'Never Rarely Sometimes Always' is a slow burn that highlights a sad reality

By Nicole Aboodi | April 24, 2020

As a wave of states introduced abortion restrictions last year, abortion rights have increasingly come under fire. Now, in the age of COVID-19 — with abortions deemed non-essential in some states — the right to choose is especially pertinent. With this in mind, “Never Rarely Sometimes Always,” a movie that premiered at the Sundance Film Festival in January and can now be purchased on Amazon Prime, is even more timely than it would’ve been just two months ago. 

Arts

Virtual museum tours provide substitute for in-person visits

By Lucy Turnipseed | April 23, 2020

Virtual tours of national parks, Instagram Live concerts from celebrities and Broadway shows streaming online are all examples of the new forms of entertainment people have been consuming since the country went on lockdown. Among these options, the virtual museum tour offers an experience that is both self-directed and artistic. 24/7, 365 days a year, you can see selections from some of the world’s best museums from your home, either through a program of the museum’s own or through an offshoot of the all-seeing Google.

Arts

Review: 'Pandemic' provides an informative but unfocused account of combating deadly viruses

By Shera Bhala | April 16, 2020

The Netflix docuseries “Pandemic: How to Prevent an Outbreak” offers six episodes to binge-watch during self-isolation. If you have already seen the drama of Steven Soderbergh’s “Contagion” and Wolfgang Petersen’s “Outbreak” or are searching for a documentary perspective, “Pandemic” may be the show for you. Following the lives of doctors in the U.S., Asia and Africa as they combat flu viruses, the show reveals the challenges of preventing a deadly outbreak of influenza. Although “Pandemic” is flawed in its false advertising and dwells too long on its depiction of doctors’ personal lives, it still presents an overall interesting and accurate account of influenza epidemics and pandemics.

Arts

Hopkins Center introduces Hop@Home

By Maud McCole | April 16, 2020

The Hopkins Center for the Arts has canceled or postponed all live events through May 31 in response to the global spread of COVID-19. Rather than shuttering its doors completely, however, the Hop has introduced “Hop@Home” — a new project aimed at creating “a virtual stage that brings our adventurous artistry and creative community to your living room,” according to a statement from Hop director Mary Lou Aleskie.

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Arts

Hood Museum experiments with virtual learning

By Veronica Winham | April 13, 2020

Although the online nature of this term poses a significant obstacle in the Hood Museum’s core functionality — enabling people to interact with art — the museum staff see a silver lining in the chance to appreciate art in a new way. One of the biggest challenges this term was ensuring that people can still observe the art and witness “the power of the shared experience,” according to Hood Museum director John Stomberg.

Arts

A TV Guide to Social Distancing

By Nicole Aboodi | April 6, 2020

Whether you’re in a mandated quarantine or simply practicing social distancing, we can all agree that there isn’t much to do in the confines of your home. Sure, you’re attending classes from the comfort of your bed and appreciating how light your workload is now that everything is credit/no credit, but you’re getting restless and bored and in desperate need of a distraction. Welcome to a comprehensive list of shows worth your laughs, tears and time, for whatever mood you’re in.

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Arts

Majority of arts and music classes moving on despite difficulties

By Emily Zhang | April 2, 2020

With the College’s switch to online instruction this term, many questions have arisen over how studio art and music courses, which rely heavily on in-person instruction and hands-on learning, will proceed. Despite the challenges, however, faculty and staff in both departments have found ways to keep their courses running remotely. 

Arts

Review: Dua Lipa's "Future Nostalgia" is a cohesive and catchy second album

By Jack Hargrove | April 2, 2020

On March 27, English pop artist Dua Lipa released her sophomore album “Future Nostalgia” one week early, in the midst of the global pandemic. With millions around the world quarantined in their homes and looking for a way to pass the hours, the timing couldn’t be better. The album’s upbeat sound is exactly what the world needs in this time of uncertainty and confusion.

Arts

Review: 'Tiger King: Murder, Mayhem, and Madness' is an expose on eccentricity

By Charlie Palsho | March 30, 2020

“Tiger King'' is one of the wildest true-crime stories Netflix has given us so far — so much so that its larger-than-life characters eclipse the documentary series’ initial mission of shining light on animal rights issues. The show follows the eccentric Joe Exotic (whose real name is Joseph Maldonado-Passage), a self-described “gay, gun-carrying-redneck with a mullet” who created one of the biggest wildlife preservation centers for exotic cats, along with his menagerie of exotic animal owner colleagues who prove even wilder than their pets.

Samantha West, Nemunda Ceesay, Stella Asa, Jazmine Stewart
Arts

‘Citrus’ by Celeste Jennings ’18 debuts at Northern Stage

By Jack Hargrove | March 5, 2020

Last Saturday, “Citrus” debuted at Northern Stage in White River Junction. Celeste Jennings ’18 wrote “Citrus” as her senior year fellowship project while at Dartmouth. JaMeeka Holloway-Burrell, who directed the initial reading of “Citrus” at the College last May, is directing the production’s Northern Stage iteration as well. “Citrus” is not a play in the traditional sense; rather, it is a choreopoem, which combines dance, music, poetry, rap and acting. It tells the stories of black women throughout history and in the present day, with a focus on personal experiences.

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