Review: ‘WandaVision’ takes Marvel in fresh new direction
The mini-series offers a more nuanced take on traditional superhero fare and represents a step in the right direction for the Marvel Cinematic Universe.
The mini-series offers a more nuanced take on traditional superhero fare and represents a step in the right direction for the Marvel Cinematic Universe.
For the past year, McGovern has worked with National Geographic to study the impact of social media on wildlife conservation.
The ceremony awarded the best film and television of 2020, with Netflix’s powerhouse royal drama “The Crown” emerging as the biggest winner of the night.
The New York-based dance company joined Hop@Home for a conversation and virtual watch party of its new performances to Niccolò Paganini’s Caprices #5 and #6.
The crisis management consultant tells the story of an investigative journalist navigating a world of gangsters, terrorists and dirty politics in his new novel.
Filippo Meneghetti’s debut film follows two women in love as they grapple with illness, aging and coming out to their families.
In his latest exhibition, the studio art intern captures everyday scenes that strive to depict a universal human experience.
The Hop’s new project kicked off with a symposium that invited Dartmouth faculty, students, visiting artists and researchers to present work on the arts and sciences.
The u201cBig Mouthu201d co-creator discussed his awkward teenage years, friendship with fellow comedian John Mulaney and the inspiration behind his hit Netflix show.
Despite a sometimes uninspired chamber pop sound, the Weather Station offers a lyrical and articulate contemplation of environmental issues on their newest album.
In the wake of last year’s Black Lives Matter protests and ongoing calls for racial justice, Walt Cunningham, director of Dartmouth's Gospel Choir and Contemporary Pop Ensembles, launched “Artivism,” an organization based in the music department that sponsors and produces arts-related social justice projects run by students and faculty.
No other band has had as inconsistent a career as Weezer has. After achieving critical and commercial success with the power-pop of their 1994 self-titled first album, the darker direction of Weezer’s second album, “Pinkerton,” initially drew negative reviews, despite later achieving cult status. Lead singer Rivers Cuomo’s embarrassment over “Pinkerton” led to a long series of albums in the 2000s full of safe, boring pop music that lacked the magic of Weezer’s early work. While the band did produce a couple of albums I enjoyed during this period, particularly 2016’s “White Album,” they reached a low with 2019’s “Black Album.”
Sophie Xeon, stylized as SOPHIE, was a Grammy-nominated avante garde singer and producer behind some of the biggest names in pop music. Before the artist’s unexpected death at 34 on Jan. 31, Sophie had pioneered the hyperpop subgenre — a radical blend of trance, electronic and hip hop music — and collaborated frequently with pop stars like Charli XCX. As a transgender artist, Sophie also inspired many LGBTQ+ listeners and queer musicians.
A staple of a 111-year-old tradition, the Winter Carnival art competition this year drew on the theme “Level Up: Carnival Rebooted,” inspired by the largely digital nature of the event. This year, Allan Rubio ’23 created the winning poster design, which depicts a video game set up in a dorm room overlooking Baker Tower. Brian Lee ’22 made the winning T-shirt design, featuring the classic Atari “Pong” game as its foundation.
In an upcoming gallery talk, Allison Carey ’20, curator of the Hood Museum’s “When Art Intersects History,” will revisit and reexamine her exhibition nearly a year after its debut.
In an interview with The Dartmouth, Alexi Pappas '12 discussed her experience as a Dartmouth student, author and athlete, and how she reflected on these experiences in her new book, "Bravey."
A decade after Argentinian director Juan José Campanella’s “The Secret in Their Eyes” won the 2010 Academy Award for best foreign film, Campanella made his return to live-action cinema with “The Weasel’s Tale” — a remake of the 1976 film “Yesterday's Guys Used No Arsenic.” Campanella’s dark comedy, offered through the Hopkins Center for the Arts’ “Film on Demand” series until Wednesday, follows former starlet Mara Ordaz, played by Graciela Borges, who lives with three filmmaking colleagues in a secluded mansion on the outskirts of Buenos Aires.
With his fourth solo album, “Starting Over” — which debuted in November — Stapleton has truly mastered his craft, tugging at heartstrings with the lyrics of one song and excoriating your soul with his vocals on the next.
This past weekend, the first part of the 14th annual Dartmouth Idol semifinals took place virtually. Breaking from the traditional format of the beloved competition, the kickoff event combined footage from previous competitions with audition tapes from this year’s semifinalists.
Last fall, three students came together with the idea of developing a new publication to connect Dartmouth undergraduates with the wider literary world. This December, the efforts of Frances Mize ’22, Avery Saklad ’21 and Ethan Weinstein ’21 came to fruition in the first edition of Meetinghouse, a literary magazine that has already attracted submissions from over 1,200 authors and poets from around the world.