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The Dartmouth
March 29, 2026
The Dartmouth
Arts
Arts

Wilson features diverse repertoire in concert

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Featuring an eclectic repertoire ranging from lush-tender love songs to scouring roadhouse jazz, Cassandra Wilson, did not disappoint her audience last Friday in the Spaulding Auditorium of the Hopkins Center for the Performing Arts. Beginning with the title cover from her ninth and latest album "Blue Light 'Til Dawn," one of 1994's top selling jazz albums, Wilson ended and began with the same enthusiastic zeal which she sustained throughout the night. This love for music and jazz in particular was readily seen as Wilson stunned the crowd with her hearty, brazen voice.


Arts

Blake, Shelton excel in 'Sacrificial Jones'

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The Black Underground Theater captivated its audiences this weekend at the Bentley Theater in the Hopkins Center of Performing Arts with its presentation of a thought-provoking production entitled, "Sacrificial Jones." The play, written by J.R.




Arts

Hop, WRC feature a forum on pornography

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The Dartmouth Film Society's program "Hard Core: Cinema, Censorship and the Politicization of Sexuality" is a collection of clips from films which range from Edward Muybrige's attempts in the 1890s to break down human movement using split-second consecutive photographs of naked men and women walking, to today's shot-on-video pornos. The forum features Nina Hartley, who has acted and directed hard core pornography and has also taught a course at U.C.


Arts

Wilson to perform with a four-piece band tonight

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Young, beautiful, and now riding the waves of celebrityhood, Cassandra Wilson, is a chantreuse who has definitely come into her own. Lauded as the Sarah Vaughan of her generation by music critics throughout, Wilson will bring her suave, unabashed blues-inspired jazz to the Hopkins Center of Performing Arts tonight at 8 p.m in Spaulding Auditorium. Featuring an ecletic reportoire ranging from lush-tender love songs to scouring roadhouse jazz, Wilson is sure to satisfy any listerner's musical palette. Wilson has a voice that wins even non-listener over.


Arts

'Rampo' features a surreal quality

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Mystery, obsession, and dazzling special effects are waiting to astound you as Loew presents "The Mystery of Rampo" Saturday night, a film in which the line between reality and fantasy is crossed at every turn. Critics have called "Rampo" "a visual achievement of unprecedented psychedelic daring and invention." "The Mystery of Rampo" marks the directorial debut of long-time Japanese producer Kazuyoshi Okuyama.



Arts

Skunk population growing in Hanover

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There is an explanation to the foul smells lingering around College buildings these days -- and it is not the refried beans from Food Court. Instead, officials said the offensive odors around campus can be blamed on an increase in the skunk population in Hanover. The number of skunk sightings in the Hanover area has increased considerably in the last few months, said Bill Hochstin, assistant director of Facilities, Operations and Management. "Skunks really don't have a natural predator around here," Hochstin said.


Arts

BUTA addresses spiritual genocide in Ivy League

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Featuring a strong ensemble of veteran stage actors, the Black Underground Theater will present "Sacrificial Jones" to the Dartmouth community at the Bentley Theatre in the Hopkins Center for Performing Arts this Thursday, Friday and Saturday at 8 p.m. The play, written by JR Riddick '95, is billed as a production that will address spiritual genocide within the black Ivy League. Featuring an eclectic group of students, the play is directed by seasoned actress Marsha Blake '96, a drama major. Blake, the winner of the distinguished award for Best Actress in the 1992 Eleanor Frosts Plays, will make her directorial debut with this play. "The story centers around a group of semi-anonymous Dartmouth students who come to the College with their different and varied backgrounds," Blake said. The play challenges the audience to decide whether the students leave the College with better or worse experiences than when they arrived, Blake said. The play will last approximately two hours and it features two acts: "Epiphany" and "Armageddon." Although the play focuses primarily on Afro-American students, Blake emphasized that every student should be able to take something away from the it. "Eveybody should be interested ... [because] The play is very contemporary ... and it's very much about Dartmouth," Blake said. The cast includes Scott Ennover '98, Christian Felix '99, Lisana Gabriel '96, Karen Koontz '96, Steve McKoy '98, Shaunda Miles '99, Shani O'Neal and Mia Shelton '98. Admission to the play is free.


Arts

'Salo' billed as shocking and intense

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For those who like Italian films, and especially for collectors of bizarre cinema, the showing of "Salo, or 120 Days of Sodom" (Italy, 1975) on November 1 in Spaulding Auditorium at 6:45 and 9:15 p.m.



Arts

Gluhman's work focuses on landscapes

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The next time you are in the Hopkins Center for the Performing Arts, whether checking your Hinman box or grabbing a bite to eat, check out the exhibits in the Lower Jewett Corridor, where the woodworking and jewelry workshops are located.



Arts

Low budget film receives accolades

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With five films in the Loew series on new American independents under our belts, it is fitting that we be shown a depiction of the trials and tribulations of making a low budget film. Tom DiCillo's "Living in Oblivion," showing tonight in Loew auditorium, follows one day in the making of an independent movie where everything that can go wrong, does. "Living in Oblivion" was extremely well received when it premiered in March, leading off the New Directors/New Films series in New York City. Janet Maslin of The New York Times called it "a wonderfully funny behind-the scenes-look at the perils of film making, no-budget style." Nick Reve (Steve Buscemi) is a director trying to shoot his piece de resistence amidst a sea of troubles. His male lead (James LeGros), a studly up-and-coming star, is just using Nick's film as a stepping stone. The female lead (Catherine Keener) has to perform her pivotal scene over and over because technical accidents ruin every take, and the macho cameraman (Dermot Mulroney) is out-of-control. "Living in Oblivion" was originally intended as a thirty minute short about an actress who can't get her big scene right, and it was shot in black and white for $38, 000. But DiCillo decided to extend it, so he wrote and shot a second and third part which were added to the original segment to become the final product. This is DiCillo's second film; his first was "Johnny Suede," which was released in 1992 and starred a pre -"Thelma and Louise" Brad Pitt. The film, although critically acclaimed, was a commercial flop.


Arts

Cioffi begins 19th year at the Bookstore

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David Cioffi, manager of the Dartmouth Bookstore, was not at all flustered when an employee working on the main floor called an upstairs office to report that a shoplifting was in progress. Cioffi calmly listened to the sales clerk describe how an elderly woman had placed items into her tote bag, insisting she had already paid for them.


Arts

Emphasis on passion in 'Law of Desire'

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"Law of Desire" was not a film mainstream American audiences flocked to see when it was first released. There were just too many aspects its plot and themes which seemed shocking, disturbing and deviant.


Arts

Fall Fling packs Spaulding Auditorium

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The Fall Fling was one of three acapella concerts of the weekend; Friday night the Dodecaphonics hosted a concert in Collis, which featured an impressive debut from the new all-female group Femme Fatale, and the evening culminated with an uproarious performance by The House Jacks, a California-based group already signed by Warner Brothers record company. In addition, Spontaneous Combustion, a group of five alums, performed late Saturday night in the Top of the Hop. The Decibelles hosted this year's Fall Fling, which took place Saturday night in Spaulding Auditorium.


Arts

Oppens shows mastery, versatility in concert

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Ursula Oppens is a pianist of incredible versatility, at her best when called on to reconcile disparate playing styles, whether in the same program, or within the same piece. In Thursday evening's concert, she provided the Spaulding Auditorium audience with a compelling demonstration of her mastery, presenting a program of music from the last two centuries which highlighted the breadth of Oppens' pianistic skill. According to Oppens, the pieces were meant to explore the different challenges offered by virtuosic and non-virtuosic piano compositions.



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