'Stella' is no 'Waiting to Exhale,' but provides amusement
Terry McMillian's fourth novel tackles modern day taboo of older women-younger men relationships
Terry McMillian's fourth novel tackles modern day taboo of older women-younger men relationships
Renowned New York drama troupe to hold performances and workshops throughout next two weeks
George Michael, best known as the butt-wiggling poster child of the '80s is now obviously older, but not necessarily wiser.
Unseasonably stormy skies this summer are hindering both student activities and some College maintenance efforts, as rainfall in New Hampshire approaches its highest total in five years. So far, the summer of 1996 is the wettest summer in New Hampshire since 1991, the year that Hurricane Bob rocked New England, National Weather Service hydrometeorologist Butch Roberts said. Although exact rainfall statistics for the Upper Valley are not recorded, he said, the nearest National Weather Service station, in Concord, has reported 5.13 inches of rain during the month of July, 1.9 inches more than the average. Concord has already received 28.24 inches of precipitation in 1996, only eight inches less than the yearly average, Roberts said. Roberts attributed the wet weather to a jet stream flowing more southerly than usual, creating a trough of low pressure which pushes storms from the Great Lakes and Northern Plains to New England. Weather Services Corporation operational meteorologist Mike Wagner explained, "Storms follow the upper-level and keep dropping on us.
Let me begin this review by saying the following: If you are looking for a comparison between the new movie "A Time to Kill" and the John Grisham novel on which it was based, you will not find it here. Not having read the book, I will be only commenting on the movie -- which was entertaining and well-acted, though a bit too long. "A Time to Kill" is essentially about the trial of Mississippi factory worker Carl Lee Hailey (Samuel L.
Tepid Goldoni script made better by exceptionally capable acting of Blumstein '98 and director Loehlin
'Chungking Express' first release on 'Pulp Fiction' director's label
Given the recent passing of mid-term exams and without even the relief of a sunny day for Tubestock, you might think there is not much to laugh about at Dartmouth.
Everyone dreams of running off to join the circus, but one Dartmouth alumnus actually did. But Paul Binder '63 not only joined the circus, he started his own.
While everyone is flocking to see "Independence Day," a special 'phenomenon' is being somewhat overlooked. "Phenomenon" is an uplifting, spirited film about George Malley (John Travolta), a common mechanic in Small Town, U.S.A.
While operating a hot dog stand in downtown Hanover may not be as lucrative as being an investment banker on Wall Street, Dick Clapp does not seem to mind. Clapp, in fact, is quite content in his occupation as Hanover's only sidewalk hot dog vendor, and he serves a hungry populace each day from his regular spot in front of Town Hall on Main Street. Actually, working as a hot dog vendor is more profitable than one might think -- a hot dog here, a kielbasa there, and Clapp can take in $150 for just a few hours work on a summer day, he said. Clapp even can enjoy an abbreviated work day, as he works from about 11 a.m.
"Nico Icon," a documentary about the life of Velvet Underground vocalist Nico, shows tonight in Spaulding Auditorium as part of the Film Society's Cinema Cool series. The 72 minute film, with subtitles, is written and directed by Susan Ofteringer. The film hopes to unravel some of the mystery surrounding the German beauty who began her career as a super model and went on to become a central part of Andy Warhol's clan as well as the lead singer in his band, the Velvet Underground. Using archival footage of Velvet Underground performances, home movies, and interviews with friends and family members, filmmaker Susanne Ofteringer shows the complete transition Nico made from a beautiful, blond goddess to a cigarette-smoking wash-out, addicted to heroine and obsessed with death. Ofteringer became interested in Nico after learning that both women grew up in Cologne. She made the film in hopes of portraying Nico as an independent woman who liked to reinvent herself instead of as a blank beauty who earned her fame because of her affairs with famous men. Ofteringer interviews many of the people closest to Nico including Nico's aunt Helma Wolff , Velvet Underground members Sterling Morrison and John Cale, and her son Ari, who she helped to get addicted to heroine. The interviews offer the most compelling scenes in the documentary. Juxtaposed with shots of Nico from the beginning of her career with shots of her after her period of self-destruction, the interviews help to reveal the shocking transformation the superstar went through. Although much about Nico remains an enigma, "Nico Icon" presents an interesting and visually stunning look at the life of a woman who has always been fascinating because of her constantly changing image and striking beauty.
New York City troupe thrills crowds with annual show in Hanover
"Bad As I Wanna Be," Chicago Bulls superstar Dennis Rodman's newly-released autobiography with Tim Keown, is a revealing account of his tumultuous life on and off the basketball court. In this book of surprises, "The Worm" confronts such controversial issues as his unconventional personality, race relations, sexual orientation, his six-month relationship with Madonna, as well as the NBA. Released during the Bulls' championship season, "Bad As I Wanna Be" currently tops the New York Times' list of best-selling hardcover non-fiction books. Today Rodman is known for his aggressive play, his "bad boy" image and his colored hair, liberally-tattooed torso and experimental fashion choices. This book, however, is powerful for illuminating Rodman as a normal human being. He writes: "I've been homeless.
For Tevin Campbell's musical career, the journey has been definitely from boy to man. First appearing on the scene with a Jacksonesque "Tomorrow (A Better You, a Better Me)" on Quincy Jones's 1989 release, "Back on the Block," Campbell now has a voice to be reckoned with. Now 19 and with two albums under his belt, Campbell attempts to make the jump from the high alto that he once was, to his current slick, rich tenor on his latest rhythm and blues project titled, "Back to the World." While many chart-bumping acts blow up and out with their first effort, then fizzle away like Alka-Seltzer in a Dixie cup, Tevin Campbell came back stronger in the second round, revamped and more mature. Instead of following in the footsteps of his debut album "T.E.V.I.N." on his sophmore release"I'm Ready," Campbell decided to change his boyish image, recording songs with a look toward adulthood which showcased his musical and physical metamorphosis. Campbell has shown a unique plasticity in style throughout the years.
'Drugstore Cowboy' and 'Sid and Nancy' to play Sunday
As "Independence Day" quickly surpasses $100 million in domestic ticket sales, people across the country are talking not only about the success of the film, but also about that of its World Wide Web Internet site. Up and running for only two months, the "Independence Day," or "ID4" web site has already become one of the most popular stops in the history of the Internet and has been viewed by millions of visitors. With a decent Web browser and a little patience, visitors to the site -- located at http://www.id4.com/ -- should discover that the hype and popularity are well deserved, although the site is a bit complicated to use. Unfortunately, to get maximum enjoyment out of the site, a computer user must have several auxiliary "plug-ins" on his or her system, and most users do not have this software. Free copies of the software can be acquired, but downloading time can take up to half an hour per plug-in. Still, the "ID4" site is pretty impressive, even without the additional software. Upon reaching the front page of the site, choose the Netscape 2.0 Web browser if you took the time to download the extra software and Netscape 3.0 if you didn't. From there, users can proceed to one of three main locations: Launch Pad, Area 51 and Contact. Fans of the movie will want to head right into the Launch Pad, which includes a series of profiles on the actors who in the movie are the "freedom fighters," the humans who try to save the Earth from extinction. Also in the Launch Pad section are some impressive "propaganda," which includes 10 downloadable sound bytes from the movie and three full-length trailers, five television advertisements. One gem to be found: a marvelous screen saver which depicts a huge alien ship annihilating metropolitan New York with its laser beam. The Launch Pad also has behind the scenes production notes, links to other "Independence Day" information on the Internet and other assorted goodies. In the Area 51 and Contact sections, interested people can read a wealth of alleged alien sightings, descriptions and conspiracy theories, and even pick up some advice on what to do in the event of a real-life alien attack. As tends to be the case throughout much of the site, the user will not be able to explore some of the resources in Area 51 and Contact -- for example, the alien conspiracy story chat room -- unless he or she downloads some of the aforementioned additional software. Generally, the site is graphically pleasing and even includes some neat animated graphics, such as a spaceship dodging gunfire and a moving satellite. The "ID4" site can be a bit difficult to navigate for first-time users, but visitors can use a "Help" screen to easily navigate the site. Overall, the "Independence Day" website is well worth checking out, at least while the movie continues its run in the theaters. The system is a bit confusing and some of its treasures require bulky auxiliary software. However, the site provides more than enough resources to keep the casual visitor or rabid movie buff excited.
The much-hyped "Independence Day" is an entertaining no-brainer, well worth $6.25 for those who consider the "Sally Jesse Raphael Show" quality entertainment. "Independence Day," directed by Roland Emmerich, is not science fiction.
'The Green Mile' weaves a wicked mystery story full of surprises