'Nemo' serves up catch of the day
Pixar-animated film features dazzling animation, plot
Pixar-animated film features dazzling animation, plot
During Led Zeppelin's decade on top of the rock world from the late 1960s to the late 1970s, the group released some of the finest records in all of popular music.
Sixth album mediates electronic and guitar-based extremes
Much singing, running, laughing and running will be heard in Bentley Theater tonight as Dartmouth's musical theater group, the Harlequins, presents two performances of "Little Shop of Horrors." The Howard Ashman and Alan Menken-penned musical, which is based on the 1960 Roger Corman movie, traces the story of Seymour Krelbourn (Adam Ballard '00), a lowly Skid Row flower-shop employee, as he finds a "strange and interesting plant" after a solar eclipse and subsequently rises to fame. Katy Flynn-Meketon '05, one of the student directors, said "Little Shop of Horrors" is the biggest show the Harlequins has done in recent years.
The Displaced Theater Company's dynamic Nickel Theater players performed Shakespeare's "Love's Labours Lost" in Fairchild Tower in front of an eager audience over the weekend. The actors used the building's distinct infrastructure to its maximum potential.
This weekend, the Dartmouth Dance Ensemble will host "Cross Culture," a spring performance with some special guests: the Dance Company of the National University of Costa Rica and poet and guest performer Chin Woon Ping.
Following in the footsteps of such journalistic luminaries as Mike Wallace, Barbara Walters and Ed Bradley, The Dartmouth's Mark Sweeney catches up with the big names on campus and asks the questions that others have too much professionalism or integrity to ask.
Did Blur ever really matter? They may have vied with Oasis for the title of biggest band in Britain for much of the '90s, but Blur never really had their "(What's the Story) Morning Glory?" -- a breakthrough stateside album. In the U.K., anything Blur releases will still find its way into the charts.
"If only one could be sure that every 50 years a voice and a soul like Odetta's would come along, the centuries would pass so quickly and painlessly we would hardly recognize the time," Maya Angelou said in 1999. We've seen her name and the face posted around campus for weeks now.
"Down With Love" is a tribute to the Rock Hudson and Doris Day comedies of the early '60s. The movie begins with a series of colorful cartoons and has a wonderfully retro feel throughout.
Poor dialogue and acting plague 'The Matrix Reloaded'
"Art was not a part of our lives," declares Bob's flat-accented, floral-muumuu-bedecked mother in Tom Dugdale '03's production of "bobrau-schenbergamerica." The same might be and has been said by many a student here at Dartmouth.
Following in the footsteps of such journalistic luminaries as Mike Wallace, Barbara Walters and Ed Bradley, The Dartmouth's Mark Sweeney catches up with the big names on campus and asks the questions that others have too much professionalism or integrity to ask.
In a concert rescheduled from Winter term, the jazzy trio tries to warm up a Spaulding crowd
When "College Sutra" premieres tonight at 8 p.m. in Loew Auditorium, expect the culmination of months of work from producer Amit Anand '03 and his cast.
The Yeah Yeah Yeahs are a band that's designed not to be ignored. You can't ignore a band whose singer, Karen O, alternately channels Joan Jett, Betty Boop, Frau Farbissina and Jenna Jameson.
"The Girl Show" might be a loaded title for an art show -- but that's the way Caitlin McNally '03 seems to like it.
Since making a documentary-style short for "Saturday Night Live" about a male synchronized swimming team, Christopher Guest has become the master of a genre of film that has come to be known as the mockumentary.
In the Bentley, a five-person show sets new marks for originality, comedy, poignancy and poise
As I settled into my seat and tried to block the screams and cries of excitement from next door's screening of the new "X-Men" flick, I thought to myself, "What am I getting into?" The film opens with a shot of a huge pile of dirt and the first line is -- and I quote -- "Barfbag!