Zutons bring Brit rock to Boston on Friday
In its storied history, the English port city of Liverpool has exported its fair share of great music to the world.
In its storied history, the English port city of Liverpool has exported its fair share of great music to the world.
If you walk into the depths of the Hopkins Center late at night, winding around the dark corridors towards practice room 29, a sweetly unique sound pounds through the closed door. Peering through a tiny window, one can see Billy Accomando '07, Rashid Galadanci '07, Patrick Handler '07 and Ben Selznick '07 jamming and producing tunes that the whole campus has come to recognize. This unique sound is that of Rightly Guided Thieves, the spectacular sophomore band that has enthralled Dartmouth students since last fall.
For Chinese-language film aficionados, the Loew film series at the Hopkins Center has Hong Kong cinema as the theme for this term. For the better part of the last 50 years, East Asian cinema has been synonymous with Japanese films.
When the Oscars are announced on Feb. 27, Clint Eastwood's latest gem, "Million Dollar Baby," will step into the ring with four other heavyweight pictures vying for the coveted Best Picture award.
After many months of grueling rehearsals, forced abandonment of friends and even food to sing and dance their hearts out day after day, the Dartmouth Glee Club finally got the chance to strut its stuff.
Yes, it's wrong to stereotype, but goshdarnit, Canadians are such nice folks! They've contributed so much to American culture for so long (Dan Aykroyd, four-fifths of The Band, Molson, numerous cold fronts, the list goes on) that it's a wonder one nation could be so generous.
Anthony Shears seems like the average Dartmouth junior: he wears a giant jacket, wool cap, backpack and carries his laptop under one arm.
Explaining Ed Harcourt to the uninitiated is somewhat difficult. He isn't like any of the young male singer-songwriters familiar to the radio-listening American public, mainly because he doesn't turn out "pret-a-ecouter" tunes that will placate your grandmother. Instead he's closer to the sweetness of a good Richard Hawley track, with the playful exuberance of Jesse Malin's "Almost Grown." Or maybe more aptly, he has the under-the-radar indie rock brilliance of early Badly Drawn Boy recordings, but with production and instrumentation slightly more reminiscent of Coldplay.
The concert the Orpheus Chamber Orchestra presented in Spaulding Auditorium this Friday past was unusual for several reasons.
Six luminaries of the contemporary music world convened at the Hopkins Center last Saturday for an evening of innovative and elegant Latin Jazz.
There is something unsettling about thefacebook.com's premise -- about the process of inviting a person and listing him or her as your "official friend." It was only a matter of time before somebody took thefacebook to its extreme. Steve Hofstetter is a stand-up comedian, an alumni of Columbia University and head writer for Collegehumor.com.
I have a bone to pick with people who call music like this "pop." If pop stands for "popular music," Graham Coxon's new album, "Happiness in Magazines," is not pop because it's just not catchy enough.
After a brief hiatus at the end of Fall term, a revamped Friday Night Rock will kick off Winter term this Friday with a show featuring Mates of State, the San Francisco-based husband and wife duo making waves on the indie rock scene. The show marks a dramatic turning point for Friday Night Rock. "We've modified our focus this term for Friday Night Rock," said general manager Monica Morrison '07.
Has this cold weather got you down? Then it is time to take a break to see BREAK, one of America's top breakdancing teams.
It was probably just a coincidence that, taking my seat in one of the Nugget's cramped-yet-comfortable theaters, I had Tom Petty's "Learning to Fly" stuck in my head.
This Friday, composer, flautist, improviser and inventor (in no particular order) Robert Dick will be performing at Spaulding Auditorium with King Chubby.
The Hood Museum of Art celebrates its 20th anniversary in 2005 with a year-long celebration. Since the official opening of the building upon its completion in 1985, more than 900,000 visitors from around the world have flocked to the museum, one of the largest art museums on a college or university campus in the United States. In commemoration of the museum's emerald anniversary, the Hood staff has planned several programs for the public and will focus on the impact the museum has had on the community since its inception. To kick off 2005, the museum will feature "Critical Faculties: Teaching with the Hood's Collection," featuring installations from the anthropology, art history, classics and studio art departments. The anthropology department's installation will feature figurative objects from Africa, a variety of ancestral and contemporary artworks from Papua New Guinea and Mexican and Central American tools and obsidian jewelry from the pre-colonial era. The art history department will focus on a museum exhibition from pre-modern and early modern times but with a contemporary twist.
It is well-ordered chaos -- scattered slapdash poetry set into carefully coordinated motion. Three screens show incendiary pictures from "Birth of a Nation" as a mix of hip-hop, classical and jungle music blast in the background.
The concept of the biopic is sort of ridiculous because lives aren't stories, though they often contain some.
Rightly Guided Thieves and other campus bands to play a charity gig on Frat Row this weekend