'Millions' proves a spiritual experience, features no scourings
In an interview with National Review, Craig Good, the senior artist at Pixar, replied when asked about the reason for Pixar's consistent success, "We don't make movies for kids.
In an interview with National Review, Craig Good, the senior artist at Pixar, replied when asked about the reason for Pixar's consistent success, "We don't make movies for kids.
Tap-dancing legend Gregory Hines once said, "There is Savion Glover, and then there are the rest of us." Best known for his Tony-winning work on the 1996 Broadway hit "Bring in 'Da Noise, Bring in 'Da Funk," Glover has been wowing audiences since he was 12 and is indeed considered by many to be the greatest tap dancer of all-time. On Thursday, April 14, I braved the townies and made the trek to Lebanon, where Glover was bringing his brand of noise and funk to the otherwise sleepy New Hampshire town. I admit I know nothing about tap dancing technique beyond people making cool sounds with their feet.
Editor's note: This is the first of a three-part series in which the Dartmouth will report on the proceedings at the Tribeca Film Festival in New York City, which will be running through the month of April. I happen to think that Dartmouth is pretty "film-forward" in comparison to other schools.
"Zu Zu? Choo Choo? Z-you Z-you? What the hell?" Andy Sandoval '06 tried to tell someone about Friday Night Rock's first show tomorrow, but well, he couldn't pronounce the band's name. "It's pronounced 'shoe shoe,' like your sneakers," interjects FNR member Brendon Bouzard '06. Then, he scratches the back of his head and says, "You should come.
Peeling the plastic wrapping off the new Decemberists album turned out to be the most aggravating experience of my life.
Woody Allen's movies run the entire gamut from extraordinary to abysmal. "Melinda and Melinda" leans more toward the former than the latter, but it doesn't quite reach a truly outstanding level. "Melinda" is really two movies in one.
Virtuosa violinist Midori, along with pianist Robert McDonald, performed on Saturday night in a concert that was simply inspiring.
It's damn hard to sound good while hopping genres. When you're a privileged white guy in your thirties from L.A., it's tough to get away with alternating between diverse musical styles such as rap, dirty blues, soul and country.
Ten-time Grammy award-winning vocal phenomenon Bobby McFerrin highlighted his residence as a Montgomery Fellow at the College with a stunning solo concert at the Hopkins Center on Tuesday evening. McFerrin is an unconventional and greatly respected musician who has spanned vast technical and imaginative territories.
Everything about "Sin City" is cool. The trench-coat-clad anti-heroes smoke with style and kill without any heed of the consequences, and the women are either lesbians or gun-toting dominatrix-style prostitutes.
Bobby McFerrin breezes through the door of Rollins Chapel's Green Room, quietly practicing delicate strains of arpeggios to himself as he makes his way towards me.
On Saturday night, Programming Board provided a winning combination designed to appeal to the masses: Robert Randolph and the Family Band's soulful blend of blues, gospel, rock and country and Talib Kweli's intelligent, alternative hip-hop. After the organization passed on Wilco, one of today's best rock bands, in favor of the emo of Dashboard Confessional in the fall, it did much to redeem itself with the selection of Randolph and Kweli.
It isn't often that the opportunity comes along to see two of music's rising stars on one stage at the same show.
When Christopher McMullen-Laird '05 decided not to take classes his senior year, he was not suffering from the loss of motivation that often afflicts Dartmouth students; it was quite the opposite.
Nowadays, a trip to the theater is as much a culinary experience as it is a cinematic one. Armed with nachos, popcorn, soda, hot dogs and an assortment of candies, we watch our favorite stars bust their acting chops on the screen while we chow down in front of it.
The theater department will present senior Kimberly Marable's culminating experience, "THUGLIFEpoetics," written by Marable and directed by Ashley Satterfield '07 on Wednesday evening.
In modern-day London, Natalie Portman and Jude Law walk in slow motion towards each other as Damien Rice's hauntingly lovely "The Blower's Daughter" plays in the background.
Jesus Christ, the Buddha, Josef Stalin and not one but two cardboard boxes will share the stage Tuesday night, here in Hanover, for one night and one night only.
Last year's documentary "The Corporation" drew rave reviews from across the spectrum. Through a series of interviews, historical analysis and interspersed factoids, the makers of the film diagnosed the modern day corporation as a destructive psychopath.
Broadway's longest running musical left Manhattan several years ago and has now found a more humble place to settle down.