Violence haunts survivors in new film
Courtesy of Idahostatsmen.com The characters in "Stop-Loss" (2007), which opened nationwide this past Friday, seem to have trouble making eye contact with one another.
Courtesy of Idahostatsmen.com The characters in "Stop-Loss" (2007), which opened nationwide this past Friday, seem to have trouble making eye contact with one another.
It's a good thing the Dartmouth Dance Ensemble only recently learned how to handle a poi. A ball spun rapidly by an attached rope, this traditional object used for dance by the Maori -- the indigenous Polynesian people of New Zealand -- is sacrosanct ("tapu" in Maori) and must not be dropped.
Madonna has officially broken my heart. Once, it seemed her reign as the most incisive interpreter of pop culture's cutting edge could never end: Her spot-on 1980s mutations from "Like a Virgin" to "Material Girl" to the burning crosses and dogma bashing of "Like a Prayer" were matched only by the next unexpected decade.
Courtesy of Heidrun Lohr Award-winning Chinese-Australian photographer and storyteller William Yang brings his latest show "Shadows" to Dartmouth this weekend.
/ The Dartmouth Staff Some call it torture pornography.
When 17-year-old front runner David Archuleta began to effortlessly honey out a Beatles classic in order to atone for what had been an unforgettable razing of "We Can Work It Out" the week before, pop culture fanatics everywhere -- or rather, the ones who could hear themselves think over the panting bevy of tween girls who screamed as though he were formerly part of the Fab Four -- no doubt noticed how uncannily his song choice reflected, once again, the predictable unpredictability of American Idol season seven. It has indeed been a long and winding road.
In our brave new digital world, music news can get broken -- and swept away -- before a band has even released a full-length album.
Tilman Dette / The Dartmouth Senior Staff Spaulding Auditorium hosted the finale of the unprecedented "Dartmouth Idol" on March 6, and I have to say that the show left me sorely disappointed -- in one regard.
Larkin Elderon / The Dartmouth Staff If you assumed that the theater department's resources were exhausted this term by the colossal undertaking that was "Julius Caesar," you were mistaken.
There is light at the end of Hanover's winter tunnel. Finals are almost upon us, which means Dartmouth's Winter term is nearly finished.
Courtesy of dartmouthidol.com This Thursday night in Spaulding Auditorium, the finalists of Dartmouth Idol will compete for the three top prizes of $500, $250, and $100, as well as certifiable campus celebrity street cred.
Editor's note: This is the final part in a weekly series reexamining films from the past.
It seems improbable that the piano and banjo could combine to make progressive jazz -- dabbled with bluegrass here and there -- without sounding like a novelty act.
Recent releases from the Killers and Gorillaz both showcase a growing trend: musical multiplication.
When picturing the banjo, most people imagine toothless hillbillies from God knows where, sitting on a dilapidated porch, picking away at the strings with a stalk of straw in their mouth.
The classical music performance group Aguava -- literally translated as "alarm" in Spanish -- chose its name to evoke images associated with the fear of flooding, with particular emphasis on the aftermath of a flood -- "the discovery and feeling associated with complete and total inundation," said Carmen Tellez, one of the artistic directors and producers of Aguava.
Courtesy of mountain-goats.com The Mountain Goats have amassed a cult following over the course of more than fifteen prolific years but still teeter on the edge of mainstream popularity.
Courtesy of Tim Chingos "Et tu, Brute?" When Julius Caesar, played by Matthew Cohn '08, uttered this famous line at the Friday, Feb.
Editor's Note: This is the second part in a weekly series examining films of the past. Quentin Tarantino is said to have called Wong Kar-Wai the coolest filmmaker out there -- and he wasn't exaggerating.Wong Kar-Wai wrote and directed the cult classic film "Chungking Express" (1994), which Quentin Tarantino immediately fell in love with and distributed in the United States.
Courtesy of eclipsepictures.net It's not easy being Charlie Bartlett.