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The Dartmouth Center for Career Design has raised $30 million in endowed gifts to support internship opportunities for undergraduate students, the College announced last month.
As someone who is in need of relationship advice, I sat down with sociology professor Kathryn Lively, who teaches a course designed for would-be romantics: WGSS 33.07: “Love, Romance, Intimacy and Dating.” Lively taught the course last fall and will teach it again this coming fall. It is a discussion-based class where the final project involves interviewing a peer about their experiences with love, dating and intimacy. Whether you’re single and desperate or blissfully coupled, Lively has advice on how to keep romance from flatlining.
“Melania” chronicles 20 days in the life of Melania Trump leading up to the second inauguration of her husband, then president-elect Donald Trump. While the first half of the documentary consists primarily of event and wardrobe planning for the presidential transition, the second serves as a play-by-play of the ceremony and subsequent celebrations. Yet despite the centrality of Melania’s perspective and frequent voiceover narration from her, the film offers almost zero insight into the first lady as a person. Though she may be the protagonist, no inner life is revealed.
“Hamnet” is a film designed to make you cry. In Chloé Zhao’s film, raw performances and breathtaking cinematography coalesce into a stunning meditation on grief and its endurance. An adaptation of Maggie O’Farrell’s 2020 novel, “Hamnet” follows William Shakespeare’s nuclear family before and after the death of his son Hamnet. Both the novel and the screenplay, which was co-written by O’Farrell and Zhao, assume that Shakespeare’s famous tragedy “Hamlet” was inspired by the death of his son. Although scholars debate the veracity of this premise, its historicity is ultimately irrelevant — the film never claims to be accurate, and its power derives from its efficacy as a deeply human tale.
This article is featured in the 2026 Winter Carnival Issue.
This article is featured in the 2026 Winter Carnival Issue.
Every first-year Dartmouth student inevitably runs late to a Molly’s dinner by discovering the records store on Main Street. Time easily flies by as they get lost in the various pop artist prints, Dr. Seuss stickers and old 90s records. The rpmNH Records and Posters store’s owner is a man who wears many hats: storyteller, geologist, artist and longtime resident of Hanover, Brian Smith.
With Super Bowl LX around the corner, students and faculty members have mixed reactions to the growing influence of sports gambling apps on professional sports and campus culture.
On Jan. 9, Class of 1954 Intern Sara Shelton ’26 gave a “Space for Dialogue” gallery talk for her debut exhibit at the Hood Museum. Her gallery, “You Just Gotta Laugh,” focuses on how viewers engage with humor. Drawing from the Hood’s permanent collection, Shelton’s installation invites viewers to spend a few minutes laughing. The Dartmouth sat down with Shelton to discuss her new gallery, her experience as a Hood intern and her love for art.
Rep. Maggie Goodlander, D-N.H., is under investigation from the Department of Justice after appearing in a video that urged military personnel to “refuse illegal orders.” Goodlander appeared in the video alongside five other Democratic members of Congress who have all previously served in the military or intelligence community.
Andrew Leland is the author of “The Country of the Blind: A Memoir at the End of Sight,” a Pulitzer Prize finalist that explores Leland’s gradual loss of sight. Leland, who has eye disease retinitis pigmentosa, said he is now left with “tunnel vision,” so seeing is like looking through a “toilet paper tube.”
As I progress through my senior year at Dartmouth, I go back and forth between feeling as though freshman year was a lifetime ago or just last week. This seems to be a universal experience among my friends, and we all reflect on how far we’ve come in different ways. Some remember the time they took ENGS 12 on a whim and instantly fell in love with the hands-on creativity of the human-centered design minor. Others reminisce about their first Hanover winter and how they have since learned to prepare for the toughest season on campus.
What does it mean to Rho Gam? Rho Gammas — also known as “Panhellenic recruitment counselors” — are upperclass members of sororities at Dartmouth selected to guide students through the recruitment process. Rho Gams have to complete required courses designed to strengthen leadership skills and understand the underclassmen community they serve. These trainings are overseen by the Office of Greek Life and Student Societies, who also provide in-person training for Rho Gams, according to the Dartmouth College website.
On Jan. 18, at the second weekly Dartmouth Student Government meeting of the winter term, senators listened to two presentations about mental health on campus — the first by faculty members involved in Evergreen.AI, and the second by members of the student Mental Health Union.
“Marty Supreme,” writer/director/editor Josh Safdie’s first solo feature, follows the table tennis phenomenon Marty Mauser (Timothée Chalamet) on his obsessive quest to be a great table tennis player. Like his previous films “Good Time” and “Uncut Gems” made with his brother Bennie Safdie, the film is about a single-minded con-artist who resorts to increasingly dangerous and immoral methods to achieve his goals — and the seemingly bottomless depths of depravity and desperation to which he will stoop in pursuit of it. Yet here, Safdie elevates this formula to its most epic, and most thematically nuanced, shape yet.
2024’s music scene was rife with chart-topping releases and cultural landmarks – from the Kendrick Lamar-Drake feud to Brat Summer. Against that backdrop, 2025 was never going to compete on spectacle alone. Instead, it emerged as a more reflective year, with many artists leaning into more emotionally intentional projects. Japanese Breakfast turned inward on “For Melancholy Brunettes (& sad women),” resisting the urge to recreate the euphoric immediacy of “Be Sweet,” while Justin Bieber surprised listeners with “SWAG,” a raw R&B pivot rooted in faith and introspection.
When the College announced its policy of institutional restraint in December 2024, it entered uncharted territory. There was no precedent for such a policy in Dartmouth’s history, which left room for much debate over its implications. Now, however, the policy has found its analogue in a surprising place — not at another university, but at the CBS headquarters in Midtown Manhattan. And yet, rather than reassuring us about Dartmouth’s policy, the case at CBS News is quickly becoming an omen about what exactly could go wrong with institutional neutrality at Dartmouth, and how a policy designed to promote free speech could be co-opted just as quickly to restrict it.
Editor’s Note (Jan. 29, 11:55 a.m.): Upon discovery that the author was compensated for his work, this article no longer meets our editorial standards.
From Dec. 4 to Jan. 1, Northern Stage in White River Junction, Vt. will present the play “Peter & Wendy,” a modern reimagination of J.M. Barrie’s novel “Peter Pan” set in 1999 in New York City. Staying true to the novel’s structure while giving it a contemporary refresh, the show will feature 15 young actors and three Dartmouth students alongside professional actors.
In the first few weeks since the Hopkins Center for the Arts reopened, members of some student performing arts groups have said that spatial and staffing constraints, along with content regulations, have limited their ability to perform there.