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Studio art professor Christina Seely’s work puts art into an ongoing dialogue about climate change. Her new solo exhibition “Dissonance,” currently showing at Jaffe Friede and Strauss Galleries in the Hopkins Center until March 6, intertwines her affair with the Arctic with the urgency of the climate crisis.
Over the last decade, Kevin Parker has used his solo project Tame Impala to create incredible anthems of loneliness and isolation. Ever since his 2010 single “Solitude is Bliss,” Parker has pushed himself further and further away from society, using his lyrics to present himself as an outsider looking in. Even the album cover of Tame Impala’s 2012 album “Lonerism” depicts people picnicking on the other side of a fence, just out of reach. During the production of his next album “Currents” in 2015, Parker withdrew even further, working meticulously on each track. And while these songs dealt more with interpersonal relationships than any of his previous works, the lyrics made it clear that Parker felt more alone than ever.
After taking center-stage in the 2016 film “Suicide Squad” as the charming ex-psychiatrist-turned-supervillain, Harley Quinn (Margot Robbie) returns fiercer than ever as she introduces a new version of herself — one separate from the diminutive label of “the Joker’s girlfriend.”
Visitors to the Hood Museum can now view works from the CIPX Project. CIPX, the “Critical Indigenous Photographic Exchange,” was founded in August 2012 by photographer Will Wilson, who now collaborates on the works with photographer Kali Spitzer. The project is a direct response to staged portraits of Native Americans taken by Edward Curtis in the early 1900s.
Last year, the Academy Awards were not in good shape; no one would host, the choices for winners were unpopular and the awards show faced consistently declining numbers. Alternatively, at this year’s 92nd Academy Awards, the decision to not have a host again worked very well; the choices for nominations and winners were the best they have been in years; and the presenters and performers kept the show interesting throughout. And yet, this year’s Oscars had the lowest viewership recorded since Nielsen Sounds can began keeping track in 1974. Those of us who did watch, however, were treated to the best Academy Awards in many years.
“One Child Nation,” directed by award-winning documentarian Nanfu Wang, is one of the first documentaries to delve into China’s one-child policy. While it does so in an innovative way, the film lacks objectivity and coherence in telling the story.
The ceramics studio provides access to materials, a team of professionals to guide students just starting out, and a space for students looking to get involved with arts on campus. Sunlight streams in from wide windows on the far wall of the studio, falling on shelves lined with student-made ceramic vessels. The studio creates an atmosphere for students of any level to take a break from their work and de-stress by making something with their hands.
The Oscars are developing a bit of a reputation for incompetence, seen in 2017 when Warren Beatty erroneously announced that “La La Land” had won Best Picture — the Academy had actually voted on “Moonlight” — and they’ve struck again this week by accidentally tweeting a slate of winners for each category under the heading “My Oscars Predictions” on the official Academy Twitter account.
Visitors to the Hood Museum can now see studio art professor Colleen Randall’s work featured in a new, two-room exhibit. “In the Midst of Something Splendid” will be on display until May 31.
In the basement of the Hopkins Center lies a commonly undervalued resource — the woodworking workshop. A bright, open space filled with large work tables topped with a myriad of projects in a variety of stages of completion, the woodshop is inviting yet intimidating. There are power tools lining the walls, cabinets loaded with joining materials and walls filled with different types of wood.
Mac Miller’s posthumous album “Circles,” released on Jan. 17, is a fitting end to his respected rap career and eclectic body of music. Miller began his career at the age of 15 in Pittsburgh’s hip-hop scene, and over time became an almost entirely different artist. He evolved from his beginnings as a fratty pop-rap artist to boldly experimenting with his sound, all the while growing immensely as a rapper, producer and singer.
In celebration of the Lunar New Year, the Hopkins Center is hosting globally renowned Chinese musician Wu Man tomorrow in a one-time performance titled “Wu Man and Friends: A Night in the Garden of the Tang Dynasty.”Wu Man is best known for her revolutionary work with the pipa, a traditional Chinese instrument similar to the lute. Through the pipa, she is able to masterfully blend time periods and cultures, from ancient to modern and East to West.
After another year of incredible music output, it is almost time for the Grammys to choose which albums were the most commercially viable of 2019 — or, as the Academy phrases it, the best.
Directly across from the Hinman Mail Center in the Hopkins Center is The Booth, a small but carefully curated display of student art. With its eye-catching neon pink sign, welded by student curator Jamie Park ’20, The Booth is hard to miss.
The “Reconstitution” exhibit, which opened in the Hood Museum on Jan. 2 and will stay up until May 31, aims to make viewers consider how the dominant art historical narratives exclude many experiences and artists.
Thanks to surprise wins for Best Director and Best Motion Picture — Drama at the Golden Globes, Sam Mendes’ bold cinematic experience “1917” has been a buzzy film, garnering a spike in attention it hopes to carry into the Oscars in February. Set during World War I and focusing on two British soldiers in the trenches of France, “1917” is shot and edited to look like one take. This is much like Alejandro G. Iñárritu’s masterful 2015 Oscar winner for Best Motion Picture of the Year, “Birdman.” Unlike “Birdman,” though, “1917,” lacks a scintillating script or multifaceted characters, but it makes up for some of that loss with the sheer grandeur of its cinematic vision.
Each year, five graduating seniors majoring in studio art are chosen to be interns for the department upon their graduation. Kaitlyn Hahn ’19, one of the studio art interns for this academic year, is especially interested in exploring sculpture and digital art during her internship. She is working not only as a teaching assistant in photography, printmaking and senior seminar classes, but also on her own art, which includes multimedia projects and installation exhibits.
It could be argued that one of the most common photographs to be taken is a school photo. The majority of people have been in or seen one. Normally, they are not usually viewed as controversial.