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The Dartmouth
February 10, 2026 | Latest Issue
The Dartmouth
Multimedia



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Sports

From the Bleachers: Revisiting MJ vs. LeBron after “The Last Dance”

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As the months drone on without live sporting events and the NFL draft fades further in the rearview mirror, sports fans continue to get by with a steady diet of watching old games and taking NFL Sporcle quizzes. Luckily, ESPN made the brilliant business decision to release its 10-part documentary series on Michael Jordan, “The Last Dance,” in the middle of April, releasing two episodes per week for the last five weeks.





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News

Incoming SA president and VP discuss plans, campus issues

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On May 12, Cait McGovern ’21 and Jonathan Briffault ’21 were elected as Student Assembly president and vice president. McGovern and Briffault ran on a platform that advocated for increased mental health services and awareness on campus, financial accessibility and student engagement.


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News

Amid ambiguity, ISC, sororities examine rules for non-binary inclusivity

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Over the past few weeks, Dartmouth sororities and the Inter-Sorority Council have begun examining how their bylaws include or exclude non-binary students. As of now, non-binary and gender non-conforming potential new members interested in joining sororities would have to visit all eight houses during formal rush — a requirement for all PNMs — despite some house bylaws potentially restricting them from joining.





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News

Dartmouth pride month goes virtual this May

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From May 8 to May 31, Dartmouth is hosting its 14th annual celebration of LGBTQIA+ Pride. Members of the Pride programming committee have made adjustments to ensure that the events run smoothly in a virtual format, according to Olivia Goodwin ’21, an organizer for this year’s Pride. 







Arts

Review: Laura Marling's 'Song for Our Daughter' boasts compelling storytelling, dynamic instrumentation

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In a genre as old as folk, it can be hard for anything to stand out against the large body of work comprising the genre’s canon. Artists like Bob Dylan, Woody Guthrie, Joni Mitchell and Paul Simon cultivated the sound that became associated with folk singer-songwriters in the middle of the 20th century. While the sounds they played were by definition based on earlier American musical styles, these artists sounded novel and each presented a unique brand of folk. In recent years, however, artists like Ed Sheeran have figured out how to soullessly manufacture the singer-songwriter formula by repeating the same tired sound again and again. Faced with a barrage of mediocre music, modern folk singer-songwriters have been forced to innovate in an attempt to stand out.