‘Snowpiercer,’ though moralizing, will thrill
Andrew Kingsley turns his eye to "Snowpiercer" (2013), an allegorical thriller set in 2031.
Andrew Kingsley turns his eye to "Snowpiercer" (2013), an allegorical thriller set in 2031.
In a film course offered for the first time, 16 students have tackled television production this summer, working on promotional sports clips and preparing to recreate an episode of a popular sitcom.
This week, The Dartmouth sat down with three alumni who have seen recent success in the arts to talk about their work, their undergraduate experiences at the College and their plans for the future.
In this age of political correctness and verbal thin ice, director Gillian Robespierre’s 2014 crass, honest romantic comedy, “Obvious Child,” is a breath of fresh air.
Bringing his signature arrangement of curiously synthesized plucks, loops and whistles to Hanover, Andrew Bird and the Hands of Glory will perform at Spaulding Auditorium on Thursday
A man dying of syphilis is caught in the delusion that he lives in the 1800s. A folk singer from the 1950s vanishes one day leaving only her music behind. These stories and more will make up the productions of the second annual VoxFest this weekend.
Cinematic adaptations of musicals face an inherent problem. Musicals are both more alive, and more importantly, theatrical than film, which creates a surreal universe in which flashy, spontaneous song-and-dance routines are permitted and logical. For this to hold true, audiences must immediately suspend their disbelief, permitting their over-the-top dramatic elements.
Some children dream of being physicists, and some children dream of being artists, but growing up to be a physicist, pursuing a Ph.D. in quantum electronics and then deciding to create art is arguably a rare path. For Enrique Martínez Celaya, July’s featured artist at the Hood Museum of Art and a Montgomery Fellow at the College, lasers have been as much a part of his work as painting and sculpture.
Seamless and organic, Ricardo Lemvo and his Los Angeles-based band Makina Loca blend together different music styles found across the world — transcending any single culture, time, place or creed. Lemvo and Makina Loca will come to campus for the first time to play a free concert on the Green at 5 p.m. Thursday. The band features rhythms inspired by Africa and Cuba with a pan-African sound.
The film succeeds in subverting the clichés of true love and hero/villain binaries that Disney has perpetuated for nearly a century and introducing a more progressive agenda.
The recent $10 million donation supporting a Museum Learning Center at the Hood Museum will triple classroom space and expand the gallery area, reinvigorating the museum’s commitment to teaching, Hood director Michael Taylor said. The donation is the largest single gift to the museum since its 1985 opening and brings the Hood to $28 million of its $50 million overall goal for the renovation, Taylor said.
Though the summer kicks off with an outdoor concert on the Green and closes with a live performance by singer Peter Wolf, the Upper Valley will draw more than just music offerings this term. Multiple theatrical performances, film showings and even a circus performance will come to Hanover and the surrounding area this summer.
The center is part of the Hood’s major construction project that will begin in spring 2016.
Tomorrow evening, BARE, “an open gallery art show with nothing to hide,” will open, featuring sculptures, videos and works of other artistic media that explore different aspects of the human body.
Dan Kagan ’09 is a creative executive at Break Media and has worked at major studios including Sony Pictures Entertainment, Paramount Pictures Corporation and Metro-Goldwyn-Mayer Pictures . He has contributed to popular feature films, such as “Noah” (2014) and “Star Trek Into Darkness” (2013), through work in executive development.
An actor dressed in a fat suit sprinted through a paper wall. With little resistance, the paper tore, sparking laughter in the crowd. Watching the scene, director Deby Guzman-Buchness ’15, exhaled and let out a “finally.” After a term that included casting, rehearsing and eventually performing three shows, “The Pillowman” had officially closed, and the cast was tearing down the set.
Hollywood’s most reliable cash cow, the superhero film, has returned this summer. From A-listers like Spider Man to the obscure Ant Man, each will get its time on the silver screen. While sometimes exhausting, many of us will watch these movies anyway — they’re just so much fun.
Though Marina McClure ’04 came to Dartmouth planning to pursue a math major, she quickly became interested in theater, specifically directing. An original collaborator for WiRED and member of the Displaced Theater Company, McClure is currently directing experimental theater and creating mixed performance and visual arts pieces in New York.
Coming up on their final concert of the year, members of the Dartmouth Symphony Orchestra are perfecting harmonies, working on their blend and fine tuning their fingerings. The group will be playing a diverse set this Saturday, combining Hector Berlioz’s passionate “Symphonie Fantastique” with Aaron Copland’s “Appalachian Spring.”
Ten minutes before the start of 10A classes last Thursday, Jake Greenberg ’17 strolled into the Black Family Visual Arts Center’s video editing suite with a hot mug of coffee from Dunkin’ Donuts. While other students spent the previous night celebrating Green Key, Greenberg and his classmates from Film Studies 39, an advanced video making class, were busy applying the final touches to their original documentary, “Good Vibes and Duct Tape: Stories with Cindy Pierce.”