Alumnus Q&A: music composer Oliver Caplan ’04
Oliver Caplan ’04 is a professional composer who graduated from Dartmouth with a double major in music and geography, and served as president of the marching band.
Oliver Caplan ’04 is a professional composer who graduated from Dartmouth with a double major in music and geography, and served as president of the marching band.
Who would have thought that the most impressive science fiction film of 2016 would not be “Rogue One: A Star Wars Story” but instead Denis Villeneuve’s thought-provoking, psychological and deeply moving “Arrival.” Villeneuve has already proven himself to be an extremely talented director with films like “Incendies” and “Sicario.” Despite this, I was skeptical when early reviews called “Arrival” a new sci-fi masterpiece.
“To Be Without You,” Ryan Adams, “Prisoners” Ryan Adams’ new album’s lead single “Do You Still Love Me?” features riff after riff of heavy guitar, but this new song offers a much calmer, acoustic vibe.
Ever wonder about the sculptures around Dartmouth's campus? Learn about the significance behind them, and what students think they mean, on a campus tour with our arts writers.
As a former film evaluator for HBO, author of “The 50 Movie Starter Kit: What You Need to Know if You Want to Know What You’re Talking About,” and former chief video critic for Entertainment Weekly, Ty Burr ’80 is a prominent player in the world of film criticism.
This Saturday, the Villiers Quartet and music professor Sally Pinkas will bring the sounds of Britain across the centuries to Rollins Chapel in a four-piece program.
The Sing Dynasty, a coed a cappella group, will perform in the biggest Dartmouth show of their a cappella careers this upcoming Saturday.
This past Thursday and Friday, a 40-person audience visited the brightly-lit cafeteria of Valley Vista, a drug and alcohol addiction treatment center in Bradford, Vermont.
“Game Changers” by Winterhill opens with a gritty guitar riff and delves into a string of infectious melodies and clever lyrics ripe with social commentary and angst.
Because its story simply isn’t conducive to that approach, “The Girl on the Train” pales in comparison to other great films, leaving it to slink into cinema’s corner of obscurity.
The Dartmouth Glee Club’s fall concert transported the audience to the 1960s in Greenwood, Mississippi, listening to Booker Wright read off the menu is his famous sing-song way.
Nate Ruegger ’06 is a writer-director who graduated from Dartmouth with a major in film studies.
At Dartmouth, the Center of Professional Development is closely associated with corporate recruiting in the minds of students.
Jeremy Gavron’s memoir “A Woman on the Edge of Time” gives the reader deep insight into the inner psyche of both Gavron and his mother.
With simple Edwardian-style furniture strewn across the stage and plain white linen sheets hung to dry on laundry lines by the rafters and a multicultural patchwork quilt in the background, the set of “Intimate Apparel” (2003), like the play itself, breaks from the typical perceptions of a period piece.
Pulitzer Prize-winning poet Gregory Pardlo delivered a much anticipated reading of his poems to a packed Sanborn House library yesterday afternoon.
Emily Neely ’17’s love of art started as a child when she would hand-copy pictures of horses, her favorite animals, from encyclopedias and books.
What do you do with years of congressional staffing experience and an appreciation for the finer absurdities of our political system?
Making a film about Barack Obama during his presidency is a bold move. Premiering that film only a few short months before the 2016 election — well, that’s just downright audacious.
A little under ten weeks ago, I packed the relics of my nineteen years into one outrageously purple suitcase and another softer chocolate brown suitcase and spent almost forty-eight hours flying over continents, seas and cityscapes to find a home at Dartmouth.