Jenkins and Theron make a monstrosity of a film
In "Monster," Charlize Theron plays prostitute-turned-lesbian-turned-serial killer Aileen Wuornos, and -- well, I didn't much care for "Sweet November" either.
In "Monster," Charlize Theron plays prostitute-turned-lesbian-turned-serial killer Aileen Wuornos, and -- well, I didn't much care for "Sweet November" either.
After the first listen, the whole thing seems a puzzle. How could this bizarre, offsetting hip-hop album, Dizzee Rascal's "Boy In Da Corner," have become such a phenomenon?
In one of the most impressive concerts to hit Collis Commonground this year, Matt Nathanson and opener Blu Sanders performed Saturday night to an enthusiastic audience.
Twenty-five years after his last visit to Dartmouth, legendary jazz bassist Dave Holland returned to Hanover this past weekend.
Last spring, Don Stewart '06 and Mat Brown '05 saw two socially dead entities of Dartmouth life -- live rock music and Fuel -- and got the idea to revive them in one fell swoop.
With barely enough time to breathe after Sunday night's Golden Globe Awards, that little metallic movie-loving man has snuck up on us once again.
Upon entering the Hood Museum of Art's new exhibition of art from the 1990s, titled "Lateral Thinking," one is tempted to conclude, "Art today is abstract and conceptual." An arrangement of mostly peach-tinted tiles on one wall near the entrance -- Byron Kim's 1994 "Synecdoche" -- represents the skin tones of the members of the board of the Museum of Contemporary Art in San Diego. It didn't require a lot of technical skill to create "Synecdoche." As any skeptic about modern art would note, it hardly requires Rembrandt's talent to paint a series of squares in flesh tones. But for all its apparent simplicity, "Synecdoche" does raise a series of complicated questions. Why create such a work?
Most senior members of a successful organization are known to their bosses by titles like "executive vice president," "assistant general manager" or "deputy to the chairman." Max Weinberg's boss, "The Boss," calls him by the name of "Minister of the Big Beat and Star of Late Night Telly-vision, The Mighty, Mighty Max Weinberg!" Of course, when he's not on the road with Bruce Springsteen and the E Street Band, he has another boss: late night television host Conan O'Brien. But recently, Weinberg has found himself working for yet another big name, Sen.
Touching film about Irish immigrants in New York City does not cheat to pull heartstrings
Ani DiFranco is back with "Educated Guess," her first solo recording in a decade. The album is probably best described as homemade.
The Brad Mehldau and the Bill Frisell Trios played a combination of jazz, rock and instrumental genres to a receptive audience in Spaulding Auditorium Friday.
After the success of "Amores Perros," many looked forward to the next collaboration between Mexican writer Guillermo Arriaga and director Alejandro Gonzolez Inarritu.
He hasn't been on any magazine's Top 100 Guitarists, but for decades, his guitar has been ever-present in rock and pop music.
It's a wonder that so much attention has been lavished on a little British movie about a bunch of women with saggy boobs.
New York radio institution John A. Gambling '51 died Jan. 8, of a heart attack in Bon Secours Hospital in Venice, Fla.
Though both short and long form comedy fall under the umbrella of improv comedy, this reporter soon found out that they are entirely different beasts after attending the long form-based rehearsal of the Dog Day Players, the College's oldest improv comedy group. Friday 5:30 p.m., Wilson Hall, Room 301 " Dog Day Players Once the Players had taken their boots and layers off and had stopped shivering from the cold, Cliff Campbell '04 opened rehearsal with this week's announcements.
Country has the Dixie Chicks, pop has Destiny's Child, and classical has Eroica Trio. They are three astonishingly beautiful women with talent to match their looks.
This is the first in a series of two articles examining the preparation that goes into making improv comedy. Practice makes perfect and improv comedy is no exception.
Ruben Studdard may have won the hearts and votes of millions of television viewers during the second season of "American Idol," but that success has yet to translate to the recording studio.
It is rare to be able to sit through a two-and-a-half hour film and enjoy every minute. Admit it, you looked at your watch at least six times during "Titanic" and you took frequent bathroom breaks during the "Lord of the Rings" trilogy marathon.