Glazer '06 becomes a trailblazer with searing beats
When the beats to your favorite song start booming at a party, it is probably not the serendipitous coincidence that you think it is.
When the beats to your favorite song start booming at a party, it is probably not the serendipitous coincidence that you think it is.
It only seems fitting that a guitar quartet whose sound transcends genres and instruments would be born from the diversity of southern California.
Let's be honest: Dartmouth is hardly the fashion capital of the world. North Face jackets and oversized sweatshirts are more ubiquitous than a C- in a chemistry class, and many students still think an "ugg" is the sound one utters when slipping on a patch of ice.
The Hopkins Center curates new art exhibits all the time, but rarely has one spawned the strong reactions and growing discussion as the paintings of Chawky Frenn shown in the Upper Jewitt Corridor by the Courtyard Caf. Reactions among the student body as a whole have been mixed, but what some deem the controversial nature of the images has led in general to more discussion among the students than shows previously hung in the corridor have.
In "Monster," Charlize Theron plays prostitute-turned-lesbian-turned-serial killer Aileen Wuornos, and -- well, I didn't much care for "Sweet November" either.
After the first listen, the whole thing seems a puzzle. How could this bizarre, offsetting hip-hop album, Dizzee Rascal's "Boy In Da Corner," have become such a phenomenon?
In one of the most impressive concerts to hit Collis Commonground this year, Matt Nathanson and opener Blu Sanders performed Saturday night to an enthusiastic audience.
Twenty-five years after his last visit to Dartmouth, legendary jazz bassist Dave Holland returned to Hanover this past weekend.
Last spring, Don Stewart '06 and Mat Brown '05 saw two socially dead entities of Dartmouth life -- live rock music and Fuel -- and got the idea to revive them in one fell swoop.
With barely enough time to breathe after Sunday night's Golden Globe Awards, that little metallic movie-loving man has snuck up on us once again.
Upon entering the Hood Museum of Art's new exhibition of art from the 1990s, titled "Lateral Thinking," one is tempted to conclude, "Art today is abstract and conceptual." An arrangement of mostly peach-tinted tiles on one wall near the entrance -- Byron Kim's 1994 "Synecdoche" -- represents the skin tones of the members of the board of the Museum of Contemporary Art in San Diego. It didn't require a lot of technical skill to create "Synecdoche." As any skeptic about modern art would note, it hardly requires Rembrandt's talent to paint a series of squares in flesh tones. But for all its apparent simplicity, "Synecdoche" does raise a series of complicated questions. Why create such a work?
Most senior members of a successful organization are known to their bosses by titles like "executive vice president," "assistant general manager" or "deputy to the chairman." Max Weinberg's boss, "The Boss," calls him by the name of "Minister of the Big Beat and Star of Late Night Telly-vision, The Mighty, Mighty Max Weinberg!" Of course, when he's not on the road with Bruce Springsteen and the E Street Band, he has another boss: late night television host Conan O'Brien. But recently, Weinberg has found himself working for yet another big name, Sen.
Touching film about Irish immigrants in New York City does not cheat to pull heartstrings
Ani DiFranco is back with "Educated Guess," her first solo recording in a decade. The album is probably best described as homemade.
The Brad Mehldau and the Bill Frisell Trios played a combination of jazz, rock and instrumental genres to a receptive audience in Spaulding Auditorium Friday.
After the success of "Amores Perros," many looked forward to the next collaboration between Mexican writer Guillermo Arriaga and director Alejandro Gonzolez Inarritu.
He hasn't been on any magazine's Top 100 Guitarists, but for decades, his guitar has been ever-present in rock and pop music.
It's a wonder that so much attention has been lavished on a little British movie about a bunch of women with saggy boobs.
New York radio institution John A. Gambling '51 died Jan. 8, of a heart attack in Bon Secours Hospital in Venice, Fla.
Though both short and long form comedy fall under the umbrella of improv comedy, this reporter soon found out that they are entirely different beasts after attending the long form-based rehearsal of the Dog Day Players, the College's oldest improv comedy group. Friday 5:30 p.m., Wilson Hall, Room 301 " Dog Day Players Once the Players had taken their boots and layers off and had stopped shivering from the cold, Cliff Campbell '04 opened rehearsal with this week's announcements.