Search Results


Use the fields below to perform an advanced search of The Dartmouth 's archives. This will return articles, images, and multimedia relevant to your query.




1000 items found for your search. If no results were found please broaden your search.



Opera singer Nicole Heaston discusses inclusivity in opera

(11/02/20 7:15am)

On Tuesday night, the Hopkins Center for the Arts hosted renowned opera singer Nicole Heaston for a discussion surrounding her celebrated opera career and her thoughts on the industry overall for her first event as an artist in residence. During the event, Heaston shared notable clips from her past performances and details regarding her experiences in the world of opera with the Dartmouth community. 


Mandolinist Chris Thile and Aoife O’Donovan defy genres in Hopkins Center performance

(11/02/20 7:00am)

On Oct. 21, mandolinist and singer-songwriter Chris Thile and singer-songwriter Aoife O’Donovan performed live from Brooklyn for the Hopkins Center for the Arts’ Hop@Home program. The event, which the Hop had originally planned to be performed in person, took place through the Hop’s YouTube channel.



Q&A: ‘Missionaries’ author Phil Klay ’05 on his new novel, modern warfare

(10/26/20 6:05am)

In 2014, Iraq war veteran Phil Klay ’05 won the National Book Award for fiction with his debut short story collection, “Redeployment.” This year, he published his first novel, “Missionaries,” which tells the story of terrorism, drug wars and global conflict in Colombia through four intertwined perspectives. The story follows U.S. Army Special Forces medic Mason, foreign correspondent Lisette, Colombian officer Juan Pablo and Colombian militia lieutenant Abel as they struggle to navigate life in the midst of war. Klay’s work has been heavily influenced by his time serving in the U.S. Marines. 


The D-Constructed Cook: Essential Cookware for an Off Term

(10/22/20 6:00am)

Despite its variable reviews, Dartmouth Dining is undoubtedly reliable. Quick snack? Check out Collis. Need to refuel after a workout? Foco has a bounty of options. We are nurtured in the womb that is Dartmouth, and when we leave, we are left to fend for ourselves. Outside of the bubble, we face the unforgiving reality of having to cook for ourselves.



Review: Joji’s ‘Nectar’ feels forgettable save for a few standout tracks

(10/19/20 6:00am)

Over the past few years, former YouTube star George Miller — better known as Joji — has become one of the most popular internet artists in the mainstream world of music. Given his background, a career in serious music sounds unlikely; under his YouTube personality “Filthy Frank,” Joji was known for his dark, gross-out humor and his wild alter ego, Pink Guy. However, Joji’s transition from fringe YouTube comedian to mainstream R&B artist was more successful than anyone could have imagined.


Review: ‘Enola Holmes’ offers fresh, female-focused take on Sherlock Holmes

(10/15/20 6:00am)

“Enola Holmes” — one of the newest entries to Netflix’s catalog, based on the young adult series by Nancy Springer — is a fun, adventurous and action-packed film that brilliantly reinvents the Sherlock Holmes franchise. Directed by Harry Bradbeer and written by Jack Thorne, “Enola Holmes” centers on the life of the youngest Holmes sibling, Enola (Millie Bobby Brown), and her journey to reunite with her missing mother while forging her own sense of freedom. While the film contains some elements of the classic Holmes mysteries, it adds a new twist with its focus on social activism and female intellect. From start to finish, the film successfully creates a world that places a strong-willed heroine center-stage, offering a timeless lesson on female empowerment.



Review: ‘Mexican Gothic’ is a Victorian Gothic novel for now

(10/08/20 6:00am)

Silvia Moreno-Garcia’s New York Times best-seller “Mexican Gothic” is a lush, moody story brimming with horror and mystery. With all the trappings of a Victorian novel, “Mexican Gothic,” which was released in June, calls upon notable doomed heroines in the literary canon, from Ophelia in “Hamlet” to Cathy in “Wuthering Heights,” in order to place readers in its melodramatic prose. “Mexican Gothic” is your favorite Brontë novel, but better.


Hopkins Center promotes student engagement through #SmallScreenFun

(10/08/20 6:10am)

Since April, the Hopkins Center for the Arts’ virtual cinema program, #SmallScreenFun, has provided Dartmouth community members with the opportunity to stream films and join live Q&As featuring filmmakers, film scholars and celebrity guests. This term, the Hop has given students a greater role in the program, allowing them to act as moderators and ask guests questions.



‘Make It At Home’ virtual workshop series offers creative outlet for students

(10/01/20 6:00am)

The Hopkins Center for the Arts has offered workshops to students since the 1940s, and quarantine has by no means put an end to this practice. According to ceramics instructor Jennifer Swanson, workshops turned to a virtual format during the summer term, with instructors mailing students supplies and guiding the classes over Zoom. Titled the “Make It At Home” workshop series, the virtual program includes workshops focusing on woodworking, ceramics and jewelry-making skills. 



Review: Fleet Foxes’ 'Shore' offers reflection on changing times

(09/28/20 6:00am)

With their self-titled 2008 debut, Fleet Foxes established themselves as an indie folk outfit with achingly sincere, pastoral lyrics and a penchant for vocal harmonies. And unlike many folk rock artists emerging out of the late 2000s, they have remained fresh, while managing not to make a major departure in style on any of the three albums they have released since their debut. After a six-year hiatus, their third album “Crack-Up” dove headfirst into progressive folk, with denser instrumentation, longer songs and unorthodox song structures. With “Crack-Up,” Fleet Foxes proved that they could work within their established style to create a challenging, dense album of music that defied accessibility. With their newest album “Shore,” released on Sept. 22, Fleet Foxes have proved the opposite: Their music can be equally powerful with simpler instrumentation and more accessible, catchy songs. 


Review: Yaa Gyasi's 'Transcendent Kingdom' illuminates the Black immigrant experience

(09/24/20 6:10am)

Yaa Gyasi’s follow-up to her American Book Award-winning 2016 debut “Homegoing” is “Transcendent Kingdom,” a novel alternating between past and present in the life of Gifty, a Ghanaian-American neuroscience Ph.D. candidate and former self-proclaimed “Jesus Freak.” Throughout the book, Gifty, who studies impulse control in mice, reexamines what led her to a life of empiricism after growing up in a deeply religious immigrant family in the Bible Belt. Grappling with Gifty’s experiences growing up “sticking out like a sore thumb” in her predominantly-white town and “as Ghanaian as apple pie,” the novel is both accessible and urgent. 



Q&A with Frances Cha ’07, author of ‘If I Had Your Face’

(09/21/20 6:05am)

Frances Cha ’07’s debut novel “If I Had Your Face” has been making waves in the literary world. The Guardian praised the novel — a story about four young women navigating the rigid cultural hierarchies, impossible beauty standards and plastic surgery craze of contemporary Korean culture — as a “fizzing, grisly debut.” The Washington Post even likened the book to Bong Joon-Ho’s Academy Award-winning “Parasite.” 


Boycotting ‘Mulan,’ Disney’s latest venture into human rights violations and corporate greed

(09/17/20 6:10am)

In late 2018, the production crew of “Mulan,” the latest soulless Disney live-action remake, began filming in the Xinjiang province of northwest China, home to the Uighur people. At that same time in Xinjiang, the Chinese Communist Party continued to sharply expand internment camps for ethnic Uighurs, camps that had already incarcerated up to one million members of the predominantly-Muslim minority group. 





Advertise your student group in The Dartmouth for free!