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The Dartmouth
May 2, 2024 | Latest Issue
The Dartmouth
Joe Marcheso
The Setonian
Arts

Student tenor sings

Judd Serotta '94 , tenor, gave a strong senior vocal recital with Bill Guerin '96 yesterday in Faulkner Auditorium. The program ranged from Handel and Beethoven to English folk songs, arranged by the country's pre-emminent 20th century composers. In "Ammarili, mia bella", Serotta and Guerin revised the heavily romanticised rendition available to them with something more appropriate for the 20th century. Serotta sang the pieces with immaculate diction although he could have rolled his 'R's more effectively, especially when singing Italian. While his interpretation at times contradicted the style, Serotta was very relaxed and exhibited a high degree of musicality. Serotta's nerves caused him to begin a bit tentatively in the Handel and consequently he did not fully capture the interpretive flavor of the piece.

The Setonian
Arts

Symphony triumphs

Saturday night's concert featuring the New Hampshire Symphony Orchestra and the Handel Society chorus in Mahler's Symphony #2 "Resurrection" was inspirational.

The Setonian
Arts

'Coyote Ugly' has stunning debut

With all the action going on in The Hopkins Center for the Performing Arts, it would have been easy to overlook the student-directed play that held three performances in the Collis Common Ground Friday through Sunday. But "Coyote Ugly," written by Lynn Siefert and directed by Pavol Liska '95, rewarded the inquisitive and out-going audience with an extremely powerful production. The story involves an Arizonan family, whose incestuous tendencies interfere with almost all of their relationships.

The Setonian
Arts

Lark Quartet shows promise

The Lark Quartet's concert on Thursday evening in Spaulding Auditorium was a promising performance of a new generation string quartet. They quite competently performed three demanding string quartets: Haydn's Quartet in D major,Beethoven's "Rasumovsky" Quartet in C Major No.3 and a newly commissioned work by Aaron Jay Kernis, "Musica Celestis." In all three pieces, the knowledge of the music produced highly confident playing, especially in the Beethoven, playing both the Andante and the Allegro molto with conviction.

The Setonian
Arts

'Feast of Song' is a flawed hit

The Chamber Singers triumphed last weekend at their annual Feast of Song in Webster Hall. From the opening of the musical program, Clement Janequin's "Je ne fut jamais si aise" to Claude le Jeune's exultant "Revecy venir du printans," the Chamber Singers brought a confident, clear, dynamically attuned performance to some of the same music that had troubled them earlier in the season. Last Friday, there were no signs of any uncomfortability; indeed the smaller ensembles, specifically in "La Belle Aronde," showed great capacity to handle the most intricate demands of the music.

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