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The Dartmouth
December 23, 2025 | Latest Issue
The Dartmouth
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News

DDS’ increasing use of temporary employees criticized by union

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Dartmouth Dining Services currently employs 46 temporary workers at wages below their unionized counterparts. This practice, which has been increasing in recent years, has drawn criticism from the Service Employees International Union, the largest union on Dartmouth’s campus with 477 members covering areas such as Safety and Security, custodial staff and DDS workers. 



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News

Dartmouth professor launches menstrual health website

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Last week, government professor Deborah Brooks and a group of Dartmouth students launched the International Menstrual Health Entrepreneurship Roundup, a free website that provides resources to individual entrepreneurs and organizations that aim to address global menstrual health problems.






Arts

‘The Black Outdoors’ course explores race and the environment

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This spring, English and creative writing professor Joshua Bennett is teaching ENGL 53.29/AAAS 35.50; “Introduction to African American Environmental Thought: The Black Outdoors.” Bennett said that his work as a poet and a professor of the class both relate to his interest in preservation and spreading awareness.His course seeks to bring light to the vast artistic and ecological life of the African American literary canon as well as their lived experiences in the outdoors. Bennett has a fascination with black literature and poetics, especially in relation to environmental and animality studies. 












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News

College to enact new IT security procedure

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In a campus-wide email sent on March 28, Dartmouth’s chief information security officer Steve Nyman announced the implementation of two-factor authentication through the security company Duo for all Dartmouth systems.


Arts

HBO series ‘Game of Thrones’ has left a monumental legacy

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As “Game of Thrones” begins its eighth and final season this Sunday, a retrospective examining of the show’s legacy feels inevitable. After all, “Game of Thrones” was never just a popular TV show; its astonishing critical and commercial success has only been matched by the countless think pieces about the show’s impact on the television industry, its approach to adapting George R. R. Martin’s nigh-unadaptable “A Song of Ice and Fire” series and its many, many controversies. Indeed, considering the immense cultural ripple effect of “Game of Thrones,” it’s not shocking that both the show and its legacy are a bundle of interwoven contradictions and paradoxes. Just as the show has been praised for its nuanced female characters, critique of fascist despotism and perceived allegory about the dangers of climate change, it has also rightfully received vociferous criticism, particularly for its often-reckless depiction of sexual violence.