“Steve Jobs” (2015) dazzles audiences in true Sorkin style
Since Steve Jobs’ death in 2011, we have entered a post-Jobsian landscape, where films such as “Jobs” (2013) and “Steve Jobs: The Man in the Machine” (2015) are presented like fleurs du mal upon his gravestone, simultaneously tarnishing and mythologizing Jobs’ status in technology. Each director aims his cinematic arrow at Jobs’ Achilles’ heel, his supposed inhuman side, to portray the brute behind the black turtlenecks.



