Meyer '08 adds stand-up club to campus comedy scene
Though it may seem to many students that Dartmouth already has a thriving comedy culture, a new organization has emerged to bring more laughs to campus: The Dartmouth Stand-Up Comedy Group.
Though it may seem to many students that Dartmouth already has a thriving comedy culture, a new organization has emerged to bring more laughs to campus: The Dartmouth Stand-Up Comedy Group.
Courtesy of hop.dartmouth.edu What do you get when you combine the explosive power of funk with the colossal sound of a big band? "Ferocity," according to keyboardist Adam Klipple '92.
Courtesy of Last FM The first few notes of Vampire Weekend's self-titled debut album seem like standard prep-pop.
Courtesy of themanbookerprize.com With a sense of something like defiance, I convinced myself that I had time to read something for pleasure.
Homosexuality, racism, religion, murder -- it seems as if Macky Alston has never found a touchy subject he didn't like. After attending the screening and discussion of his award-winning documentary "Family Name" (1997) at the Tucker Foundation, however, it becomes clear that Alston's subject matter is chosen precisely for the discomfort it evokes. In "Family Name," Alston returns home to the deep south from New York City to examine a quandary that has haunted him since his youth -- the relationship between black and white Alstons in the area. "Is something a secret if everyone knows it but nobody talks about it?" Alton asks in the film. Clearly racism was a source of unease in his hometown of Durham, N.C., and Alston was completely aware of the stigma associated with this topic. "I think the fascinating thing is that those things that we have never talked about, those things that we are taught not to talk about, breed a lot of fear," Alston wrote on the documentary's website. Winner of the 1997 Sundance Freedom of Expression Award, "Family Name" is certainly more a dark horse than a flashy fan favorite.
Courtesy of CBS In the opening montage of "Welcome to The Captain," the neurotic protagonist Joshua Flug (Fran Kranz) drives toward his new home in the legendary Hollywood apartment building El Capitan, against a backdrop of palm-lined boulevards and sun-splashed beaches.
This weekend, the Dartmouth Glee Club will bring back two relics from the past: Laura Choi Stuart '01 and replicas and restorations of 18th-century musical instruments.
Courtesy of awesomecolor.net Yes, it is possible for a saxophone to produce a primal scream.
Courtesy of wikipedia.org It's the "Where are they now?" effect.
/ Courtesy of Salon.com A tombstone may not be the ideal subject for a comic, but when SAT scores -- "Verbal 680 " Math 720" -- appear in lieu of lifespan, one cannot help but laugh.
For the next two months, Dartmouth will be hosting Vincent Desiderio as Winter term's Artist-in-Residence.
Teresa Lattanzio / The Dartmouth Staff With laughter and a somewhat convincing brand of celebrity humility, Kevin Bacon took the reigns of his own interview in a sold-out Spaulding Auditorium last Friday night after a retrospective of his work was shown. "To make fun of yourself is a great honor," Kevin Bacon said onstage at one of the highlight's of the Dartmouth arts calendar, "A Tribute to Kevin Bacon." During the tribute Bacon received the Dartmouth Film Award after an hour-long compilation of scenes from various Bacon appearances that began the event. The compilation provoked a number of laughs at scenes not deemed traditionally funny, especially the infamous "Footloose" warehouse dance routine.
Tilman Dette / The Dartmouth Senior Staff A red plastic telephone rings on a dark stage and the disembodied voice of Jason Moran answers the call and speaks briefly with an unknown woman.
Courtesy of whatwouldtotowatch.com Kevin Bacon will be given the Dartmouth Film Award on Friday at 7:30 p.m., with a private afterparty for tribute ticket-holders at Alpha Delta fraternity.
Dragons of Zynth classify their own music as "auto-physio-psychic," an esoteric term coined by their mentor, the famed jazz saxophonist and flutist Yusef Lateef.
Erin Jaeger / The Dartmouth Staff Sean Scully is trying to turn stones into light.
Despite an awfully good chance that the writers strike will torpedo this year's Oscar ceremony, the Academy has gone ahead and released its nominations anyway.
Courtesy of The Aegis On my list of musical guilty pleasures -- you know, that category of musicians you scoff at in company but whose songs you sing verbatim whenever they come on the car radio -- Jason Mraz occupies a spot somewhere between Justin Timberlake and Maroon 5. Thus, Mraz's concert Thursday night at Alumni Hall provided the perfect excuse to roll my eyes while secretly taking pleasure in the catchy, funky pop that comprises his eclectic appeal. Sporting a "Dartmouth Surfing" t-shirt and a bizarre fuzzy brown headband, Mraz proved himself to be a very charismatic, audience-friendly performer. He kept the show lively, cracking jokes, responding to every lovestruck or obnoxious shout-out from the crowd, and making clever comments to the audience and his dreadlocks-wearing percussionist, Toka Rivera. One such semi-witty remark came in the form of a shout out to concert-goers. "Thanks for having me here.
If you've had enough of watching and hearing about primaries, and playoff games, I hereby invite you into the delectably commercialized microcosm of America's favorite karaoke show. Last Tuesday and Wednesday "American Idol" christened its newest season in much the same way it ended its last -- with lots of drama, lots of weirdos and lots of ratings. Yep, it's that time of year again.
Tilman Dette / The Dartmouth Senior Staff I don't know about you, but when I think about tap dancing, the first thing that comes to my mind is a group of preschoolers in tutus.