‘Visual Kinship’ explores how photography shapes the idea of family
This article is featured in the 2025 Homecoming Special Issue.
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This article is featured in the 2025 Homecoming Special Issue.
This article is featured in the 2025 Homecoming Special Issue.
Mia Nelson ’22 will publish her debut poetry collection, “I’ve Never Loved Somebody and Made Them Worse” on Oct. 15. Set against the backdrop of New England, Nelson dives into the turmoil of young love, loss and self-discovery through rich language and literary allusions. Novelist Daisy Alpert Florin described Nelson’s work as “an intimate and sensuous collection exploring the many permutations of love.”
From the pseudo-gothic “Phantom Thread” to the contained “Punch-Drunk Love,” all Paul Thomas Anderson films tend to center complex interpersonal dynamics. One of the most prolific and acclaimed directors working today, his plots range from coming-of-age films like “Licorice Pizza” to historical thrillers like “There Will Be Blood” and experimental cult classics like “Magnolia.” Besides his tendency to work with the same actors and to set his films in California, one can identify Anderson film by its use of tracking and extended shots alongside bold soundtracks and sweeping establishing frames. At their core, however, his films investigate what brings and keeps people together — and “One Battle After Another” is no exception.
From Sept. 24 to Sept. 27, the Hopkins Center for the Arts staged an experimental production of Stravinski’s orchestral ballet score “The Firebird” at the Daryl Roth Studio Theater as a “prelude” to the building’s official reopening. Unlike a traditional performance in which the original score is performed by a live orchestra, the show consisted of a “mixtape version” in the form of contemporary arrangements by Touki Delphine, the artistic collective behind the show, according to the company’s artistic director Rik Elstgeest.
During his 2020 Academy Award acceptance speech for Best Picture, “Parasite” director Bong Joon Ho said, “Once you overcome the one-inch tall barrier of subtitles, you will be introduced to so many more amazing films.” True to this statement, five out of six of the features at Telluride at Dartmouth this year were foreign-language films. In the annual festival from Sept. 17 to Sept. 21, the Hopkins Center for the Arts screened movies from the Labor Day Telluride Film Festival in Telluride, Colo. — an event that has a longstanding partnership with Dartmouth.
On Sept. 19, droves of eager Dartmouth students gathered on Gold Coast Lawn to watch a viral sensation turned modern-indie-staple take the stage. His colorful, mellow performance received a mixed reception from attendees.
The date September 11, 2001, is seared in America’s national memory as a day of collective grief and profound horror. Yet it is within this context of national tragedy that Canadian couple Irene Sankoff and David Hein’s hit musical “Come From Away” tells a true story of universal compassion. The Tony-nominated musical has made its way to White River Junction’s very own Northern Stage. Directed by Carol Dunne, the 100-minute local production opened previews on Sept. 24, marking the first show of Northern Stage’s fall season.
Through the Hood Museum’s “A Space for Dialogue” program, which offers student interns the chance to curate their own exhibition, Sadie Weil ’25 researched and created “Hidden Histories: Art, Provenance and the Nazi Era.” It is currently on display at the Alvin P. Gutman Gallery in the Hood through Nov. 2.
In August, professor of English and creative writing Peter Orner published a new historical fiction novel, “The Gossip Columnist’s Daughter.” The story follows Jed Rosenthal, a struggling writer who grows obsessed with the murder of starlet Karyn Kupcinet — a real-life incident. Combining historical fact and fictional characters, Orner creates what The New York Times called “a moody and engrossing meditation on the ephemerality of memory, the persistence of family myths and a haunting ode to a bygone Chicago.” On Nov. 4, the new creative writing campus space Literary Arts Bridge will be hosting a reading and conversation about the novel with Orner and the cartoonist Liniers. The Dartmouth sat down with Orner to discuss his inspiration and writing process for the novel.
Since its first screening at the 2025 Cannes Film Festival, where it took home awards for Best Actor and Best Director, Kleber Mendonça’s “The Secret Agent” has been making waves on the festival circuit. Featured in this year’s Telluride at Dartmouth lineup, the film was screened in Spaulding Auditorium on Sept. 20.
A wistful feeling I can’t quite place stirs in me at the arrival of fall: the shortening days bring thoughts of the open road, a desire to wander. The words of Isabelle Eberhardt are fitting.
James Wan’s 2013 horror film “The Conjuring” dramatized the exploits of real-life paranormal investigators Ed and Lorraine Warren in a thrilling and uncommonly poignant horror film. Since that initial installment, the series has expanded into a full-blown cinematic universe, with films like “Annabelle,” “The Nun” and their respective sequels.
The Dartmouth Chamber Orchestra is the only student-run, audition-free orchestra on campus, providing an open and collaborative environment for students to play memorable music for almost 30 years. About 25 to 30 undergraduate and graduate students are typically part of the group each term, according to current DCO President Shahzeb Tayyab ’27.
Attempting to strike a balance between a character-driven narrative and an action-based odyssey, Darren Aronofsky’s gritty thriller “Caught Stealing” mostly succeeds.
This article is featured in the 2025 Freshman Special Issue.
This article is featured in the 2025 Freshman Special Issue.
For international students like me, the Cambridge Dictionary isn’t just helpful for essay writing. It’s also a survival tool during dining-hall conversations and the occasional lost-in-translation group chat. Sure, it can help polish grammar and untangle obscure terms in class readings. But dig a little deeper and you’ll find something else entirely: words straight from the internet, slang that feels miles away from anything academic and is surprisingly similar to what your younger siblings are probably texting right now.
Misoo Bang is a Vermont-based Korean-American artist whose paintings and drawings engage with both personal and cultural experience, exploring themes of trauma alongside identity, healing and empowerment. Named as one of the 10 emerging artists of New England by Art New England in 2019 and one of the Vermont artists to watch by the Vermont Arts Council in 2020, her work has been exhibited across the U.S. and internationally. She is also a lecturer at the University of Vermont, teaching Studio Art.
Every Thursday from July through Aug., the Lake Morey Resort — located at the southern tip of Lake Morey in Fairlee, Vt. — hosts weekly concerts for a summer concert series. Last Thursday, Icelandic blues rock band and global superstar KALEO gave an inspiring performance I won’t forget.