Chun: In Case We’re Wrong
We’re awash in righteous certainty, but someone has to be wrong.
We’re awash in righteous certainty, but someone has to be wrong.
Restructuring sophomore summer could provide substantive and meaningful benefits to undergraduates.
As the pop tunes stop playing and the lights begin to dim, seven women walk slowly onto the stage from all corners of the Bentley Auditorium, distinguishing themselves from the crowds they mingled with just moments before. Plants and scattered marble tiles that become increasingly strewn at the stage’s far reaches surround a porcelain bathtub. The audience encircles the raised black platform on all four sides, allowing the members to view each other’s reactions throughout the performance. As the actresses move between the edges of the auditorium and its center, all are pulled into the narrative, while equally reminded of the larger implications of the work, still relevant despite being 40 years old, as a reflection of women of color’s experiences today both at Dartmouth and in the world.
The story of a teenager forming a band to woo his crush sounds like the cliché of a shirtless guitar player playing to fawning fans on a college quad. Yet in director John Carney’s expert hands (he also directed “Once” (2007) and “Begin Again” (2013)), the intersection of music, love and hardship once again becomes fruitful grounds for exploration. His latest, “Sing Street” (2016), applies his formula to troubled Irish teenagers and breathes his quintessential exuberance into the unlikeliest of places.
Anna-Kay Thomas ’12 works as a freelance entertainment television host primarily out of New York. She has interviewed the likes of Kevin Jonas, D.M.C., Hoda Kotb, John Starks and other entertainment personalities for various news outlets. Thomas is also an award-winning and nationally-ranked slam poet.
This week’s number: 62 – Number of double digit scoring games in Lakin Roland ’16’s Dartmouth career.
Moneyball Revisited In 2003, Michael Lewis wrote a book that changed the way many people — scouts, general managers and fans — view baseball.
When you walk into Thompson Arena, the features you are most likely to notice are the larger-than- life portraits that line the rink’s walls depicting Dartmouth graduates who have gone on to careers in professional hockey.
Dartmouth men’s and women’s swimming and diving recently hired James Holder as its new head coach.
VOTE HERE:http://goo.gl/forms/EXsnpy8m2e Evan Boudreaux '19, Men's Basketball For the second straight year, a men’s basketball player will vie to be named The D Sports Awards Rookie of the Year.
Friday morning, a display by the College Republicans in the Collis Center for National Police Week featuring the slogan “Blue Lives Matter” was removed and replaced by Black Lives Matter posters.
Last Friday, The Dartmouth prematurely published an account of a Gender Research Institute at Dartmouth lecture entitled “Archipelagic Entanglements,” where six panelists spoke about feminist ecology — one of whom was Rutgers University professor Jasbir Puar.
Jasbir Puar’s April 30 presentation at a panel sponsored by the Gender Research Institute at Dartmouth remains controversial, both for its content and for attempts to record it.
Hanover residents voted on Tuesday to pass several zoning ordinance amendments that will directly affect construction plans on the west end of campus.
Approximately 21 percent of Dartmouth’s community members have personally experienced exclusionary, offensive or hostile conduct in the past, according to results released last week from the fall campus climate study.
The College’s master of health care delivery science program currently reconnects its students, alumni and staff by offering virtual seminars on a wide variety topics. Starting this year, the program seeks to expand and offer 10 seminars per year to accommodate for a rapidly growing alumni population, MHCDS director and Tuck lecturer Katherine Milligan said.
This spring, Dartmouth students on the art history foreign study program collaborated with renowned artist William Kentridge on one of the largest public projects in Rome since the Sistine Chapel. The art piece, which premiered on April 21, is a gigantic frieze, 500 meters long and 10 meters tall, along the wall of the banks of the Tiber River. Titled “Triumphs and Laments: A Project for Rome,”it was created through the method of selective cleaning of patina, a thin layer of grime, that was growing on the wall of the bank.
Growing up with an uncle and a half-sister who are both artists, Sam Modder ’17 naturally became involved with studio art at a young age.
Tenure decisions need to value teaching more.
Symbolic movements can lead to dramatic changes.