Review: Jack White misfires on "Boarding House Reach"
White’s newest album “Boarding House Reach,” released last Friday, is a convoluted imbroglio that mashes unwanted sounds and time signatures together and provides few redeemable moments.
White’s newest album “Boarding House Reach,” released last Friday, is a convoluted imbroglio that mashes unwanted sounds and time signatures together and provides few redeemable moments.
Dear Paul Thomas Anderson, I want to begin by affirming how much I respect your work. Although the rest of this letter will not be kind to your newest film, “Phantom Thread,” I don’t want you to doubt my admiration for you as a filmmaker.
“Voices,” an annual original production performed, written and directed by self-identified Dartmouth women, will conclude this year’s lineup of V-February events tonight at 7 p.m.
Talented students performing diverse song selections will be featured in the Dartmouth Idol Finals tonight at 8 p.m.
A pioneer in the theater department, Will Maresco ’19 deviates from the typical Dartmouth theater major track, finding his passion in stage design.
This weekend, the theater department will present this winter term’s student production “Proof.” Originally written by David Auburn, who won a Pulitzer Prize for his work, the play is directed by Louisa Auerbach ’20 and stars Claire Feuille ’18, Macguinness Galinson ’21, Tess McGuinness ’18 and theater professor James Rice.
Tonight, the Hopkins Center for the Arts will host the world premiere of “Qyrq Qyz” (“Forty Girls”), a multimedia reanimation of a Central Asian epic that recounts the epic of a young woman, Gulayim, who defends her homeland against foreign invaders alongside 40 other female warriors.
Although 2018 is just starting, there have already been many times this year that I’ve found myself wondering if I am living in a twisted dystopia.
It’s hard not to ask what the best film of 2017 was, given that the 90th Academy Awards are less than a week away.
If you’ve been out of the obscure and cultish garage punk loop, you have probably never heard of Superchunk.
Hannah Matheson ‘18 is one of the few students who came to Dartmouth knowing already what she deeply cared about.
The Barbary Coast Jazz Ensemble’s winter concert will be Saturday, Feb. 24 at 8 p.m.
Independent radio and podcast producer, Laura Sim ’16 majored in English at Dartmouth and completed a thesis on race in radio and podcasts.
This Wednesday, students will take one of the stages at the Hopkins Center for the Arts to perform “The Vagina Monologues,” an evolution of theatrical activism.
There is an old truism that posits that the best superhero films are those that first and foremost aim to be different.
At the Hopkins Center for the Arts Garage this past Saturday, digital musics graduate student Andrew Maillet and filmmaker Zbigniew Bzymek gave two work-in-progress performances of their multimedia adaptation of Polish artist and philosopher Stanisław Ignacy Witkiewicz’s play “Pragmatists.” According to Maillet, the self-described “performer-technician” pair chose to work with the text because they were interested in the themes that Witkiewicz, who wrote during the interwar period between World War I and II, brings up.
“1984,” Dartmouth’s stage adaptation of Milton Wayne’s radio adaptation of George Orwell’s synonomously-named classic, gives a twist to the original setup of the novel to make it more relevant to the world today.
Wander into the high-ceilinged quiet of Black Family Visual Arts Center this month and one will encounter SELF/PORTRAIT, an exhibition of photographs by students of Studio Art 29, “Photography I,” and other photography classes over the span of the past two years.
After performing German composer Felix Mendelssohn’s “Elijah” at its fall concert, the Dartmouth College Glee Club will continue the biblical hero theme in its winter concert Friday with Giacomo Carissimi’s oratorio “Jephte.” “Jephte” tells the story of Jephthah, an Old Testament judge who promises God that he will sacrifice the first person who comes out to greet him after battle in exchange for victory over a rival tribe.
This evening, contemporary jazz singer and songwriter Gregory Porter will bring his soulful, melodic style to audiences at the Hopkins Center for the Arts.