Film invokes Tarantino's artistry
'Chungking Express' first release on 'Pulp Fiction' director's label
'Chungking Express' first release on 'Pulp Fiction' director's label
Given the recent passing of mid-term exams and without even the relief of a sunny day for Tubestock, you might think there is not much to laugh about at Dartmouth.
Everyone dreams of running off to join the circus, but one Dartmouth alumnus actually did. But Paul Binder '63 not only joined the circus, he started his own.
While everyone is flocking to see "Independence Day," a special 'phenomenon' is being somewhat overlooked. "Phenomenon" is an uplifting, spirited film about George Malley (John Travolta), a common mechanic in Small Town, U.S.A.
While operating a hot dog stand in downtown Hanover may not be as lucrative as being an investment banker on Wall Street, Dick Clapp does not seem to mind. Clapp, in fact, is quite content in his occupation as Hanover's only sidewalk hot dog vendor, and he serves a hungry populace each day from his regular spot in front of Town Hall on Main Street. Actually, working as a hot dog vendor is more profitable than one might think -- a hot dog here, a kielbasa there, and Clapp can take in $150 for just a few hours work on a summer day, he said. Clapp even can enjoy an abbreviated work day, as he works from about 11 a.m.
"Nico Icon," a documentary about the life of Velvet Underground vocalist Nico, shows tonight in Spaulding Auditorium as part of the Film Society's Cinema Cool series. The 72 minute film, with subtitles, is written and directed by Susan Ofteringer. The film hopes to unravel some of the mystery surrounding the German beauty who began her career as a super model and went on to become a central part of Andy Warhol's clan as well as the lead singer in his band, the Velvet Underground. Using archival footage of Velvet Underground performances, home movies, and interviews with friends and family members, filmmaker Susanne Ofteringer shows the complete transition Nico made from a beautiful, blond goddess to a cigarette-smoking wash-out, addicted to heroine and obsessed with death. Ofteringer became interested in Nico after learning that both women grew up in Cologne. She made the film in hopes of portraying Nico as an independent woman who liked to reinvent herself instead of as a blank beauty who earned her fame because of her affairs with famous men. Ofteringer interviews many of the people closest to Nico including Nico's aunt Helma Wolff , Velvet Underground members Sterling Morrison and John Cale, and her son Ari, who she helped to get addicted to heroine. The interviews offer the most compelling scenes in the documentary. Juxtaposed with shots of Nico from the beginning of her career with shots of her after her period of self-destruction, the interviews help to reveal the shocking transformation the superstar went through. Although much about Nico remains an enigma, "Nico Icon" presents an interesting and visually stunning look at the life of a woman who has always been fascinating because of her constantly changing image and striking beauty.
New York City troupe thrills crowds with annual show in Hanover
"Bad As I Wanna Be," Chicago Bulls superstar Dennis Rodman's newly-released autobiography with Tim Keown, is a revealing account of his tumultuous life on and off the basketball court. In this book of surprises, "The Worm" confronts such controversial issues as his unconventional personality, race relations, sexual orientation, his six-month relationship with Madonna, as well as the NBA. Released during the Bulls' championship season, "Bad As I Wanna Be" currently tops the New York Times' list of best-selling hardcover non-fiction books. Today Rodman is known for his aggressive play, his "bad boy" image and his colored hair, liberally-tattooed torso and experimental fashion choices. This book, however, is powerful for illuminating Rodman as a normal human being. He writes: "I've been homeless.
For Tevin Campbell's musical career, the journey has been definitely from boy to man. First appearing on the scene with a Jacksonesque "Tomorrow (A Better You, a Better Me)" on Quincy Jones's 1989 release, "Back on the Block," Campbell now has a voice to be reckoned with. Now 19 and with two albums under his belt, Campbell attempts to make the jump from the high alto that he once was, to his current slick, rich tenor on his latest rhythm and blues project titled, "Back to the World." While many chart-bumping acts blow up and out with their first effort, then fizzle away like Alka-Seltzer in a Dixie cup, Tevin Campbell came back stronger in the second round, revamped and more mature. Instead of following in the footsteps of his debut album "T.E.V.I.N." on his sophmore release"I'm Ready," Campbell decided to change his boyish image, recording songs with a look toward adulthood which showcased his musical and physical metamorphosis. Campbell has shown a unique plasticity in style throughout the years.
'Drugstore Cowboy' and 'Sid and Nancy' to play Sunday
As "Independence Day" quickly surpasses $100 million in domestic ticket sales, people across the country are talking not only about the success of the film, but also about that of its World Wide Web Internet site. Up and running for only two months, the "Independence Day," or "ID4" web site has already become one of the most popular stops in the history of the Internet and has been viewed by millions of visitors. With a decent Web browser and a little patience, visitors to the site -- located at http://www.id4.com/ -- should discover that the hype and popularity are well deserved, although the site is a bit complicated to use. Unfortunately, to get maximum enjoyment out of the site, a computer user must have several auxiliary "plug-ins" on his or her system, and most users do not have this software. Free copies of the software can be acquired, but downloading time can take up to half an hour per plug-in. Still, the "ID4" site is pretty impressive, even without the additional software. Upon reaching the front page of the site, choose the Netscape 2.0 Web browser if you took the time to download the extra software and Netscape 3.0 if you didn't. From there, users can proceed to one of three main locations: Launch Pad, Area 51 and Contact. Fans of the movie will want to head right into the Launch Pad, which includes a series of profiles on the actors who in the movie are the "freedom fighters," the humans who try to save the Earth from extinction. Also in the Launch Pad section are some impressive "propaganda," which includes 10 downloadable sound bytes from the movie and three full-length trailers, five television advertisements. One gem to be found: a marvelous screen saver which depicts a huge alien ship annihilating metropolitan New York with its laser beam. The Launch Pad also has behind the scenes production notes, links to other "Independence Day" information on the Internet and other assorted goodies. In the Area 51 and Contact sections, interested people can read a wealth of alleged alien sightings, descriptions and conspiracy theories, and even pick up some advice on what to do in the event of a real-life alien attack. As tends to be the case throughout much of the site, the user will not be able to explore some of the resources in Area 51 and Contact -- for example, the alien conspiracy story chat room -- unless he or she downloads some of the aforementioned additional software. Generally, the site is graphically pleasing and even includes some neat animated graphics, such as a spaceship dodging gunfire and a moving satellite. The "ID4" site can be a bit difficult to navigate for first-time users, but visitors can use a "Help" screen to easily navigate the site. Overall, the "Independence Day" website is well worth checking out, at least while the movie continues its run in the theaters. The system is a bit confusing and some of its treasures require bulky auxiliary software. However, the site provides more than enough resources to keep the casual visitor or rabid movie buff excited.
The much-hyped "Independence Day" is an entertaining no-brainer, well worth $6.25 for those who consider the "Sally Jesse Raphael Show" quality entertainment. "Independence Day," directed by Roland Emmerich, is not science fiction.
'The Green Mile' weaves a wicked mystery story full of surprises
As if there were not enough entertainment news to go around, 1340 WDCR the AM college radio station has begun a new program titled "Entertainment Blitz" designed to bring the world of arts and entertainment to busy students' lives. Initiated last term, the program is the brainchild of the Dartmouth Nightly News Service. "It is our own little version of Entertainment Tonight," said Heather Charles '98, co-anchor of the Entertainment Blitz program. Recruited for the position this term, Charles was approached for the position by the DNN director and the show's co-anchor Teddy Huang '98. Although in its initial stages, Entertainment Blitz promises to deliver a program filled with music and film reviews, ticket give-aways from the Hopkins Center and Nugget Theatre and WDCR disc jockey profiles and spotlights. "Entertainment Blitz will serve as a counterpoint to DNN which is all talk," Charles said. Hoping to vary the show's format from show to show to keep the programming fresh and inventive, Charles assures listerners that Entertainment Blitz is here to stay. "I think we will definitely have [Entertainment Blitz] for next term," Charles said. There have been so many people this term which have shown interest in the show.
Adjusting his crimson and gold striped tie, the New Hampshire Democratic candidate for the U.S. Senate, John Rauh, a Sunapee businessman and Harvard graduate, explained that his recent transition from business to politics was not a surprising change. In an interview with The Dartmouth, Rauh recalled the death of his father when he was a young boy and said the close relationship he subsequently developed with his uncle, a prominent civil rights lawyer, served to instill in him a deep sense of civic duty. "Uncle Joe Rauh is one of the century's greatest civil rights lawyers," he said.
Democratic candidate for New Hampshire's seat in the U.S. Senate John Rauh told a packed crowd in Hinman Forum last night that money, not votes sets political agenda in Washington. "Most Americans see two Americas: one writing big political checks and buying influence, and the other America, the majority of Americans, not voting and anxious about their jobs, their health care, their children's future," he said in his speech titled "The Influence of Money in the American Political System." Rauh cited Carl Lindner, the Chief Executive Officer of American Financial Corporation, as epitomizing how money buys influence in Congress. "Though a staunch Republican, Lindner's companies have given $2.1 million to both Democrats and Republicans over the past five years," he said.
From fireworks atop Mount Moosilauke to Woodstock, Vermont's old-fashioned celebration consisting of a crafts fair, spelling bees and music, the Upper Valley offers plenty of ways for students to celebrate the Fourth of July. The Dartmouth Outing Club has planned a hike up Mount Moosilauke to view fireworks on Thursday. Students can leave Hanover at either 11 a.m.
I pity Demi Moore. Deceived into believing that she was empowering women by her portrayal of feisty stripper Erin Grant, she was clearly never informed that it was to be marketed as a "bawdy comedy." Maybe it is just a personal prejudice but it seems an inappropriate forum for making a political gesture: you always run the risk that your audience will just laugh and fail to register the vital agenda. But then Striptease is a biting social satire designed to illuminate and ridicule the gross hypocrisies and double standards indulged by men in power, not pure entertainment. The rich plot evolves on the following lines: having lost her job and custody of her child, Erin is forced into stripping to raise money for a court appeal. Amongst the clients at The Eager Beaver, the seedy nightclub where Erin performs, is a plump, nerdy guy in glasses who is infatuated with Erin and a badly disguised Burt Reynolds as a badly disguised lecherous senator, also infatuated with Erin. The nerd attempts to blackmail the senator in order to promote Erin's custody case with disastrous consequences -- dragging Moore's deranged husband, small daughter, lupine-obsessed sister-in-law, club bouncer and fellow strippers into a plot about as subtle as one of Erin's routines. Government is exposed as vice ridden, the husband is exposed as an unfit parent and Erin is simply exposed. Ignoring the ridiculous premise that any judge, even a senile, old one would give custody to Moore's psychotic husband, what is more disturbing is the film's confused attitude towards stripping. With the risk of coming across as obsessed with what must amount to approximately eight minutes of the entire film, the issue demands particular attention. The movie's title and poster both capitalize on the idea and a small but articulate proportion of the audience seemed not to have been put off by the extortionate rate of 81 cents a minute for their evening's entertainment. The film firmly differentiates between prostitutes and strippers (sorry, dancers), a justifiable distinction if Erin's fellow performers were not merely poor variations on the stock "tarts-with-hearts", each sporting a comedy accent and an IQ to match her chest size. Erin herself dislikes stripping, taking care to inform us how she never fails to feel nauseous before every performance, insisting on disrobing to Annie Lennox and becoming perturbed when her daughter happens to see her "dancing." But the sophistication of the film is such that it allows us to see Erin's routines from an audience's perspective, doubtlessly expecting we remain fully aware of her distaste for the task throughout. After all, how could anyone find four separate strips erotic in the knowledge of the performer's extreme reluctance? See the problem?
Sophomore work may be hard to understand for some listeners