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Last month, New Hampshire Gov. Kelly Ayotte announced in her annual “State of the State” address that she is directing the state’s department of energy to bring the state to the “forefront” of nuclear energy technology.
The Native American House will close for renovations from Commencement this year until next summer, according to Native American Program director Adria Brown ’15. Renovations will expand the house and add additional bedrooms and bathrooms, according to Brown.
I recently wrote a piece where I criticized the political rhetoric of “dialogue” as perpetuating the status quo. The piece, ironically enough, did end up generating some dialogue on campus, and I’ve since heard many different takes on my argument from my friends, some positive and some negative. In these conversations, I’ve come to realize that my original piece did not paint the full picture — that not only is “dialogue” more often than not a means of maintaining the status quo, but that it is also a way to push it in a particular political direction.
Last December, Dartmouth announced an institution-wide partnership with the artificial intelligence company Anthropic. While Dartmouth’s agreement with Anthropic has been under scrutiny by students and several faculty members over copyright infringement, a more pressing concern is Anthropic’s relationship with the Pentagon.
Yesterday was my final night as opinion editor for The Dartmouth. For the better part of two years, I’ve had the opportunity of working with incredibly talented editors, writers and student journalists, and I leave with nothing but appreciation for the tremendous work student journalists have done on our campus and beyond.
At a Rockefeller Center for Public Policy event last weekend, Rep. Ro Khanna, D-Calif., said, “We have seen too much cowardice from private sector business leaders in America at a time where we need more courage of people speaking out for moral clarity.” Dartmouth’s president and trustees could have learned from these words had they been in attendance.
In a ribbon-cutting ceremony on Feb. 17, College officials unveiled Sugarwood Circle, a 21-unit development for benefits-eligible staff and faculty in West Lebanon.
As the U.S. war with Iran intensifies, student veterans at Dartmouth say the conflict feels both familiar and unsettling. For many students on campus, the fighting unfolds through headlines and government class discussions. But for those who once served in the military, some of whom were deployed in the Middle East, the war carries memories of their time in service, concerns for friends still serving and questions about whether the region is once again entering prolonged instability.
Kentucky Gov. Andy Beshear called for a “pragmatic” style of politics that focuses on results rather than inaction in a visit to Dartmouth on March 7. Beshear criticized the characterization of issues as “partisan” or “bipartisan,” instead calling on politicians to focus on “nonpartisan” issues, such as housing and healthcare.
Although the Literary Arts Bridge, tucked away in downtown Hanover, only officially opened in November, students are embracing the colorful offices as a hub for creative writing.
The Dartmouth College Wind Ensemble, the student resident ensemble at the Hopkins Center for the Arts, premiered original compositions by the winners of the Arturo Márquez Composition Competition on Feb. 13 with the Concord-Carlisle High School’s Frontiers Ensemble. The performance of the contemporary Mexican score “Flor Violeta: Concertino for Harp and Wind Ensemble” by Omar Arellano Osorio featured guest Greta Richardson ’26 on the harp.
In its opening scene, Maggie Gyllenhaal’s “The Bride!” announces itself as a major artistic swing and adaptation of the Frankenstein story. Stuck in some sort of purgatory, a disembodied Mary Shelley (Jessie Buckley) reveals she was never able to finish the story of her seminal novel “Frankenstein” before her death, and declares her intention to complete it by possessing the body of a woman in 1930s Chicago named Ida (also Buckley).
The College is requiring Dartmouth Libraries to cut its budget over the next two fiscal years, according to emails sent by dean of libraries Susanne Mehrer to library staff and obtained and reviewed by The Dartmouth. While a Dec. 1 email from Mehrer stated the required cuts totaled $2,614,000, Mehrer wrote in a March 5 email that the “FY27–FY28 budget planning figure is $1 million lower” than the initial $2.6 million cut.
The vast majority of the Class of 2025 have gone on to full-time employment, part-time employment or an internship, according to Center for Career Design data shared with The Dartmouth. The percentage of students who have placed into some form of employment is up 14% from last year, according to the data.
On Feb. 28, U.S. Rep. Ro Khanna, D-Calif., criticized the United States’ “war in Iran” as “illegal” and said it would “put American personnel at risk” during a visit to campus.
This past February, Michaela Hesová ’28 played for the Czechia women’s national hockey team in the 2026 Winter Olympics in Milan-Cortina, Italy. She was the goalkeeper for Czechia’s games against Switzerland and Canada, before Czechia eventually lost in the quarterfinals to Sweden. Hesová has played goaltender for the Big Green for the past two seasons. In an interview after the Olympics, The Dartmouth sat down with Hesová to talk about what the experience was like, how she made the team and what she is taking from her experience.
Dartmouth dropped two games to Louisiana State University this weekend, losing 5-2 on Friday night and 3-0 on Sunday afternoon. However, the Big Green pitching staff, led by Eddie Albert ’26, delivered strong performances against the defending national champions. Dartmouth also defeated against Grambling State University, 12-11, on Saturday evening.
Eleven Dartmouth students and recent graduates spent the week of Jan. 22 volunteering at the Sundance Film Festival in Park City, Utah, the largest independent film festival in the United States.
A24’s newest release, “How to Make a Killing,” directed by John Patton Ford, starts at the end. Becket Redfellow (Glen Powell) is set to be executed in four hours, and glibly recounts his tale of woe on a priest (Adrian Lukis) through the bars of his cell. This opening scene establishes the film’s structure — Becket’s diegetic voiceover chronicles his criminal descent as he chases family fortune by murdering estranged relatives.
Meet Evergreen.AI, Dartmouth’s multi-million dollar cash sink designed to generically “support student success.” The investment aims to provide ready available mental health for students via a chatbot. In reality, the project is too costly, ill-defined and falls short of its lofty goals.