Groves '06 pioneers new animation techniques
By Chip Shaffer | February 13, 2006Courtesy of Becky Groves When Buzz Lightyear flew onto the screen a decade ago, he seemed to herald the impending age of computer animation.
Courtesy of Becky Groves When Buzz Lightyear flew onto the screen a decade ago, he seemed to herald the impending age of computer animation.
Courtesy of Trailer Park Boys Online What I'm about to say may anger many of you, though some of you may correctly agree with me: American television is crap.
Although Hanover, N.H., is not exactly the epicenter of the entertainment world, Dartmouth still manages to bring in great music and film to campus via the Hopkins Center with only the occasional disappointment (i.e.
Dave Douglas and Keystone -- not to be confused with the beer -- is a cool group centered on a cool idea: jazz pieces accompanying a selection of Roscoe "Fatty" Arbuckle's silent films.
Directors Tim Burton and Mike Johnson combine the land of the living with the realm of the dead in order to create the visually striking and musically catchy "The Corpse Bride." Yet "Corpse Bride" is not so much a movie as it is a series of beautifully created images set to music, which is not surprising since Burton and Johnson shot it entirely with digital cameras using stop-motion photography.