Music review: The Killers’ ‘Wonderful Wonderful’ deserves a listen
If I had to bet on a song that every Dartmouth student knows, I would pick “Mr. Brightside” by The Killers.
If I had to bet on a song that every Dartmouth student knows, I would pick “Mr. Brightside” by The Killers.
I know that Taylor Swift is a bad person. She lied about Kanye West, she tried to fight Nicki Minaj via Twitter and she probably voted for Donald Trump.
A few weeks ago, my editors acquiesced to my request to drop the numerical ratings system in my reviews.
In “The Uses of the Erotic: The Erotic as Power,” Black feminist writer Audre Lorde critiques the ways in which Western patriarchal societies have suppressed and falsely encouraged women’s sexual expression.
An ode to former first lady Michelle Obama, “Courage is Contagious: And Other Reasons to be Thankful for Michelle Obama” takes on the task of memorializing and honoring the legacy of Obama as a cultural icon through a collection of written reflections.
Recently, Dartmouth announced a clear commitment to address food sustainability throughout campus dining by initiating the formation of a “food working group” comprised of a collective of students, faculty and staff.
There are many people who paint, but there are not many who use emoji as a source of inspiration — Kevin Soraci ’18 is both.
Known for being the only entirely student-led theater troupe on campus, the Dartmouth Rude Mechanicals is a group of passionate, talented students with a singular obsession.
On Saturday night, I trekked down to the labyrinthine nether-realm that is the Nugget Theater to see “Marshall.” Ten minutes before, I had left the Hopkins Center for the Arts’ screening of Taylor Sheridan’s problematic, complicated yet engaging “Wind River,” which played to a mostly packed theater.
The musical stylings of the Dartmouth Glee Club will once again grace Rollins Chapel this Sunday as they reimagine the works of Felix Mendelssohn and Johannes Brahms.
On Sunday, Oct. 29, Upper Valley television channel CATV’s sixth annual Halloween-o-thon took place on Dartmouth’s campus from 1 p.m.
With the end of fall term approaching, the theater department’s fall musical is right around the corner.
While other courses at the College build students up, English 53.04 breaks them down — and in that way it acts as a catalyst for real change.
In last week’s review of “The Snowman,” I encouraged readers to skip that dreadfully dull film and instead watch “Battle of the Sexes.” As it happens, I saw the two films over a week ago, and the contrast could not have been greater.
Since she was a toddler, Rachel Beck ’19 loved to dance. Despite the importance of dance in her life now, the conception of her interest has hazy origins. “I think my mom just put me in a ballet class and I loved it,” Beck said.
The Dartmouth Symphony Orchestra, accompanied by acclaimed flutist Luciano Tristaino, will perform its annual fall concert at the Spaulding Auditorium in the Hopkins Center for the Arts on Saturday.
In Toni Morrison’s newest novel, “The Origin of Others,” this question is asked and expanded to challenge the habit of “othering” altogether — taking history, psychology and literature to task in a way that uncovers the vast offerings of Morrison’s mind.
This week, Che “Rhymefest” Smith will be conducting a student workshop on campus.
Tonight the Hopkins Center for the Arts will show “Dawson City: Frozen Time,” a documentary about a Canadian town in the Yukon region that became a hotspot during the Klondike Gold Rush. Additionally, Dawson City rose to fame within the film industry in 1978 when old prints and reels were discovered.
To deem Jaclyn Pageau ’18 an involved Dartmouth artist would be to understate the depth and breadth of her pursuits in theater and music.