Review: “The Front Runner” asks about the cost of accountability
“The Front Runner” directed by Jason Reitman of “Juno,” “Up in the Air” and “Tully,” stars Hugh Jackman as U.S.
“The Front Runner” directed by Jason Reitman of “Juno,” “Up in the Air” and “Tully,” stars Hugh Jackman as U.S.
Is it possible to capture the essence of a city in a film? Director Tamer El Said’s film “In the Last Days of the City” attempts to do just that.
Jazz and comedy are two very different art forms, yet they share many similarities. Both are free form and improvisational.
This Thursday night at the Hopkins Center for the Arts, audiences can see a different and intimate performance of one of the most formal art forms possible: opera.
When I was eight years old, I begged my mom for weeks to let me see “Iron Man.” I remember the excitement I felt when she finally relented and said yes.
There’s crazy, there’s satire, there’s dystopian, and then there’s “Sorry to Bother You.” Musician Boots Riley’s 2018 directorial debut takes place in an alternative-world Oakland — but don’t let the term “alternative-world” fool you.
Across from the Hinman boxes in the Hopkins Center for the Arts stand a pair of twin phone booths, which have remained out of service and neglected for years.
“I have a hangover that is a real museum piece,” Lee Israel writes, imitating writer Dorothy Parker in a particularly famous forgery of Parker’s letters.
Is it indie pop? Techno? R&B? Hip-hop? Blood Orange’s new album “Negro Swan” revives Devonte Hynes’s genre-transcending sound with an earnest meditation on the state of those existing on the fringes of society.
Nan Darham is a graduate student in Dartmouth’s Master of Arts in Liberal Studies (MALS) program whose artwork was most recently exhibited in the Nearburg Gallery of the Black Family Visual Arts Center.
Spike Lee’s latest film, “BlacKkKlansman” is very much a movie created for and about the current American political and racial environment.
Directed by and starring Bradley Cooper, and featuring pop supernova Lady Gaga, 2018’s “A Star is Born,” a remake of William Wellman’s 1937 film of the same name, breathes new life into the music drama genre.
The lights go down on an audience sitting in silent anticipation, and white sparks rain down the black screen.
“Late at night, my mind would come alive with voices and stories and friends as dear to me as any in the real world.
It’s an exciting time for film at Dartmouth: Ulrike Ottinger, the avant-garde German filmmaker, will be this fall’s Montgomery Fellow.
In March of 1998, Dartmouth witnessed a historic summit on black theater, intended to address specific strategies to build and maintain black theater companies and institutions.
A masterful and satirical take on the crime drama complex that has swept the nation, Netflix’s “American Vandal” is mysterious, delectable and utterly ridiculous.
When you have been writing and recording music since the 1960s, it should be a challenge to consistently produce new and exciting music.
Multimedia artist Jordan Ann Craig’15, a studio art and psychology double major, has spent her time as an artist pursuing printmaking and painting.
Owen O’Leary ’19 is taking his acting skills behind the scenes this term as he directs “Tragedy: A Tragedy,” a student production that will perform from Nov.