'Oleander' pleases with top acting, compelling story
Director Peter Kominsky's sophomore effort in film, "White Oleander," seems to have suffered a fate that is all too common in Hollywood -- its marketing campaign doesn't match the movie itself.
Director Peter Kominsky's sophomore effort in film, "White Oleander," seems to have suffered a fate that is all too common in Hollywood -- its marketing campaign doesn't match the movie itself.
Philip Glass has managed to carve out a unique niche for himself: composing music to accompany visual art.
In her seventh solo album, Tori Amos takes a back seat to the world but a front seat to herself as she plays the role of Scarlet -- the name of a woman trekking across the country, and perhaps also the color of bleeding pains.
"I don't know if there is anything wrong because I don't know how other people are." These are the words of Barry Egan (Adam Sandler), the mentally off-balance hero of Paul Thomas Anderson's new film, "Punch-Drunk Love." Barry Egan is one of the most intriguing characters in cinema in recent memory.
I remember sitting shotgun in a friend's car, driving around Bethesda, Md., and bemoaning the burdens of our junior year of high school.
In 1998, an independent film called "I Love You, Don't Touch Me" was released in major theaters. The film did relatively well for a small independent film -- critics and audiences both liked it. While to the public eye, it was just another picture in a long tradition of romantic comedies that came and went, rarely remembered beyond their relatively short day in the sun, to Julie Davis, who wrote, directed and starred in the film, it changed everything.
Critically acclaimed soprano to perform mixture of classical and modern music at Dartmouth
"Everyone deserves music" was one refrain Michael Franti shouted and sang over and over again last night, during "What Does Democracy Look Like?," an event that ambitiously sought to blend art with politics. The performers-cum-activists on the evening's lineup included Franti, who performed with his nationally renowned hip-hop group Spearhead, and Judith Baca, a Los Angeles muralist who is a Montgomery Fellow at Dartmouth this term. After an introduction by Rockefeller Center for the Social Sciences director Linda Fowler -- who cracked that this was the first Rocky-sponsored event in some time where the average audience age was under 65 -- Baca took the stage in the Hopkins Center's Alumni Hall. Clad in a brightly printed shirt, Baca smiled warmly as she introduced the crowd of several hundred students and a few dreadlocked locals to her art. The audience, seated on the floor, were rapt as Baca used a video presentation to outline her career as a community artist and co-founder of the Social and Public Art Resource Center in Los Angeles.
Love them or hate them, Bon Jovi has emerged as one of the most persistent and consistently successful rock bands of the last two decades.
"Igby Goes Down" is a film that goes neither down, up, left, right or in any direction. Starstudded and overflowing with spellbinding acting and compelling drama, this movie is so faithful to the concept of real-life filmmaking, that it meanders aimlessly away from any comfortable story structure. "Igby Goes Down" tells the dark, somber and yet incisive coming-of-age tale about a young man's quest versus the world.
Jazz legend Chick Corea and his Elektric Band rocked Spaulding Auditorium Thursday night with a loud combination of jazz, rock, blues and Latin music that added up to an amalgam that was distinctly their own. From the first note of the concert, the audience was exposed to a hurricane of sound.
"Most of my material is stolen directly from the works of Shakespeare, Dostoevsky and Hustler Magazine," comic musician Stephen Lynch recently told Time Out New York, his tongue no doubt well-ensconced in his cheek. Thanks to his tuneful acoustic ballads about necrophilia and priests molesting altar boys, Lynch has accumulated a loyal college following over the last few years.
Whether intentionally or not, the title of Loaded Dreams' debut EP, "In It But Not of It," characterizes the music's relationship to its genre.
The enticement of looking beyond the familiar and re-examining the world from new perspectives lies at the heart of the work of Mexican painter, Jos Clemente Orozco.
Spanish dance troupe exhibit their virtuoso mastery of Flamenco through both dance and music
Sacred Steel, the art of playing pedal steel guitar, has been around for decades. It was confined to mainly religious settings for many years -- until now.
Folds releases second album of solo career featuring new and old songs along with bonus DVD
"Barbershop" is a movie about those who give haircuts, and it's about as boring as getting a haircut.
'The Boss' mixes old classics and new tracks from 'The Rising' in his Friday night concert
Shekhar Kapur's new film, "The Four Feathers," has the fatal flaw that so many big screen productions have suffered under for the last 10 years.