Creepy setting lends an eerie intimacy to DTC's 'No Exit'
For all those who attended one of the Displaced Theater Company's performances of Jean Paul Sartre's "No Exit" this weekend, there was, quite literally, no exit.
For all those who attended one of the Displaced Theater Company's performances of Jean Paul Sartre's "No Exit" this weekend, there was, quite literally, no exit.
By Leslie Adkins The Dartmouth Staff Few royals were as infamously apathetic about the welfare of their countries as Marie Antoinette.
Alt-rock band Filligar has undertaken a dicey gamble by entering an already overcrowded musical niche.
Courtesy of Lulu Frost In the land of popped-collar Lacoste polos, legging ensembles and Uggs galore, creativity in fashion often leaves something to be desired.
Editor's Note: This article is the second of a series examining hidden artworks at Dartmouth. Resting in the basement of Thayer Dining Hall are a series of images that have been called deeply offensive, racist and insulting, and have, over the years, continued to spark debate. The fate of the controversial Hovey murals is particularly interesting to contemplate in light of the College's recent uncovering of the Tiffany and Royal Bavarian stained glass windows in Rollins Chapel, which had been concealed since 1972 as a means of making the space less denominational. Painted in 1937-38 by American illustrator Walter Beach Humphrey '14, famous for his covers of "The Saturday Evening Post" and "Collier's," the Hovey murals were a reaction to the famous Orozco Frescoes in Baker Library. In a 1938 issue of the Dartmouth Alumni magazine, Humphrey wrote, "If my allusions to the celebrated murals in Baker Library seem ill chosen to anyone ... I feel it excusable to use them as a foil for my own ideas.
Catherine Tudish came to Dartmouth along with the Class of 2010 this September as the newest faculty member in the creative writing department.
Dartmouth Broadcasting is a business. It's not just a business serving your suitemates, or that girl in your psychology class, or even just the beloved denizens of Hanover; Dartmouth Broadcasting is a business (with a capital B) serving 30- to 40,000 listeners in the Upper Valley. "It's a business.
The Roots, the innovative Philadelphia-based hip-hop group known for their intelligent grooves and lyrics, played in Leede Arena last night as the Programming Board's major concert of the Fall term.
Those who stopped keeping tabs on this term's Mainstage play back in September might have noticed that "The Negro of Peter the Great" is no longer on the schedule. "Negro," originally slated to be produced this fall by the theater department, has been replaced with acclaimed British playwright Caryl Churchill's "Far Away," a futuristic tale "about what will happen in a world in which violence spins out of control," according to director Peter Hackett '75. The play was switched when auditions failed to yield a single candidate for the title role of "The Negro," despite campus-wide outreach to drum up interest. "Although we had a significant turnout by minority students, we did not have an African-American actor," Hackett said.
If you've passed the Hopkins Center in the past few days, then you've probably seen the unsettling figure and natural cyclone caught inside the rotunda at the main entrance.
Courtesy of Rotten Tomatoes What exactly is "Flags of Our Fathers"? I asked myself this question on the way into the theatre and was disappointed to find that, 132 minutes later, I was no closer to an answer.
Courtesy of the Hopkins Center Imagine traveling from Spain and France to Norway, Bulgaria, the Czech Republic, Peru, South Africa and beyond -- all in one night. With the help of some gifted composers and a dedicated conductor, the Dartmouth Chamber Singers will be doing just that.
Courtesy of the Hood Museum This upcoming weekend, the Hood Museum will showcase its prized collection of Assyrian reliefs in the symposium entitled "From Discovery to Dartmouth: The Assyrian Reliefs at the Hood Museum of Art, 1856-2006" at the Loew Auditorium. In commemoration of the 150th anniversary of their installation in Hanover, the reliefs will be the focus of this collaborative symposium, which, thanks to the sponsorship of the Fanny and Alan Leslie Center for the Humanities, will be free and open to the public.
Just because a real-life concept seems a bit unappealing does not mean one should not give its prolific, culture-changing fictional reenactment a chance.
As I was compiling the CMJ Top 10 Albums for Monday's Arts section, I came to a sad realization: I am pained and embarrassed to admit that I had actually listened to only one of the 10.
Courtesy of Rotten Tomatoes With "The Prestige," director Christopher Nolan ("Memento," "Batman Begins") once again throws us a cinematic sleight of hand -- this time, literally. Hugh Jackman and Christian Bale star as Robert Angier and Alfred Borden, two turn-of-the-century magicians whose friendship sours after a botched onstage illusion results in death.
Courtesy of the Hopkins Center This week, there's a new piano in town.