HEAR AND NOW: Only a Christmas miracle can explain Jingle Cats' success
Christmas music. It starts sometime between Labor Day and Columbus Day, when the trees have yet to shed their leaves and Dartmouth students can still comfortably wear sandals.
Christmas music. It starts sometime between Labor Day and Columbus Day, when the trees have yet to shed their leaves and Dartmouth students can still comfortably wear sandals.
Courtesy of newyorksocialdiary.com Two years after he was hired as the youngest professional dancer to work in the Merce Cunningham Dance Company at merely 18 years of age, Jonah Bokaer helped launch an initiative to provide affordable studio space for artists in New York City.
Zeke Turner / The Dartmouth Senior Staff The back of the program for the Dartmouth theater department's latest musical, "Little Shop of Horrors," includes a special thank you "to ... an amazing cast for making it worth it to take a road trip to Virginia for a man-eating plant." Indeed, the musical would not have had the same overpowering intensity without the voracious plant puppet or the energetic cast, both of which commanded the attention of audiences this past weekend in the Hopkins Center's Bentley Theater. "Little Shop," based on the 1960 film of the same name, was originally composed by Alan Menken and written by the late Howard Ashman, who collaborated on Disney classics like "The Little Mermaid" (1989) and "Beauty and the Beast" (1991). The Dartmouth production was directed and choreographed by Chiara Klein '10, who chose to take on "Little Shop" because of its clever script and sharp comedic timing. "I could envision the musical being put on in Bentley," Klein said.
We are living in a time of change, when history is being made right before our eyes: America is led by a president who is not a white male, a financial crisis looms over most of the world, and one of the worst Holocaust movies in the history of cinema has won a slew of awards and an Oscar.
It must be nice to have it all figured out. In his new book, "Saving the World at Work: What Companies and Individuals Can Do to Go Beyond Making a Profit to Making a Difference" (2008), business lecturer and former Yahoo chief solutions officer Tim Sanders proposes a "Responsibility Revolution" that he claims will not only cure our environmental ills, but make us better workers, better citizens and happier people. A complete overhaul of the corrupt, cynical and unsustainable status quo will be ours if we see the revolution through the five phases Sanders identifies, he claims. Afterwards, "Social responsibility will be the new king.
/ Courtesy of Dartmouth.edu Traditional Japanese rhythms infused with Western sounds will fill Moore Theater at the Hopkins Center on Sunday, as San Jose Taiko brings its distinct Japanese-American style of "taiko" drumming to Dartmouth. "Taiko," which comes from the Japanese word for "drum," began perhaps as early as the fifth century, according to some estimates.
If the past 11 seasons of supermodel Tyra Banks' "America's Next Top Model" have taught us anything, it's that a pretty face alone cannot conquer the elite and savage world of professional modeling.
Courtesy of RottenTomatoes.com Released in 1972, Oscar-nominated director Francis Ford Coppola's "The Godfather" is an invitation into the thickly veiled world of the mafia.
If my life were an inspirational movie, it might have the subtitle "Anyone can rap." Indeed, despite my benign appearance, I can rap.
Courtesy of hop.dartmouth.edu Translated to English as "destiny" or "fate," the Portuguese muscal genre "fado" has been likened to American blues for its ability to capture life's inevitable hardships.
As a former die-hard follower of the World Wrestling Federation, I understand the fever and excitement that surrounds a wrestling match.
Tilman Dette / The Dartmouth Senior Staff A moving yellow, human-sized fungus might be the last thing you would expect to see in a typical art gallery.
Walking down Main Street, it's easy to miss the sandwich board outside of Left Bank Books on your way to the more conspicuous Dartmouth Bookstore.
Jared Bookman / The Dartmouth Staff Though classical music is not often recognized for its universal appeal, the Dartmouth Symphony Orchestra's concert Saturday evening promises to be an exception with its accessible themes and moving melodies.
It's tough not having a personality to call your own. Just ask any of the brainwashed beauties who regularly get their memories erased before donning new disguises in FOX's new sci-fi drama "Dollhouse." The show premiered two weeks ago to, deservingly, very little fanfare. In Dollhouse, young people called "Dolls" are carefully monitored by their "Handlers" within a hidden futuristic compound called "The Dollhouse," where they are kept blissfully unaware in between their illegal assignments as "Actives" in the real world. Actives are Dolls who have been temporarily endowed with new skills and personality traits.
Courtesy of Incredibad.com The Lonely Island, the comedic trio that made premature ejaculation a socially acceptable topic of conversation with its hit single "Jizz in My Pants," is best known for its "Saturday Night Live" "digital shorts" of faux-rap paired with two-minute-long spurts of visual ADD.
By now you must be living under a rock to not know about "Slumdog Millionaire," this year's Oscar darling.
The string quartet Brooklyn Rider broke away from the classical quartet stereotype during their Feb.
ASHLEY MITCHELL / The Dartmouth Staff The "Dartmouth Invitational Print Exhibition" currently on display in the Hopkins Center's Jaffe-Friede Gallery, proves that printmaking is an art form every bit as varied in technique and content as its more well-known counterparts -- namely photography and painting -- that often adorn the gallery's walls. Part of a biennial series of invitational exhibits focusing on different artistic media, the exhibit is hosted by the Studio Art Exhibition Committee, a group composed of seven studio art faculty members.
Courtesy of Kawakahi K.