1000 items found for your search. If no results were found please broaden your search.
Alberto and Ernesto Villalobos performed a live concert from their New York City living room for the Hopkins Center for the Arts’ online program Hop@Home on Wednesday, July 22. They were joined on the virtual stage by bassist Victor Murillo, as the Villalobos Brothers’ third member, Luis, is currently in Spain.
It can be difficult to acknowledge the near-ubiquitous prevalence of sexual abuse when victims are nameless, shapeless and unfamiliar. Released on June 24, “Athlete A” forces a recognition of this rampant abuse, as the victims are the young women that America champions as Olympians. Through the bravery of the female gymnasts and the brutal, but necessary look into the bleak world of USA Gymnastics, “Athlete A” is an illuminating, tear-jerking, must-watch documentary.
In one part of the documentary, “Welcome to Chechnya,” which debuted at Sundance earlier this year, a man identified as “Grisha” shares his harrowing experience of being arrested and tortured by Chechen authorities because of his sexual identification. The emotion conveyed on screen — fear, anger, sadness — is palpable. It is also not, in the strictest sense, real. Using a groundbreaking editing technique, the documentarians behind the film were able to digitally “swap” the face of the real Grisha with that of a volunteer actor, thereby protecting his identity without losing the essential human connection that comes with being able to put a face to a story.
“The King of Staten Island” is not a good movie. There. I’d like to get that out of the way. Unlike the 136 minutes stolen from me watching this snooze fest, it will only take me a second to get to the point of this review: “The King of Staten Island” is incredibly boring, self-indulgent and not worth your time or money.
As the Dartmouth community enters into a summer of continued health and safety precautions, the Hopkins Center for the Arts will continue Hop@Home — a program that streams live events into the comfort of one’s home. This summer, the Hop will also embark on a collaboration with the Dance Theatre of Harlem.
Curatorial intern Allison Carey ’20’s exhibit “When Art Intersects History,” which opened in the Hood Museum of Art on March 7, focuses on 20th-century art that adds additional color and dimension to historical struggles for equality.
Director and producer Spike Lee’s “Da 5 Bloods,” released two weeks ago on Netflix, is an impactful Vietnam War story about the Black experience, following the journey of four middle-aged, Black veterans in the present day. In the film, the group returns to Vietnam to recover the body of their fallen captain and the buried treasure they left behind during the war.
This article is featured in the 2020 Commencement special issue.
This term, theater students and faculty faced an unforeseen challenge when the College switched to remote learning. For some students, months of preparation and practice were put to the test as they scrambled to adapt to performing their projects remotely.
Have you ever wondered how museums acquire new pieces and organize exhibits? Since 2002, the Hood Museum of Art has worked to include students in the curatorial process, giving them a behind-the-scenes look into the museum through its Museum Collecting 101 program. The program is offered one term each year to students of all grades and majors, and provides the opportunity for students to select a work — typically a photograph — that the Hood will purchase.
Varsity, a five-person indie pop band from Chicago, has solidified its place in the genre of indie pop with its new album, “Fine Forever.” Composed of lead singer Stef Smith, guitarists Dylan Weschler and Pat Stanton, bassist Paul Stolz and drummer Jake Stolz, Varsity released “Fine Forever” on May 29 through independent record label Run For Cover Records. While the album’s self-aware lyrics touch on themes such as loneliness and heartbreak, the cheerful instrumentals infuse their songs with an optimistic quality. In “Fine Forever,” Varsity layers complex anecdotes with upbeat indie-pop sounds to stress a message of positivity amid the difficulties of life.
The Hopkins Center for the Arts hosted its annual Arts at Dartmouth Awards ceremony on Tuesday afternoon to celebrate exceptional student work in the theater, music, studio art and film and media studies departments. While the ceremony typically takes place in Spaulding Auditorium, this year’s event was livestreamed via YouTube to accommodate the remote nature of the term.
Anyone who recommends watching two movies a day gives good advice, at least in my book. One of those people is filmmaker Lana Wilson, who recently directed the Taylor Swift documentary “Miss Americana.” The film debuted at the 2020 Sundance Film Festival and is now streaming on Netflix.
While many people disregard old objects, Mary Pedicini ’19 finds a new meaning for them through her sculptures. As one of five interns selected by the studio art department, she has spent the past year working as a teaching assistant and helping faculty prepare for classes. From her life-size honors thesis project to her philosophical exhibition at the Hopkins Center for the Arts, Pedicini has developed a distinct style of creating sculptures out of found objects during her time at Dartmouth.
Charli XCX’s latest album “how i’m feeling now,” released on May 15, is her most conceptually cohesive and emotionally vulnerable album yet. Created entirely during the COVID-19 lockdown, the album portrays the loneliness, fear and hope that she has encountered while isolated from the world.
In a genre as old as folk, it can be hard for anything to stand out against the large body of work comprising the genre’s canon. Artists like Bob Dylan, Woody Guthrie, Joni Mitchell and Paul Simon cultivated the sound that became associated with folk singer-songwriters in the middle of the 20th century. While the sounds they played were by definition based on earlier American musical styles, these artists sounded novel and each presented a unique brand of folk. In recent years, however, artists like Ed Sheeran have figured out how to soullessly manufacture the singer-songwriter formula by repeating the same tired sound again and again. Faced with a barrage of mediocre music, modern folk singer-songwriters have been forced to innovate in an attempt to stand out.
Forced to stay at home amid lockdowns across the nation, several Dartmouth students have been inspired to pick up a new hobby and use art, in its many forms, as a creative outlet. For many, art has been a beneficial tool for stress relief, taking a break from the news and bridging the gap in interpersonal connection created by social distancing.
Last Thursday, former Women in Business member Tyné Angela Freeman ’17 MALS ’19 shared her experiences as an independent artist in the music industry in a Zoom event held by WIB.
On May 1, Netflix released Alice Wu’s “The Half of It,” a film that follows Ellie Chu (Leah Lewis) as she navigates love and personal identity as an Asian American teenager. “The Half of It” transforms the common teen romance narrative into a funny, relatable and heartwarming work of art by pushing the boundaries of representation in mainstream romantic comedies.
Tom Misch and Yussef Dayes released their latest project, “What Kinda Music,” through the jazz label Blue Note Records on April 24. Their collaboration is an experimental album combining the upbeat, polished chords and production of Misch with the jazzier, more experimentally inclined sound of the drummer Dayes. “What Kinda Music” is Misch’s first project since his 2018 album “Geography” and is also Dayes’ first album release since 2017. “What Kinda Music” is exactly what the name implies — a genre-defying album, incorporating the best of both Misch and Dayes. It’s a project that’s part electronica, part jazz and part hip-hop. Dayes’ experimental inventiveness melds with Misch’s catchy chords and pitch-perfect voice (and a well-rounded range of featured artists) to create an original UK sound.