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It’s been almost four years since Cage the Elephant released their Grammy-winning album “Tell Me I’m Pretty,” and in that time, frontman Matt Shultz suffered the shocks of a tumultuous life . He endured a divorce from his wife Juliette Buchs along with the suicides of two close friends , and that despair became the impetus for Cage’s fifth studio album, “Social Cues,” released on April 19.
Updated May 2, 2019 at 2:10 p.m.
If you have read any of my articles, then you know that I’m no fan of the Greek system. The toxic masculinity, the sexual misconduct, the omnipresent stench of Keystone Lite … I could go on, but I will refrain. Instead, I will look past my feelings about the Greek system and its validity as a space on campus into a future scenario where the College listens to the voices of bleeding-heart feminists who criticize the Greek System. What happens then?
Enter Google Trends, then compare Sri Lanka and Notre-Dame over the past 30 days. The data shows that interest in the term “Notre-Dame” reached its peak popularity 24 hours after that cathedral’s fire. The term “Sri Lanka” also peaked 24 hours after the lethal bombings in that country. But that peak was just a third the size of Notre-Dame’s. How should we interpret these results? Should I ask my statistics professor if cultural proximity is a confounding variable in people’s interest and sympathy?
The AUX cord in my car is broken. I know it’s a not a big deal. I could just listen to the radio. But the thing is, I’ve gotten pretty accustomed to listening to exactly what I want whenever I want. If I am bored with a song by the second verse, then I skip the next one. Or, if I want to discover something new, the geniuses at Spotify have a trusty algorithm for that: They deliver new custom playlists to my account every week. Spotify has created a musical universe that revolves around me, the consumer. And in doing so, Spotify has managed to construct the feeling that the broader universe, beyond just music, sometimes revolves around me too.
Recently, a couple of new restaurants were accused of culturally appropriating Asian food. First, there was Lucky Lee’s, founded by two white restaurateurs: Arielle Haspel, a Manhattan-based health coach and her husband Lee. The concept is Panda Express meets Lilly Pulitzer — over the counter service coupled with blue-jade decor and a logo with chopstick-like font. Lucky Lee’s was branded as “clean” Chinese food that wouldn’t make customers feel “bloated and icky.” Social media backlash was swift and for good reason — Haspel’s choice of promotional words implied that Chinese food is inherently unhealthy and that her restaurant is a solution to this problem. The restaurant and Haspel have since apologized, stating that they now realize that their marketing perpetuated negative stereotypes about the Chinese American community. But the underlying stereotypes about Chinese food — that it is too oily, salty and MSG-laden — remain rooted in the very essence of the restaurant. Despite the apology and modified online advertising, “Feel Great” still appears in large flowy letters over “Chinese Food” on the restaurant’s teal awning. It screams at entering customers that what makes this food special is its objective healthiness compared to regular Chinese food.
The Duo rollout turns religious.
A proof co-authored by Dartmouth mathematics professor emeritus Carl Pomerance and Morningside College mathematics professor Chris Spicer appeared on an episode of the television series, “The Big Bang Theory” on April 18. The proof, which was featured on a whiteboard in the background of the show, reveals the uniqueness of the number 73.
When a power outage hit Team Dartmouth’s greenhouse project for the NASA Breakthrough, Innovative and Game-changing Idea Challenge, the team was alarmed. For 30 hours, their plants went without water or nutrients and wilted. Yet when the power turned back on, the plants came back to life within three hours.
Museums originated from Western collectors displaying “artifacts” from other cultures. Indeed, many items in museum collections are there because they were donated by collectors of such “ethnic” artifacts. So, given this early practice of showcasing travels, conquest and wealth, what is the responsibility of the museum today? Do museums have an obligation to educate the public about other cultures and their history? Even if that position were the consensus, which it is far from being, there is still more discourse about whether or not an institution should be the final proprietor of knowledge that originates from indigenous communities and how a museum should fulfill its purpose if it should not be. For example, some are pushing museums to consult with indigenous communities to make curatorial decisions.
Waka Flocka Flame, Two Friends and MAX will be performing as co-headliners at this year’s Green Key concert on May 17, according to the College’s Programming Board.
At Dartmouth, the most notable body of water for many students is one that doesn’t make any waves — the Connecticut River, a favorite swimming spot whenever it is warm outside. The river holds a special place in the hearts of many people on campus, especially during sophomore summer. Swimming in the river’s pleasantly cool waters with the sun shining on your face is pure bliss. And the dams spaced along the river mean that in certain spots, the water feels completely still, no waves or current to be felt.
Beach or pool?
“We don’t have a word for the opposite of loneliness, but if we did, I could say that’s what I want in life.”
Last June, NASA chief scientist Jim Green told USA Today with certainty that humans will be on Mars in the near future. The prospect of starting over on a new planet once we’ve decimated this one is beginning to feel ever-so-slightly less like science fiction than I’m comfortable with. The mere 12 years afforded to the world to stop climate change in its tracks by last year’s UN report can feel a bit like a death sentence. Meanwhile, evidence of historical bodies of water on the now-dry planet of Mars suggests that past life on the planet, at least, is not out of the question.
When I tell my friends from home that Dartmouth requires its students to pass a swim test in order to graduate, I’m usually met with several common responses: disbelief, laughter, pity and pure confusion being a few. Most people will respond with something like, “What’s the point of having a swim test at a college? You’re there to gain academic skill and knowledge, not to learn how to get from one end of a pool to the other!” At least, my parents definitely said something along those lines.
Until recently, I didn’t think it was possible to get sunburned in April ... at least, not in New Hampshire. On one of the first (and few) beautiful days we’ve had this term, I sat outside on the Green for over six hours, doing nothing at all but chatting and people-watching. By the end of the day, my back was striped red where my tank top wasn’t, because in my mind, sunscreen is for beach days in July when the heat is so strong that we pale folk just know we’re going to burn. In the summer, we prepare accordingly.
A prominent Dartmouth professor and well-known health policy expert will be removed from his directorship of The Dartmouth Institute as the result of a College workplace conduct investigation, College spokesperson Diana Lawrence confirmed in an email statement to The Dartmouth.
At the beginning of this term, I noticed just how much stuff I had accumulated after several years of dorm life in a boarding school. I have used all of my closets and other storage spaces to the fullest, yet, I still have many books, jackets, random electronic devices and documents on the floor. Sometimes, I struggle to dig out the t-shirt I want to wear because my closet is literally full of clothes; other times I am tripped by the Amazon boxes on the ground or I cannot find the right cable among millions of cables all of which have become so intertwined that they may never be separated from each other. This is what a pair of filmmakers called the “Minimalists” refer to as “clutter.”
Reaching its 40th anniversary this year, “Alien,” directed by Ridley Scott, is widely regarded as one of the most influential sci-fi/fantasy films of all times. The film’s symbolism, grand setting, relatable extraterrestrial horror and the metaphysical questions it raises all contribute to a complex and thrilling viewing experience. Forty years since its release, the movie’s profound message still echoes with human identity and remains relevant today. As a devout “Alien” fan, I will review “Alien,” the first movie of the namesake series, but I will also provide a brief guide on the correct sequential order in which to watch the iconic movie franchise.